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The New Yorker @NewYorker

Today’s Daily Cartoon, by Amy Hwang. #NewYorkerCartoons https://t.co/ziUrEbAtlE https://t.co/QHuDzlmqA4 — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Nearly 30 years after “Seinfeld” first aired, @sayrafiezadeh sat down to watch every episode of the show—from start to finish, one episode a day. “I was alone and swallowing ‘Seinfeld’ whole,” he writes. https://t.co/esWQWxzUkQ — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Obscene pecking, dealing tryptophan, and other things the turkey is getting pardoned for. https://t.co/mbRzJQA5sM — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Today, there are only a few kinds of mousetraps available at a typical hardware store. And yet, inventors have filed more than 4,500 U.S. patents for animal traps, about 1,000 of which are specifically related to mice. https://t.co/9E9DREwCt0 — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Most nursing homes devote themselves to the narrow and perfectly reasonable goal of keeping residents safe and healthy. The Village Landais contemplates a broader question: What might a good life with Alzheimer’s look like? https://t.co/bzwBJ7L8oT — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“She’s a literary polymath, but without taking herself too seriously,” one fellow writer and producer said, of Emma Thompson. “That’s a cultural role we rarely allow women.” https://t.co/YA9dkc9Qui — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Though Dorothy Parker notoriously disliked A. A. Milne's “Winnie the Pooh,” her scathing review, from 1928, did nothing to stop the book from becoming a classic. https://t.co/UG9qCNGAW7 — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

In the spirit of revision and reappropriation and hubris—the spirit of folk music—@amandapetrusich compiles a companion to Bob Dylan’s “The Philosophy of Modern Song”: her own list of formative records. https://t.co/TDg7kXpHN3 — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“Innovation does not entail having new ideas, but rather getting rid of old beliefs”: a high-flying journey with the Swiss explorer, psychiatrist, and conservationist Bertrand Piccard. https://t.co/nMS42jrzBm — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

In 2015, President Obama posted a photograph of Kivalina, Alaska, and described what was happening in the village as “America’s wake-up call.” Since then, the weather has only gotten more unpredictable and extreme. https://t.co/lDQWbCyXDc — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

.@susanorlean’s Afterword column commemorates people, places, and things we’ve lost. This week for #NewYorkerRadio, she reads her obituary for the tiger Collarwali, who gave birth to 29 cubs. Listen here, or wherever you get your podcasts. https://t.co/o5hcnQfgw1 — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

A cartoon by Farley Katz. #NewYorkerCartoons https://t.co/d8GAw2sFJt — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“Listen, buddy, I don’t want to sound like I’m against American men’s soccer. I think it’s great that they’re out there doing their thing. It’s not real soccer, but who cares?” https://t.co/LYsDoj20gf — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Fiction by Milan Kundera: “He was gentle and intelligent like his father; and he would always be an intruder, as his mother had viewed him.” https://t.co/T3Pi1MvHml — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

West Virginia, once reliant on a coal economy, now has more than 400 wind turbines. See photographs of the wind technicians who have traded work underground for work up high. https://t.co/N1tk6u9k3r — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Because of streaming platforms, new artists now compete with all of the music that’s ever been made, the indie musician Natalie Mering said. “I really do appreciate the greats. But I would love to see new music and culture get a little more limelight.” https://t.co/AoCaQMceTb — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“When I’m writing well, I have this very clear and distinct feeling that what I’m writing on is already written. It’s somewhere out there. I just have to write it down before it disappears,” the author Jon Fosse says. https://t.co/fzbOXvCgQO — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“I slightly distrust anyone who claims to enjoy writing. Directing is the fun part,” the “Knives Out” director @rianjohnson says, in a new interview. https://t.co/gz7DNOcDEI — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

When the music producer Blake Slatkin found out he had his first No. 1 hit, he told his mom. “And she was, like, ‘That’s awesome.’ And then she was, like, ‘You have a bunch of dishes to do from last night.’ ” https://t.co/kruImXxZjC — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

ترانه علیدوستی، بازیگر ایرانی، درباره اصغر فرهادی، کارگردان، گفت: «این آدم نابغه است، اما در این هم نبوغ دارد که راه‌هایی برای مکیدن فکرهای بکر از آدم‌های اطرافش پیدا کند.» https://t.co/BTRNNHZ0sW — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

The legendary pickpocket Apollo Robbins, in the words of one of his peers, “takes a low crime and turns it into an art form.” #NewYorkerArchive https://t.co/vEAWLFbX3W — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

For the Childhood Delusions Film Festival, an event organized by the filmmaker Curtis Whitear, there were a few rules: submissions couldn’t be longer than five minutes or be made after someone turned 21. https://t.co/uEesKOwmen — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“A new book of my photos, inspired by my Instagram, is an expanded glimpse of how I navigate this culture,” Patti Smith writes. See some of the images in her new collection. https://t.co/3gnjcVirIg — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

.@summerpierre on what Frida Kahlo’s objects reveal about her art and her lived experience. https://t.co/lWoXQuUTzF — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“Twitter’s pious mercilessness is generating nothing so much as a new and bitter remorselessness,” Jill Lepore writes. https://t.co/OZtkHgx180 — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

A cartoon by @dsipress. #NewYorkerCartoons https://t.co/56jdi2btUY — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

“I really think social media plus COVID was too much,” the comedian Neal Brennan says. “All the information that we’re all ingesting all the time—it just overwhelms us.” https://t.co/KeDpXra7vL — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

Instead of a foreordained story of decline and victimization, a new book aims to recenter the “overwhelming and persisting” power of Native nations in North American history. https://t.co/D01OgwlMrZ — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

At Sean Sherman’s restaurant in Minneapolis, every dish is made without wheat flour, dairy, cane sugar, black pepper, or any other ingredient introduced to this continent after Europeans arrived. https://t.co/YBcAPSK6FJ — PolitiTweet.org

Posted Nov. 24, 2022
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The New Yorker @NewYorker

How to sell, donate, and give away that which no longer sparks joy. https://t.co/8VmT5dEQ8a — PolitiTweet.org

Posted Nov. 23, 2022