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The New Yorker

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Last Checked Feb. 8, 2023

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Fri Feb 03 11:46:01 +0000 2023

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The New Yorker @NewYorker

In the French director Alice Diop’s film “Saint Omer,” a “spare and straightforward method gives rise to a film of vast reach and great complexity,” @tnyfrontrow writes. https://t.co/kDvS0xwDxE — PolitiTweet.org

Posted Feb. 3, 2023

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The New Yorker @NewYorker

Much of Uri Lotan’s animated short “Black Slide” takes place in a water park. But the memories he relied on when creating it are far from the usual summer fun. https://t.co/JqRNZOQ2iM — PolitiTweet.org

Posted Feb. 3, 2023

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The New Yorker @NewYorker

Elena Ferrante’s novels produce a rapt engagement “so urgent it can feel like hypnosis,” @xwaldie writes. But the onscreen adaptations of her work are frictionless. https://t.co/IHrR0WfHre — PolitiTweet.org

Posted Feb. 3, 2023