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The New Yorker @NewYorker
“The TV shows we love are populated by characters who seem real to us,” the showrunner Vince Gilligan says. “We don’t have to agree with them, but we get where they’re coming from. We comprehend them on an emotional level.” https://t.co/kp1LRZfP8b — PolitiTweet.org
The New Yorker @NewYorker
In a new Broadway revival of “Death of a Salesman,” the actor Wendell Pierce—best known for his role as detective Bunk in “The Wire”—makes the melody of a sentence carry meaning beyond its words. https://t.co/5Y5jU5XQ0w — PolitiTweet.org
The New Yorker @NewYorker
Despite a continual stream of scandal and disaster, YouTube doesn’t have the outsized reputation that Facebook and Twitter have taken on as public villains, destroyers of democracy, and general irritants. How has it evaded the same characterization? https://t.co/G9TzdMpTq2 — PolitiTweet.org
The New Yorker @NewYorker
“Alcoholic” is “a hard word to use for someone you love, and so my family avoided it,” David Sedaris wrote, in 2017. “Rather, we’d whisper, among ourselves, that Mom ‘had a problem,’ that she ‘could stand to cut back.’ ” https://t.co/LINsMbskNd — PolitiTweet.org
The New Yorker @NewYorker
So far, Donald Trump’s legal gambits have fared poorly at the Supreme Court, even though a third of the Justices are his appointees. “Trump’s frenetic search for friendly judges, though, will continue unabated,” @RohdeD writes. https://t.co/hEXO3Eff6Q — PolitiTweet.org
The New Yorker @NewYorker
New York’s most enduring bialy bakery is expanding—and new eateries exploring the Jewish diaspora are opening. https://t.co/pn7M0KLhsq — PolitiTweet.org
The New Yorker @NewYorker
Netflix’s miniseries “Dahmer” looks to the murderer’s parents for clues to his depravity. Jeffrey Dahmer’s own father did the same. https://t.co/60a9eOOUEj — PolitiTweet.org
The New Yorker @NewYorker
Since the reversal of Roe v. Wade, Stephania Taladrid has been following a network of women who are secretly distributing abortion pills across the United States. Listen to her discuss the “new abortion underground” on #NewYorkerRadio. https://t.co/kYikOGpLJU — PolitiTweet.org
The New Yorker @NewYorker
Amateur archeologists have recovered arrowheads, pieces of atlatls, and other artifacts—including a woman’s body believed to be many hundreds of years old—in a West Texas cave. To whom do their findings belong? https://t.co/lVRLLRfWW7 — PolitiTweet.org
The New Yorker @NewYorker
In the 1870s, the German biologist Max Schultze, lying on his deathbed, observed that he was leaving a world where “all the important questions . . . had now been settled.” All of them, that is, “except the eel question.” https://t.co/dYPBhNUJ0M — PolitiTweet.org
The New Yorker @NewYorker
RT @NewYorkerFest: Watch a conversation with the stars Jake Lacy, Colin Hanks, and Mckenna Grace, and the creative team behind Peacock’s “A… — PolitiTweet.org
The New Yorker @NewYorker
Madhur Jaffrey writes about asafetida, “perhaps the most stinky spice in the world,” and shares a recipe for sweet, sour, and spicy black-eyed peas. — PolitiTweet.org
The New Yorker @NewYorker
Madhur Jaffrey writes about asafetida, “perhaps the most stinky spice in the world,” and shares a recipe for sweet, sour, and spicy black-eyed peas. https://t.co/QC5DUQpCOV — PolitiTweet.org
The New Yorker @NewYorker
An ongoing Los Angeles City Council scandal pits old-school ethnic politics against the multiracial progressivism of young upstart politicians, @jaycaspiankang reports. https://t.co/PtnKiGsJH2 — PolitiTweet.org
The New Yorker @NewYorker
