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The New Yorker @NewYorker
Read the rest of the poem by Mary Karr: https://t.co/4i0VENyKAA https://t.co/U1v7CoYIZw — PolitiTweet.org
The New Yorker @NewYorker
Now 90, Lady Glenconner—a trusted friend of Queen Elizabeth and Princess Margaret—has become a cheeky chronicler of the British élite. https://t.co/8zUfqjvvAT — PolitiTweet.org
The New Yorker @NewYorker
The Times music critic Robert Palmer once wrote that “having John Lennon fall in love with her was the worst thing that could have happened to Yoko Ono’s career as an artist.” How true is that? https://t.co/9heKoHqzCd — PolitiTweet.org
The New Yorker @NewYorker
Octavio Rettig has, by his own count, introduced toad smoking to more than 10,000 people. Most people say that the experience is euphoric, even life-changing. But, for some, it can be nightmarish. https://t.co/Ka6JTpy9Sq — PolitiTweet.org
The New Yorker @NewYorker
Andy Cohen discusses the “great feminist tableau” of the “Real Housewives” franchise, building a media empire, and life as a single parent. https://t.co/oOaNU0bydc — PolitiTweet.org
The New Yorker @NewYorker
When Françoise Gilot’s memoir about her relationship with Picasso first came out, in 1964, his supporters denounced her as a spiteful ingrate—they believed that his genius justified the harm he did to others. Now the popular view is at the opposite pole. https://t.co/Qunsvt2B4S — PolitiTweet.org
The New Yorker @NewYorker
The last entry in Steven Soderbergh’s trilogy continues to rue the gap between talent and its exploitation, but the joy and swing are gone. https://t.co/XVgmsQafZJ — PolitiTweet.org
The New Yorker @NewYorker
.@tnyfrontrow picks *his* Oscar winners—“Benediction” for Best Picture, “Nope” for Best Original Screenplay, “Framing Agnes” for Best Documentary Feature, and more. https://t.co/QOBOLWpxsQ — PolitiTweet.org
The New Yorker @NewYorker
On #NewYorkerRadio, David Remnick speaks with the 35-year-old editor-in-chief of Ukrainska Pravda, an online publication based in Kyiv, about the toll that the war is taking on her and her peers. Listen here. https://t.co/yoIzj7VzXG — PolitiTweet.org
The New Yorker @NewYorker
The artist Pacifico Silano pulls from the pages of soft-core gay magazines from the ’70s and ’80s. The work is suffused with desire, which is exactly what the original material was designed to evoke. See images from a recent installation: https://t.co/EgwdBKQmKX https://t.co/o5rV2qgQgU — PolitiTweet.org
The New Yorker @NewYorker
Looking to decorate? New Yorker Humor has you covered with some “Sopranos” inspired home goods. See the rest of the collection: https://t.co/rfBTCXKWFN https://t.co/G198aGSBjF — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, Jade Orlando illustrates some of her favorite times to use incognito browsing. See the rest of her secret search history: https://t.co/8szsLgoGYJ https://t.co/Z5KPEaK6ry — PolitiTweet.org
The New Yorker @NewYorker
The Nikki Haley who showed up in New Hampshire was, if nothing else, an adroit retail politician. It would be a mistake to underestimate her, @suehalpernVT writes. https://t.co/OZfwbGtmnq — PolitiTweet.org
The New Yorker @NewYorker
In a new interview, @Andy speaks with @frynaomifry about the “great feminist tableau” of the “Real Housewives” franchise, building a media empire, and life as a single parent. https://t.co/FOy8AWR2G4 — PolitiTweet.org
The New Yorker @NewYorker
In this week’s cryptic crossword: planet is home to excellent mothers on farms (five letters). https://t.co/zdvIpQPkgX — PolitiTweet.org
The New Yorker @NewYorker
For Stephen Shore, the core decision of what to photograph “comes from recognizing a feeling of deep connection, a psychological or emotional or physical resonance with the picture’s content.” https://t.co/PQW9PgkGzG — PolitiTweet.org
