The New Yorker

@NewYorker ↗

Deleted No

Hibernated No

Last Checked Oct. 19, 2022

Created

Fri Oct 14 13:12:25 +0000 2022

Likes

Retweets

Source

SocialFlow

View Raw Data

JSON Data

View on Twitter

Likely Available

The New Yorker @NewYorker

“Decision to Leave,” the latest film from Park Chan-wook, is engineered to tell a tale of obsessive love. https://t.co/hjAOrglvRm — PolitiTweet.org

Posted Oct. 14, 2022

Preceded By

The New Yorker @NewYorker

In “Dinosaurs,” Lydia Millet once again rejects the small, familiar world of the individual. Her subject is loss on a planetary scale. https://t.co/N3FmTnB4vp — PolitiTweet.org

Posted Oct. 14, 2022

Followed By

The New Yorker @NewYorker

“There is no point in reviving ‘Medea’ unless you have a soprano who can embrace the dark camp inherent in the tale,” @alexrossmusic writes—and Sondra Radvanovsky meets the challenge with zest. https://t.co/m3EOPtuh4C — PolitiTweet.org

Posted Oct. 14, 2022