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The New Yorker @NewYorker
RT @michaelluo: Remnick on Rushdie. Harrowing details about attack and aftermath. “I sit down to write, and nothing happens. I write, but i… — PolitiTweet.org
The New Yorker @NewYorker
.@lawrence_wright pens a kaleidoscopic portrait of Austin, Texas, a city that he’s seen evolve from a zany hub for artists and visionaries to a turbocharged playground for the rich and powerful. https://t.co/jglDlgMFMg — PolitiTweet.org
The New Yorker @NewYorker
No sitting President has been as old as Joe Biden. “It’s no insult to President Biden, nor is it ageist, to write that all men are mortal, and that older men are more mortal than younger ones,” Jeffrey Frank writes. https://t.co/dV1O72ztLG — PolitiTweet.org
The New Yorker @NewYorker
This week's cover, "New Tricks," by John W. Tomac. #NewYorkerCovers https://t.co/n0hoBlIUzd — PolitiTweet.org
The New Yorker @NewYorker
The punishing Hahnenkamm downhill brings street-party revelry to a medieval town in the Tyrolean Alps, Nick Paumgarten writes. https://t.co/fZ5EYkbjzV — PolitiTweet.org
The New Yorker @NewYorker
“Argentina, 1985,” which is up for an Oscar for Best International Feature, tells the true story of the effort to bring to trial the military juntas that led Argentina during the years of its cruelest dictatorship, from 1976 to 1983. https://t.co/pG36iBx8hE — PolitiTweet.org
The New Yorker @NewYorker
The Red Balloon preschool is part of Columbia’s progressive history, and a lifeline for a community in need of quality, affordable child care. Why is the university shutting it down? https://t.co/dku1VUVM84 — PolitiTweet.org
The New Yorker @NewYorker
Alba de Céspedes’s novel “Forbidden Notebook,” published in 1952 and newly translated, contends with the liberating—and sometimes, limiting—insights that come with self-examination. https://t.co/o7GbIgrZKO — PolitiTweet.org
The New Yorker @NewYorker
Certain questions resurface often in Patricia Highsmith’s early diaries. Does she work better in a relationship or alone? Is she more attracted to her lover’s body or her sparkling conversation? https://t.co/MRzLIO9Nwp — PolitiTweet.org
The New Yorker @NewYorker
From 2020: “It felt like the coolest video game I’d ever gotten my hands on,” one student said, after discovering recordings of lectures from Harvard’s introductory computer-science class on YouTube. https://t.co/rUIb4OLo1x — PolitiTweet.org
The New Yorker @NewYorker
In a new comic, @Julia_Wertz reflects on turning 40. https://t.co/8ThoJfMkUK — PolitiTweet.org
The New Yorker @NewYorker
“Some of us are conditioned to work much harder than others because some of us have a lot more to prove.” Weike Wang reflects on writing, privilege, and overwork. https://t.co/051bw6R0SK — PolitiTweet.org
The New Yorker @NewYorker
The legacy of “A Canticle for Leibowitz” can be seen in the works of Gene Wolfe, Margaret Atwood, and many other speculative-fiction authors who came after him, as well as in the recent flood of end-of-the-world novels, TV shows, and movies. https://t.co/MFknESZ1vr — PolitiTweet.org
The New Yorker @NewYorker
Psst. It’s me, your Photo app. Care to relive “Pictures of Parking Spots 2016-19”? How about “Screenshots of Inappropriate Things Men Have Messaged on Dating Apps Over the Years?” https://t.co/70i6ezGgi4 — PolitiTweet.org
The New Yorker @NewYorker
The backlash against the College Board’s initial proposal for an AP class in African American studies is “an ongoing struggle to roll back anything that’s perceived as diminishing white power,” the historian Robin D. G. Kelley tells @KeeangaYamahtta. https://t.co/iaWkd7KXrb — PolitiTweet.org
The New Yorker @NewYorker