Sheku Kanneh-Mason, the cellist who catapulted to stardom when he played at Harry and Meghan’s wedding, will be performing one of his favorite pieces at Carnegie Hall on October 22nd. “It’s an incredibly personal piece of music,” Kanneh-Mason said. https://t.co/hR9Vs96X5I https://t.co/jEmULOhN5p — PolitiTweet.org
The New Yorker @NewYorker
“Barney,” unlike other kids’ shows like “Sesame Street” and “Mr. Rogers’ Neighborhood,” felt primarily instructive, @asarahlarson writes, “so goody-two-shoes it hurt.” https://t.co/knOZlNddQC — PolitiTweet.org
The New Yorker @NewYorker
The theme of today’s crossword is “At the watering hole.” Play now, or bookmark it for this weekend. https://t.co/WYtZAzfq9b — PolitiTweet.org
The New Yorker @NewYorker
Dressed crab, bison au poivre, and a twist on baba au rhum are just a few of the many offerings at Le Rock, a buzzy new Rockefeller Center restaurant from the chefs behind Tribeca’s Frenchette. https://t.co/E8S1wdmHxR — PolitiTweet.org
The New Yorker @NewYorker
Through stop-motion animation, the short film “Night of the Living Dread” smartly illustrates the strange power of the shame spiral: the way that even the most mundane memories can suddenly become monstrous. https://t.co/tRph9LIcbE — PolitiTweet.org
The New Yorker @NewYorker
E. E. Cummings, born on this day in 1894, learned from the high-modernist poets James Joyce and T. S. Eliot to distrust the hierarchy of his own being. In Cummings’s poetry, Paul Muldoon writes, “I” becomes “i.” https://t.co/rmZayq9pwJ — PolitiTweet.org
The New Yorker @NewYorker
“LaTanya Richardson Jackson’s star-studded Broadway revival of August Wilson’s ‘The Piano Lesson,’ is, in a word, magnificent,” Helen Shaw writes. https://t.co/rljbvznQiA — PolitiTweet.org
The New Yorker @NewYorker
In the 1960s, this singer briefly dated Bob Dylan, who told her father he wanted to marry her. Can you guess who it is? https://t.co/t7UdXmvgGY — PolitiTweet.org
The New Yorker @NewYorker
RT @sbg1: On Donald Trump, January 6, and the A-word... My new Letter from Washington is up @newyorker: https://t.co/GySe0H8kdC — PolitiTweet.org
The New Yorker @NewYorker
Like many of Martin McDonagh’s films, “The Banshees of Inisherin” is characterized by a dark and measured whimsy, borne by its own momentum into violence, Anthony Lane writes. https://t.co/R89gKnMMdg — PolitiTweet.org
The New Yorker @NewYorker
At our medical office, if you’re two minutes late, we might let you in, but we’ll definitely keep you guessing for a bit! https://t.co/OUl8TRZkNW — PolitiTweet.org
The New Yorker @NewYorker
“There is no point in reviving ‘Medea’ unless you have a soprano who can embrace the dark camp inherent in the tale,” @alexrossmusic writes—and Sondra Radvanovsky meets the challenge with zest. https://t.co/m3EOPtuh4C — PolitiTweet.org
The New Yorker @NewYorker
“Decision to Leave,” the latest film from Park Chan-wook, is engineered to tell a tale of obsessive love. https://t.co/hjAOrglvRm — PolitiTweet.org
The New Yorker @NewYorker
In “Dinosaurs,” Lydia Millet once again rejects the small, familiar world of the individual. Her subject is loss on a planetary scale. https://t.co/N3FmTnB4vp — PolitiTweet.org
The New Yorker @NewYorker
Stewart Rhodes, the founder of the Oath Keepers, is mounting a legal defense based on a misinterpretation of the Insurrection Act. The argument could be used in the future as a justification for another attack on U.S. democracy, a legal expert said. https://t.co/ihDbjT8e1w — PolitiTweet.org
The New Yorker @NewYorker
Before the gavel banged down on the House select committee’s final hearing, on Thursday, the panel voted unanimously to subpoena Donald Trump to testify about his actions. Does it matter? https://t.co/W39FDZ3ToQ — PolitiTweet.org
