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The New Yorker @NewYorker
Watch our sold-out New Yorker Live event—featuring @maggierogers, @questlove, Kelefa Sanneh, and @huahsu—from anywhere you like. Subscribe to the magazine for free access to the live stream: https://t.co/esdtKWTaSx https://t.co/G2uuJcjsQY — PolitiTweet.org
The New Yorker @NewYorker
The spice levels at Rowdy Rooster, an East Village counter spot with incendiary fried-chicken sandwiches, range from Rascal (mild) to Rowdy (“crazy,” fear-inducingly hot). “The level you choose depends on your idea of fun,” Hannah Goldfield writes. https://t.co/YHcvjUaTim — PolitiTweet.org
The New Yorker @NewYorker
The crime-fiction writer Tana French believes that unreliable narrators give us the best glimpse into another perspective, “because we are all unreliable writers of our own lives.” https://t.co/wDtig562FH — PolitiTweet.org
The New Yorker @NewYorker
One keyboard enthusiast, like many others, traces his interest in the hobby to the beginning of the pandemic. “I was looking for something to do anyway, and keyboards quickly became a pretty large part of my life,” he said. https://t.co/5r3gRp8R6k — PolitiTweet.org
The New Yorker @NewYorker
“If things are not done the way they need to be done, we’re prepared to walk out, we are prepared to keep our children home, and not start school,” said a woman whose granddaughter died in Uvalde, at a school-board meeting. https://t.co/5uLMzPvKMh — PolitiTweet.org
The New Yorker @NewYorker
In the course of three decades, Milton and Anne Rogovin took photographs of families in Buffalo, New York, revisiting them through the years. Their images reveal the changes in individual lives while also reaching into the abstractions of nature and time. https://t.co/p6ZcikipJj — PolitiTweet.org
The New Yorker @NewYorker
Coal companies have long disavowed responsibility for the waste they produce, abandoning mine land and washing their hands of the duty to clean up. A new market for coal waste might allow mining companies to benefit from these pollutants. https://t.co/Pv7XQMMbcv — PolitiTweet.org
The New Yorker @NewYorker
When Vicki Aken, the country director of an international nonprofit, arrived in Afghanistan in 2017, the poverty rate was at about 50 per cent; by the end of 2022, it may reach 97 per cent. “We’re looking at near-universal poverty,” she told @SteveCollNY. https://t.co/FvmzJUDfUT — PolitiTweet.org
The New Yorker @NewYorker
“When my daughter proposed watching ‘The Breakfast Club’ together, I had hesitated, not knowing how she would react,” Molly Ringwald wrote, in 2018. “But I hadn’t anticipated that it would ultimately be most troubling to me.” https://t.co/Jv3JKYsnin — PolitiTweet.org
The New Yorker @NewYorker
“So immersed are the youth in bucket hats and Harold Styles that they have forgotten even the most simple gestures of politeness. Here are a few that it might behoove them to learn.” In @newyorkerhumor, a guidebook for Gen Z. https://t.co/V4wbQ5zdob — PolitiTweet.org
The New Yorker @NewYorker
In France, why are there Kevin memes and Kevin skits and Kevin jokes and even a Kevin novel? https://t.co/0iI0PKesrQ — PolitiTweet.org
The New Yorker @NewYorker
The Montessori method routed disproportionately to rich white kids partially because its founder, Maria Montessori, increasingly viewed her project as “a patentable business,” one of her biographers wrote. https://t.co/hkXFS1CuhY — PolitiTweet.org
The New Yorker @NewYorker
.@IChotiner and Alan Dershowitz discuss what Dershowitz calls a “deliberate cancellation decision” in Martha’s Vineyard after he “dared to defend the Constitution on behalf of Donald Trump.” https://t.co/ZeZSWcpGCW — PolitiTweet.org
The New Yorker @NewYorker
James Howells accidentally threw away the hard drive that held the key to bitcoins that are now valued at half a billion dollars. His quest to recover his fortune has become its own costly obsession. https://t.co/8MAzOaBYqp — PolitiTweet.org
The New Yorker @NewYorker
