The New Yorker

The New Yorker @NewYorker

Women’s Reproductive Clinic, in New Mexico, is poised to be among the last remaining abortion providers in the Southwest. Last year, it averaged 154 abortion patients a month. This spring, thanks to Texas’s new restrictions, the number is almost 300. https://t.co/aTMnukQ7SQ — PolitiTweet.org

The New Yorker @NewYorker

It’s taken nearly 200 years for guns to become the problem they are today. The story of how they acquired their power explains why, now, they are so hard to stop. https://t.co/rET6xqhXcQ — PolitiTweet.org

The New Yorker @NewYorker

“The ultimate problem of the Internet might stem not from the discrete technology but from the Frankensteinian way in which humanity’s invention has exceeded our own capacities,” @chaykak writes. https://t.co/NGIBYqZeHo — PolitiTweet.org

The New Yorker @NewYorker

If we assume that there is, to a certain degree, a fixed amount of work necessary for society to function, how can we at once be more productive and have more workers, and yet still be working more hours? https://t.co/dTbsFVC33K — PolitiTweet.org

The New Yorker @NewYorker

At the funeral for Collarwali (2005-2022), the enormous tigress was covered with carnations and shrouded in white. A line of mourners approached the wooden pyre one by one and offered her flowers before she was cremated. https://t.co/PB6rCJXGmV — PolitiTweet.org

The New Yorker @NewYorker

The search engine has made up so much of our online experience for so long that it can be hard to imagine something better. https://t.co/nxuoq5nK6T — PolitiTweet.org

The New Yorker @NewYorker

RT @DhruvKhullar: I spoke with @ashishkjha about his Twitter threads, his public-health philosophy, his journey to the White House—and the… — PolitiTweet.org

The New Yorker @NewYorker

The artist Anne Truitt began keeping a journal in 1974, at 53. Her writing became something of a touchstone for aspiring artists and writers. This month, a fourth volume of her diaries, “Yield,” will be published posthumously. https://t.co/MHTuRltsRm — PolitiTweet.org

The New Yorker @NewYorker

William Klein’s “Life Is Good and Good for You in New York” remains one of the most exciting and idiosyncratic photography books of the past century. It’s the centerpiece of a new retrospective at the International Center of Photography. https://t.co/S4KlZy1Qav — PolitiTweet.org

The New Yorker @NewYorker

On Paul McCartney’s birthday, revisit the Beatles singer on the inspiration for the lyrics to “Eleanor Rigby”—an older acquaintance from Scouts work and a jar of Nivea cream. https://t.co/GQP3AFazV5 — PolitiTweet.org

The New Yorker @NewYorker

Your 677-week-old is now going through something your pediatrician calls “puberty.” Your baby might show new verbal skills, such as stringing vowels and consonants together to form phrases, like, “This dinner sucks,” or, “I hate you, Dad.” https://t.co/yyzCi41dQz — PolitiTweet.org

The New Yorker @NewYorker

.@DhruvKhullar talks to @AshishKJha46, President Biden’s COVID czar, about what it means for a virus to be endemic, overcoming vaccine hesitancy, and why public health is not just the absence of disease. https://t.co/X8F7yWOoBm — PolitiTweet.org

The New Yorker @NewYorker

The new film “Cha Cha Real Smooth” is tinged with a cloying glaze that seeps into the interstices of the drama and limits the characters’ range of motion, @tnyfrontrow writes. https://t.co/F0rj3mlY5G — PolitiTweet.org

The New Yorker @NewYorker

In the grand tradition of Cantonese cooking, the chefs at the Williamsburg restaurant Bonnie’s wield MSG with nuanced artistry. https://t.co/MJpUUXw5HB — PolitiTweet.org

The New Yorker @NewYorker

The trailer for the new film “Official Competition” suggests a farce, rollicking and wild, and boiling with satirical intent. Which only proves that trailers are not to be trusted, Anthony Lane writes. https://t.co/HnzPYvI0Mj — PolitiTweet.org

