The New Yorker @NewYorker
The last entry in Steven Soderbergh’s trilogy continues to rue the gap between talent and its exploitation, but the joy and swing are gone. https://t.co/XVgmsQafZJ — PolitiTweet.org
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Likely AvailableThe New Yorker @NewYorker
The last entry in Steven Soderbergh’s trilogy continues to rue the gap between talent and its exploitation, but the joy and swing are gone. https://t.co/XVgmsQafZJ — PolitiTweet.org