The New Yorker

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Last Checked Oct. 19, 2022

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Fri Oct 14 16:53:26 +0000 2022

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The New Yorker @NewYorker

E. E. Cummings, born on this day in 1894, learned from the high-modernist poets James Joyce and T. S. Eliot to distrust the hierarchy of his own being. In Cummings’s poetry, Paul Muldoon writes, “I” becomes “i.” https://t.co/rmZayq9pwJ — PolitiTweet.org

Posted Oct. 14, 2022

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The New Yorker @NewYorker

“LaTanya Richardson Jackson’s star-studded Broadway revival of August Wilson’s ‘The Piano Lesson,’ is, in a word, magnificent,” Helen Shaw writes. https://t.co/rljbvznQiA — PolitiTweet.org

Posted Oct. 14, 2022

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The New Yorker @NewYorker

Through stop-motion animation, the short film “Night of the Living Dread” smartly illustrates the strange power of the shame spiral: the way that even the most mundane memories can suddenly become monstrous. https://t.co/tRph9LIcbE — PolitiTweet.org

Posted Oct. 14, 2022