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The New Yorker @NewYorker
In 2016, Norm Macdonald wrote about performing for an empty auditorium at a hospital for the criminally insane: “It was the greatest show I ever had.” https://t.co/dXuLMRvMjc — PolitiTweet.org
The New Yorker @NewYorker
The White Album is still good, still indelible, still as clean and pure as its sleeve. https://t.co/yTnSxVAM2Y — PolitiTweet.org
The New Yorker @NewYorker
“I would love for someone to convince me that there’s a way to fix Penn Station with a 20,000-seat arena sitting on top of it,” an architect and city planner said. “I just haven’t seen a drawing that’s ever shown me anything like it.” https://t.co/F6Xnm1xf7g — PolitiTweet.org
The New Yorker @NewYorker
In the early 1980s, “The Far Side” became one of the smartest and most inventive daily comics of the late 20th century. https://t.co/sqw8CeugIz — PolitiTweet.org
The New Yorker @NewYorker
In Jamie Dack’s début feature, “Palm Trees and Power Lines,” the filmmaker’s original perspective and temperament seem formatted away to the vanishing point. https://t.co/1TINtmjjHD — PolitiTweet.org
The New Yorker @NewYorker
In an essay about his time as a young writer, Gabriel García Márquez, who was born on this day in 1927, recounts his struggles amid early success. https://t.co/XuvRIb2NoQ — PolitiTweet.org
The New Yorker @NewYorker
Why are Ron DeSantis and the Florida legislature pushing changes to libel laws? @fabiobertoni2 explores how two new bills could drastically restrict the protections provided by the actual-malice standard. https://t.co/gvNPc2eAVD — PolitiTweet.org
The New Yorker @NewYorker
.@newyorkerhumor presents the hottest new cosmetic procedures. https://t.co/piZ0Ygj8ic — PolitiTweet.org
The New Yorker @NewYorker
Alexey Navalny survived poisoning and now languishes in prison. His colleague Maria Pevchikh discusses the opposition leader’s fate on a new episode of The Political Scene. Listen here: https://t.co/AG3IvCHUZ6 https://t.co/nq6JrhSesZ — PolitiTweet.org
The New Yorker @NewYorker
Recent polls suggest that we can’t afford to dismiss the continuing threat from Donald Trump and what he represents, regardless of how absurd it sometimes seems, @JohnCassidy writes. https://t.co/lpppTIakfY — PolitiTweet.org
The New Yorker @NewYorker
Before the war, Vasyl Bilous liked to take bird’s-eye—or, as he calls them, angel’s-eye—photographs of Kharkiv with aerial drones. Now he uses his drones to locate targets. https://t.co/SzL4yCEJS4 — PolitiTweet.org
The New Yorker @NewYorker
Alex Stone and his fiancée, Halyna Rusanova, are typical residents of wartime Kharkiv, except in one respect: when the full-scale invasion began, they were living in Moscow. https://t.co/8E3Ygraggm — PolitiTweet.org
The New Yorker @NewYorker
Most theatres in Kharkiv have been shut down since the start of the war. Iryna Lapina, known to most people as Lapa, has been hosting performances at her house. https://t.co/L3X6Err2au — PolitiTweet.org
The New Yorker @NewYorker
In a series of vignettes, @mashagessen explores how Ukrainians are navigating life amid war: the performers who reënact experiences from the invasion, an amateur photographer whose drones now locate targets, and more. https://t.co/9LxauQ3o6v — PolitiTweet.org
The New Yorker @NewYorker
In his new memoir, the Brazilian writer Luiz Schwarcz shares plainly the profound suffering he’s faced in his lifetime with depression and bipolar disorder. https://t.co/tFDzYXkLxy — PolitiTweet.org
The New Yorker @NewYorker
Nikole Hannah-Jones’s “1619 Project,” on Hulu, paints a damning picture of American racism, but its emphasis on the past at times obscures the complexity of the present. https://t.co/Lgs00WhWgU — PolitiTweet.org
The New Yorker @NewYorker
In France, the rise of French tacos is a lot like that of the iPhone, a fast-food founder says: “one day it wasn’t there, and the next day it was, and nobody knows how they lived without it.” https://t.co/17N03JbGkt — PolitiTweet.org
The New Yorker @NewYorker
In Chris Rock’s new comedy special, much of the material feels like mere pretense, a half-thought prelude to the show’s main draw: discussion of the slap. https://t.co/8Wkd1Gidmj — PolitiTweet.org
The New Yorker @NewYorker
City with a view of Mount Etna: seven letters. https://t.co/edFTAfdShD — PolitiTweet.org
The New Yorker @NewYorker
The whereabouts of this actor’s Oscar are unknown. Can you guess who it is? https://t.co/iH17eqOvwI — PolitiTweet.org
The New Yorker @NewYorker
The philosopher Agnes Callard talks frankly about her marriage—she left her ex-husband for her graduate student, and the three now live together—in hopes of showing students how philosophy can apply to the most consequential decisions of their lives. https://t.co/3pES5wM8YI — PolitiTweet.org
The New Yorker @NewYorker
On our Fiction Podcast, listen to Rivka Galchen read her short story, “How I Became a Vet,” from this week’s issue of the magazine. https://t.co/0IOaXw2IZv — PolitiTweet.org
The New Yorker @NewYorker
The artist @dianaejaita discusses “Cultivated,” her cover for this week’s issue. “When I draw a character, I need to have a story in mind while I make the shape.” https://t.co/kl569GRtF1 — PolitiTweet.org
The New Yorker @NewYorker
Penn Station has steadily grown more crowded, unsafe, and inefficient, creating a long-running crisis that every political leader in New York is quick to denounce. Why hasn’t it been fixed? https://t.co/vrfJmkcAxt — PolitiTweet.org
The New Yorker @NewYorker
“I wish we could be asking big questions about journalism,” a correspondent for an independent Russian TV station said. “But all we are ever doing is struggling to survive.” https://t.co/6JnLYngWl6 — PolitiTweet.org
The New Yorker @NewYorker
.@mollyhfischer explores the world of lab-grown breast milk. https://t.co/O7P2L79wH9 — PolitiTweet.org
The New Yorker @NewYorker
Vasyl Bilous is a gadget guy. Before the war, he liked to take bird’s-eye—or, as he calls them, angel’s-eye—photographs of Kharkiv with aerial drones. Now his drones are now used to locate targets. https://t.co/l62ZGisv7G — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Cultivated,” by @dianaejaita. #NewYorkerCovers https://t.co/VxjQiPmG6g — PolitiTweet.org
The New Yorker @NewYorker
“Stories feel more mysterious to me as I get older, rather than less,” Rivka Galchen says, of her short story in this week’s issue, “How I Became a Vet.” https://t.co/aSz6dtM9Km — PolitiTweet.org
The New Yorker @NewYorker
Thousands have illegally entered Welkom’s abandoned gold mines to dig for leftover ore. Underground, temperatures can exceed 100 degrees. Rockfalls are common; rescuers have encountered bodies crushed by boulders the size of cars. https://t.co/eSiPgeCYkt — PolitiTweet.org