The New Yorker @NewYorker

Israel’s improbable “change government” has been in power exactly one year this week. But a recent vote in the Knesset, the Israeli parliament, suggests that the government’s run may come to an end soon. https://t.co/n3agf7IGu5 — PolitiTweet.org

The New Yorker @NewYorker

The Times music critic Robert Palmer once wrote that “having John Lennon fall in love with her was the worst thing that could have happened to Yoko Ono’s career as an artist.” How true is that? https://t.co/2EH0HNtgV9 — PolitiTweet.org

The New Yorker @NewYorker

“The Get Rich and Become God Method,” @dril’s new book, is the visual equivalent of a screenful of his tweets, laid out to achieve a maximum of garishness and a minimum of readability. https://t.co/L2uuirIbGx — PolitiTweet.org

The New Yorker @NewYorker

See the list of @tnyfrontrow’s favorite films on MUBI, “many of which were undistributed in theatres or grievously underreleased there,” he writes. https://t.co/Fky6N065sF — PolitiTweet.org

The New Yorker @NewYorker

“The basic rule that I discovered over the years is if you ever want to murder someone in New York City, do it with a car,” a journalist who has meticulously investigated pedestrian and cyclist fatalities said. https://t.co/Pw7RbZ7GGz — PolitiTweet.org

The New Yorker @NewYorker

Madison Cawthorn’s path to reëlection looked smooth. Then he jumped districts. To many voters in his current district, his flight to more favorable turf was a betrayal. https://t.co/zXV6cIMarT — PolitiTweet.org

The New Yorker @NewYorker

If Robert and Michelle King’s shows “The Good Wife” and its spinoff, “The Good Fight,” are about navigating a corrupt world, “Evil” is about a starker theme: the struggle to find meaning in a culture that often seems to be tipping, literally, into Hell.https://t.co/CNvOOzjwqT — PolitiTweet.org

The New Yorker @NewYorker

Many people say that “Pinocchio” is their least favorite Walt Disney film, and yet the story’s imprint on popular culture is undeniable. Joan Acocella explores the origin story of the skinny marionette with the pointy hat. https://t.co/fl7m7DUD24 — PolitiTweet.org

The New Yorker @NewYorker

Mary Oliver’s poetry offers readers a spiritual release they might not have realized they were looking for, Ruth Franklin writes. https://t.co/8w0upCbjR0 — PolitiTweet.org

The New Yorker @NewYorker

“The reason we pay so much attention to school shootings is not simply that they are unnecessary but that our grief inspires a larger sense of injustice,” Adam Gopnik writes. “They degrade our common dignity.” https://t.co/e9V8gbNph5 — PolitiTweet.org

The New Yorker @NewYorker

“On a given day, I could order Guyanese curry chicken, dim-sum-style turnip cakes, and Peruvian alfajores,” Hannah Goldfield writes, about the delivery platform WoodSpoon. “The food was comforting but also stimulating and educational.” https://t.co/J4AXmdPxDu — PolitiTweet.org

The New Yorker @NewYorker

“I am Alessandro, and I am here because of something you half remember and possibly regret.” The leg bruises speak out. https://t.co/NkcVJG3CYs — PolitiTweet.org

The New Yorker @NewYorker

Fiction by John Cheever, from 1964: “Making his way home by an uncommon route gave him the feeling that he was a pilgrim, an explorer, a man with a destiny.” #NewYorkerArchive https://t.co/zaPxG1xyOh — PolitiTweet.org

The New Yorker @NewYorker

For almost half a century, the portrait photographer N. V. Parekh captured the middle classes from Mombasa, Kenya and other places along the Swahili coast. https://t.co/w6OAjhyfrj — PolitiTweet.org

The New Yorker @NewYorker

Lisa McGee’s rambunctious show “Derry Girls,” which will return to Netflix in the U.S. later this year, draws heavily on McGee’s formative years, following a group of teens in Northern Ireland at the tail end of the Troubles. https://t.co/FIm0RXZVdk — PolitiTweet.org