The New Yorker @NewYorker
“We need to get to the other side of this in a way that gives Ukraine a chance to be the country that they want to be, deserve to be, and could be with our support.” A new interview with Stephen Kotkin, a historian and scholar of Russian history. https://t.co/xHIwwalG79 — PolitiTweet.org
The New Yorker @NewYorker
A year after Vladimir Putin ordered the invasion of Ukraine, it is clear that “the ramifications of his delusions are enormous and bloody,” David Remnick writes. https://t.co/l797O4TN0f — PolitiTweet.org
The New Yorker @NewYorker
The Peloton trainer Robin Arzón discusses the company’s growing pains, how she has worked to expand what it means to be an athlete, and the long afterlife of trauma. https://t.co/Ii6ZNJWrZf — PolitiTweet.org
The New Yorker @NewYorker
“It was vaguely unnerving to see that two people could live through the same experience and understand it so differently.” Fiction by Greg Jackson, from 2021. https://t.co/sUw7THjB0q — PolitiTweet.org
The New Yorker @NewYorker
Aubrey Plaza met Joe Biden at a youth-leadership conference when she was 16. “I had a stare-down with Joe Biden from the audience,” she says. He had asked how the conference went. “I was, like, ‘It’s bullshit. This conference sucks.’ ” https://t.co/cG4YteCiwi — PolitiTweet.org
The New Yorker @NewYorker
“This is what he remembered. Heat. A baseball field. Yellow grass, the whirr of insects, himself leaning against a tree as the boys of the neighborhood gather for a pickup game.” Fiction by Tobias Wolff, from 1995. https://t.co/J6ZCNwXlJv — PolitiTweet.org
The New Yorker @NewYorker
“It’s hard being free in a song—getting it all in. Songs are so confining. . . . You can bend the words and the metre, but it still has to fit somehow,” a 23-year-old Bob Dylan told Nat Hentoff. Revisit the Profile from 1964: https://t.co/sLzw8ZaHFh https://t.co/H01mi7i9NR — PolitiTweet.org
The New Yorker @NewYorker
“It’s been my experience that, when a photographer takes pictures when they’re seeing in a state of heightened awareness, they make subtle decisions that lead the resultant image to appear particularly vivid.” An interview with Stephen Shore. https://t.co/7Iw7WxfwZd — PolitiTweet.org
The New Yorker @NewYorker
Social-Media Manager Responsibilities: Optimized content calendar across all platforms to coincide with anniversaries, vacations, etc.; contributed to the 28-per-cent growth of combined social-media accounts during tenure. https://t.co/VMEoYDG8nI — PolitiTweet.org
The New Yorker @NewYorker
From the 1980s into the 2000s, Sheron Rupp traversed the U.S. with her camera, lingering in rural towns. She would spot something that interested her, pull over, and spark a conversation with whoever she encountered. https://t.co/9ReXVc9MHl — PolitiTweet.org
The New Yorker @NewYorker
The devil would argue that he is in more than just the details—you can find him, for instance, in a map of Florida. https://t.co/LcbKjzYRAD — PolitiTweet.org
The New Yorker @NewYorker
The writer Wendell Berry says a properly ordered, sustainable farm is “something even more miraculous than most art.” https://t.co/ErJMmfqcqA — PolitiTweet.org
The New Yorker @NewYorker
A documentary short explores the meaning of Groundhog Day to the residents of Punxsutawney, who number under 6,000 and who see their town’s population septupled by visitors for a few days each February. Watch here. https://t.co/yd08bm1eHW — PolitiTweet.org
The New Yorker @NewYorker
Elena Ferrante’s novels produce a rapt engagement “so urgent it can feel like hypnosis,” @xwaldie writes. But the onscreen adaptations of her work offer an almost suspicious lack of resistance. https://t.co/JQ4h2miEex — PolitiTweet.org
