The New Yorker

@NewYorker ↗

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Last Checked Nov. 23, 2022

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Sat Aug 27 18:49:42 +0000 2022

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The New Yorker @NewYorker

Alain Resnais’s political thriller “La Guerre Est Finie” (“The War Is Over”), from 1966, turns a fundamental aspect of drama—namely, identity—into a mystery and a ruse, but it does so with a tantalizing emotional impact, @tnyfrontrow writes. https://t.co/Lq93xytvqu — PolitiTweet.org

Posted Aug. 27, 2022 Hibernated

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The New Yorker @NewYorker

In the origin myth of Kimye—a relationship that went public in 2012 and ended in divorce, last year—Kanye was Kim’s superhero, who rescued her from B-list squalor by aligning her with his own hard-won pop-cultural credibility. https://t.co/tTYbxgpTP2 https://t.co/X0u17xzo6W — PolitiTweet.org

Posted Aug. 27, 2022 Hibernated

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The New Yorker @NewYorker

There is something about observing a single image from “The Simpsons” at a time, as opposed to watching a full episode, that makes for a new kind of perspective on the show. https://t.co/5OHt3drcqW — PolitiTweet.org

Posted Aug. 27, 2022 Hibernated