The New Yorker @NewYorker
In Jamie Dack’s début feature, “Palm Trees and Power Lines,” the filmmaker’s original perspective and temperament seem formatted away to the vanishing point. https://t.co/1TINtmjjHD — PolitiTweet.org
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In Jamie Dack’s début feature, “Palm Trees and Power Lines,” the filmmaker’s original perspective and temperament seem formatted away to the vanishing point. https://t.co/1TINtmjjHD — PolitiTweet.org