After more than 50 years in music, Bonnie Raitt is far from resting on her laurels; her latest album, “Just Like That . . .,” is nominated for four Grammy Awards. On #NewYorkerRadio, Raitt joins David Remnick. Listen here. https://t.co/BXiVkZzALL — PolitiTweet.org
The New Yorker @NewYorker
In the past few decades, rapid advances in technology have helped transform ultrasound into a powerful diagnostic instrument for everything from damaged organs to tuberculosis. It may soon replace the stethoscope as the quintessential doctor’s tool. https://t.co/h32ozzBRMo — PolitiTweet.org
The New Yorker @NewYorker
Francesca Woodman’s slow-burning self-portraits are the precise opposite of a glib selfie. https://t.co/hn18EKrRU8 — PolitiTweet.org
The New Yorker @NewYorker
A campaign for Andrea Riseborough’s role in “To Leslie” is believed to have flouted the Academy’s rules against lobbying and other unfair forms of influencing. https://t.co/jWX9LGpuZ8 — PolitiTweet.org
The New Yorker @NewYorker
Thinking in pictures, thinking in patterns, thinking in words—these are quite different experiences. But do thinkers themselves fall into such neat categories? https://t.co/W0qtdD9SoH — PolitiTweet.org
The New Yorker @NewYorker
.@tnyfrontrow shares his favorite Jean-Luc Godard films—“I haven’t picked them, they picked me,” he writes. https://t.co/VxARbyqN2k — PolitiTweet.org
The New Yorker @NewYorker
The Amelia Bedelia children's series can be read as a product of mid-20th-century feminism and a reflection on class, domestic labor, and women's work. https://t.co/Yoq0Whe03F — PolitiTweet.org
The New Yorker @NewYorker
A decade ago, when @neil_druckmann was preparing to release the video game The Last of Us, he was unsure how it would be received. Before the show’s première, he felt the same way, he said: “If everybody else hates it, I don’t care—because I love it.” https://t.co/eDEmpo6LTF — PolitiTweet.org
The New Yorker @NewYorker
John Seabrook, who quit drinking more than five years ago, explores the world of craft non-alcoholic beverages—and wonders whether ex-drinkers can safely restore the customs and rituals of drinking, minus the alcohol. https://t.co/Gc4mXGSHW9 — PolitiTweet.org
The New Yorker @NewYorker
A new exhibit at the Met showcases Richard Avedon’s large-scale group portraits. “Even before you take in the subjects of Avedon’s work, you can’t help but appreciate its terrific physical presence,” Vince Aletti writes. https://t.co/3vTHN9vcnr — PolitiTweet.org
The New Yorker @NewYorker
The genius of Marcella Hazan's classic tomato sauce lies in the fact that although it is made of only inexpensive, shelf-stable ingredients, it can’t be improved upon. https://t.co/bnQ91oc9oH — PolitiTweet.org
The New Yorker @NewYorker
The Times music critic Robert Palmer once wrote that “having John Lennon fall in love with her was the worst thing that could have happened to Yoko Ono’s career as an artist.” How true is that? https://t.co/AUbsTEt0l7 — PolitiTweet.org
The New Yorker @NewYorker
From 2013: The rise and fall of arsenic as a tool for angry wives, greedy heirs, and other determined murderers. https://t.co/aXKNDnxd9Y — PolitiTweet.org
The New Yorker @NewYorker
“The Last of Us” does lightness well, and it is that willingness to embrace the full humanity of its characters, including their ardor for material comforts, that gives the series its earthy relatability. https://t.co/0Ed9EtucFm — PolitiTweet.org
The New Yorker @NewYorker
The book “Learning from Las Vegas,” which turns 50 this year, argues for understanding cities as they are rather than how planners wish they might be—and then using that knowledge as the basis for new architecture. https://t.co/lWYeZ8yCRm — PolitiTweet.org
