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The New Yorker @NewYorker
Pamela Paul’s writing generally circles the subject of online outrage—and is often greeted with the same. https://t.co/biyF6Aog3k — PolitiTweet.org
The New Yorker @NewYorker
Elena Ferrante’s novels produce a rapt engagement “so urgent it can feel like hypnosis,” @xwaldie writes. But the onscreen adaptations of her work are frictionless. https://t.co/IHrR0WfHre — PolitiTweet.org
The New Yorker @NewYorker
In the French director Alice Diop’s film “Saint Omer,” a “spare and straightforward method gives rise to a film of vast reach and great complexity,” @tnyfrontrow writes. https://t.co/kDvS0xwDxE — PolitiTweet.org
The New Yorker @NewYorker
Much of Uri Lotan’s animated short “Black Slide” takes place in a water park. But the memories he relied on when creating it are far from the usual summer fun. https://t.co/JqRNZOQ2iM — PolitiTweet.org
The New Yorker @NewYorker
In the past few years, Ivo Dimchev, an openly queer artist in a relatively conservative and patriarchal country, has improbably become one of Bulgaria’s most famous singer-songwriters. https://t.co/ihomUB6ahC — PolitiTweet.org
The New Yorker @NewYorker
“The problem is that we have tremendous concentrations of power over discourse in private hands,” @daphnehk tells @IChotiner, in a conversation about platform regulation. “One response might be to try to break up that concentration.” https://t.co/auwgawqhBO — PolitiTweet.org
The New Yorker @NewYorker
Toni Morrison described her story “Recitatif” as “an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial.” https://t.co/xVTTIXS6bt — PolitiTweet.org
The New Yorker @NewYorker
“As long as I have something to love and nurture I think I can be happy.” In a new comic, Lisa Hanawalt reflects on her decision to not have children. https://t.co/gxzn0PI2MZ — PolitiTweet.org
The New Yorker @NewYorker
Americans eat around twice as many eggs as Indians. “If the threshold for making eggs exciting is higher here, Eggholic pole-vaults over it,” Hannah Goldfield writes. https://t.co/DNGfB3cV1q — PolitiTweet.org
The New Yorker @NewYorker
What should you do if you get a small fish bone stuck in the back of your throat? @newyorkerhumor has some advice. https://t.co/2wWN04DarN — PolitiTweet.org
The New Yorker @NewYorker
In writing novels, John Le Carré found a way to fill his life with all the adventure of a spy thriller but without the need to deceive others—at least, not for work. https://t.co/l5Skb5wmfz — PolitiTweet.org
The New Yorker @NewYorker
A century or so ago, it seems that no writers had this grammatical tic. Now it is everywhere. https://t.co/bgLNi5BzhQ — PolitiTweet.org
The New Yorker @NewYorker
The story of the Murdaugh murders has taken one brutal swerve after another, “complete with serial fake-outs, intimations of corruption, and a true psychological puzzle at its center,” James Lasdun writes. https://t.co/4eKCQWTeaH — PolitiTweet.org
The New Yorker @NewYorker
In the six decades since it was published, “The Lonely Doll” has become a cult classic, beloved especially among a generation of women artists. https://t.co/MAqU7T1uJz — PolitiTweet.org
The New Yorker @NewYorker
Over nearly four decades, beginning in the early 1980s, the photographer Nancy Floyd executed an epic project of self-documentation. https://t.co/iLZjboCzAP — PolitiTweet.org
The New Yorker @NewYorker
In recent years, as the worst drought in more than 1,000 years has seized the Southwest, the region’s tribal nations have been asserting their legal rights to the contentious, increasingly scarce commodity of water. https://t.co/yiKfp3aABH — PolitiTweet.org
The New Yorker @NewYorker
“This was the practice: I was starting to get rid of my possessions, at least the useless ones, because possessions stood between me and death.” A Personal History by Ann Patchett. https://t.co/mUsK4WOAGs — PolitiTweet.org
The New Yorker @NewYorker
Donald Trump has lately grown louder and louder on the subject of a Russian war that he initially praised as an act of “genius” by Vladimir Putin. https://t.co/vsplsDRJVz — PolitiTweet.org
The New Yorker @NewYorker
In a new interview, the songwriter John Cale talks about creating music in lockdown, teaching David Bowie to play the viola, and co-founding “The Velvet Underground” with Lou Reed. https://t.co/xvz68ujq4e — PolitiTweet.org
The New Yorker @NewYorker
.@tnyfrontrow unpacks the outliers on this year’s Oscar slate—and what they reveal about the biases of the Academy’s acting branch. https://t.co/mPxuav6OnU — PolitiTweet.org
The New Yorker @NewYorker
“I consider myself to be a ‘presenturist,’ ” Janelle Monáe says. “That is a word that I made up: instead of a futurist, I’m a presenturist.” https://t.co/UUkmeJp594 — PolitiTweet.org
The New Yorker @NewYorker
See what our critics and editors recommend this week. https://t.co/q7UlUgTstC — PolitiTweet.org
The New Yorker @NewYorker
What would you need to survive the apocalypse? https://t.co/M6k6Nrtnbi — PolitiTweet.org
The New Yorker @NewYorker
The carefully choreographed release of the footage of Tyre Nichols’s brutal beating, and the rhetoric used by public officials, demonstrate how thoroughly the carceral state has appropriated liberal critiques of police violence. https://t.co/HUhmwkXtZE — PolitiTweet.org
The New Yorker @NewYorker
LeBron James’s chase of the most points scored in a career has had an odd, preëmptively anticlimactic vibe—but the feat remains astonishing. https://t.co/lBtPmNDNx9 — PolitiTweet.org
The New Yorker @NewYorker
M. Night Shyamalan’s artistic voice is defined by a mixture of eloquence and stiltedness, boldness and fragility. Love them or not, you wouldn’t mistake one of his films for anyone else’s. https://t.co/kSmWZMtnuE — PolitiTweet.org
The New Yorker @NewYorker
When Robert Opel streaked the Oscars, in 1974, “his quest for exposure was just getting started,” @MJSchulman writes. “The Oscars were not his first or his last brush with history.” https://t.co/INaLKY5HPw — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @MadelineHorwat1. #NewYorkerCartoons https://t.co/DrUmaMrxsO — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Eric Kofman. #NewYorkerCartoons https://t.co/bdzqcqB5Eo https://t.co/p9T4pKguaT — PolitiTweet.org
The New Yorker @NewYorker
“My dad wasn’t drawn to the U.S. by any specific dream,” @huahsu writes. “He understood that American life is unbounded promise and hypocrisy, faith and greed, new spectrums of joy and self-doubt, freedom enabled by enslavement.” https://t.co/3uEw0dYSKi — PolitiTweet.org