There is something about observing a single image from “The Simpsons” at a time, as opposed to watching a full episode, that makes for a new kind of perspective on the show. https://t.co/5OHt3drcqW — PolitiTweet.org
The New Yorker @NewYorker
Alain Resnais’s political thriller “La Guerre Est Finie” (“The War Is Over”), from 1966, turns a fundamental aspect of drama—namely, identity—into a mystery and a ruse, but it does so with a tantalizing emotional impact, @tnyfrontrow writes. https://t.co/Lq93xytvqu — PolitiTweet.org
The New Yorker @NewYorker
In the origin myth of Kimye—a relationship that went public in 2012 and ended in divorce, last year—Kanye was Kim’s superhero, who rescued her from B-list squalor by aligning her with his own hard-won pop-cultural credibility. https://t.co/tTYbxgpTP2 https://t.co/X0u17xzo6W — PolitiTweet.org
The New Yorker @NewYorker
Anthony Lane reviews “Three Thousand Years of Longing,” starring Idris Elba and Tilda Swinton as djinn and mistress, and “The Good Boss,” featuring Javier Bardem in the title role. https://t.co/TekoNY6x4V — PolitiTweet.org
The New Yorker @NewYorker
The Mondragon Corporation, a network of autonomous coöperatives in Spain, has managed to survive nearly 70 years of capitalism’s creative destruction. Its persistence suggests that there are fairer and more sustainable ways of doing business. https://t.co/liLtEahtuy — PolitiTweet.org
The New Yorker @NewYorker
“She’s one of the sharpest businesswomen I’ve ever come up against,” one record executive said in 1997, of a 25-year-old Missy Elliott. #NewYorkerArchive https://t.co/NyrXo4psTk — PolitiTweet.org
The New Yorker @NewYorker
Watch Bill Buford demonstrate his technique for making an omelette in the French style, with some help from the family cinematographers. https://t.co/FHE3c4oiyn — PolitiTweet.org
The New Yorker @NewYorker
A year after the fall of Kabul, governments and nonprofits are navigating an uncomfortable tension between prioritizing human-rights advocacy and working with the Taliban to stabilize the Afghan economy. https://t.co/KDna9LIlTG — PolitiTweet.org
The New Yorker @NewYorker
In 1978, the film star Louise Brooks revealed the story of her life since she last faced the Hollywood cameras, four decades ago: “Why did I give up the movies? I could give you 700 reasons, all of them true.” https://t.co/ZrmXsde9pI — PolitiTweet.org
The New Yorker @NewYorker
Twenty years ago, Senator John McCain tried to spearhead an effort to impose an economy-wide limit on carbon emissions. What has happened to Republicans since then? https://t.co/IMUnGL4zCL — PolitiTweet.org
The New Yorker @NewYorker
An adaptation of Neil Gaiman’s series “The Sandman” is now a major hit on Netflix. On #NewYorkerRadio, listen to the author discuss the series’ success. https://t.co/tNym5wM9bJ — PolitiTweet.org
The New Yorker @NewYorker
A rushed prosecution of Donald Trump could result in an acquittal. “The best option for Trump’s opponents is to wait and trust—prosecutors, judges, jurors, and voters—the very system that Trump is trying to subvert,” @RohdeD writes. https://t.co/1jIdR0LrMq — PolitiTweet.org
The New Yorker @NewYorker
Since the turn of the century, private-equity investment in nursing homes has grown from $5 billion to $100 billion. At what cost do these firms’ profits come? https://t.co/zmwm5IMmsL — PolitiTweet.org
The New Yorker @NewYorker
“The most important thing is to do what feels good for you, even if doing what feels good is a 30-minute savasana followed by a 66-day hiatus.” https://t.co/6G8Cn6IhDz — PolitiTweet.org
The New Yorker @NewYorker
“I lived more, like, in two weeks being in N.Y.C. than I had my whole life in Arkansas.” @jkroik eavesdrops on shoppers at Mood Fabrics. https://t.co/zQymWmXyBk — PolitiTweet.org
The New Yorker @NewYorker
From “A Little Life” to “Ted Lasso,” the trauma plot has taken over our pages and our screens. “Characters are now created in order to be dispatched into the past, to truffle for trauma,” Parul Sehgal writes. https://t.co/l0Kzmt5zk1 — PolitiTweet.org
