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The New Yorker @NewYorker
In five intermissionless acts, “Leopoldstadt” rappels down the 20th century, from 1899 to 1955. In each section, characters turn to or away from their Jewishness, often looking for a sense of belonging or national identity or safety. https://t.co/OTY0KX4EQX — PolitiTweet.org
The New Yorker @NewYorker
“I have all these concerns that somehow everything will go sideways, and it won’t work out,” the artist Carroll Dunham says, about his creative process. “I think there’s a lot of fear of being embarrassed, making a fool of yourself.” https://t.co/0sa7l3aOu3 — PolitiTweet.org
The New Yorker @NewYorker
“For a little bit of time, I felt like Elvis Presley,” a star of the HBO show “The Rehearsal” said. “From the show, people might assume I’m a little maladjusted, but when they meet me they might say, ‘He’s actually looser and funnier than I thought.’ ” https://t.co/cY6YlLGp3R — PolitiTweet.org
The New Yorker @NewYorker
A new history shows how the U.S. government built a modern surveillance state partly in response to Mexican political dissident Ricardo Flores Magón and his followers. https://t.co/4bvjxVaoYE — PolitiTweet.org
The New Yorker @NewYorker
The exact number of Ukrainians being held in filtration centers in Russia and the occupied territories is unknown. By Russia’s own account, nearly four million Ukrainians have already undergone some form of filtration and been “evacuated” to Russia. https://t.co/EBiHcGfykq — PolitiTweet.org
The New Yorker @NewYorker
A new biography sheds light on Othmar Schoeck (1886-1957), who was “notoriously unpunctual and disorderly, with holes in his socks.” But when the Swiss composer applied himself fully, he rivalled the best of his time, @alexrossmusic writes. https://t.co/JhdfscEjqW — PolitiTweet.org
The New Yorker @NewYorker
“I saw men being stopped in the streets in Moscow, and I realized that I had only two options: either leave or live in fear,” an escapee from Russia said. “If I was drafted, I’d have to go to jail, because I’m not going to war.” https://t.co/oPTmHQH1sK — PolitiTweet.org
The New Yorker @NewYorker
Annie Ernaux has won the Nobel Prize in Literature. Read about the memoirist who has devoted herself to the excavation of her own life. https://t.co/qhYL9VBSVK — PolitiTweet.org
The New Yorker @NewYorker
“Way we see it,” Bonita said to Dakotah, “is you ought a join the Army yourself. They take women.” Fiction by Annie Proulx, from 2008. https://t.co/AbdVcBhxAj — PolitiTweet.org
The New Yorker @NewYorker
Vermont has some remarkable legacy outlets that provide different and complementary ways of understanding the state. https://t.co/CvhtQ2ZyZA — PolitiTweet.org
The New Yorker @NewYorker
Brown marmorated stinkbugs are not native to the U.S., but in the years since they arrived, they have spread to 43 states—and have overrun homes, gardens, and farms in one location after another. https://t.co/P1869iohMw — PolitiTweet.org
The New Yorker @NewYorker
From 2016: There are more than 700 species of fig, and each one has its own species of wasp. When you eat a dried fig, you’re probably chewing wasp mummies, too. https://t.co/zu4ysf1FBl — PolitiTweet.org
The New Yorker @NewYorker
From work schedules to TV seasons to baseball games, the seven-day cycle has long ordered American society. Will we ever get rid of it? https://t.co/bOGhtBK2Fc — PolitiTweet.org
The New Yorker @NewYorker
The short film “The Ritual to Beauty” depicts a filmmaker’s family—three women from the Dominican Republic—and the beauty rites they practice that honor their identities. Watch here. https://t.co/mpXQk2pCrA — PolitiTweet.org
The New Yorker @NewYorker
David Mills, the creator of an obscure software system that synchronizes clocks on the Web, has served as the Internet’s Father Time. But his tenure is coming to an end. https://t.co/IVNv6LBvfK — PolitiTweet.org
The New Yorker @NewYorker
An art expert, an A.I. program, and a world authority on pigmentation analysis have concluded it’s likely that a painting was done by Lucian Freud—but the artist denied it. The collector who owns the work is determined to overturn Freud’s own verdict. https://t.co/7UzOpXkE9L — PolitiTweet.org
The New Yorker @NewYorker
In 1968, Tom Murray’s colleague Don McCullin asked Murray to drive him around while he photographed a musical group. “We went in, and there were the Beatles, and I said, ‘Oh, shit,’ ” Murray recalled. “Don said, ‘Didn’t I tell you?’ ” https://t.co/TBHiAcTCpO https://t.co/coNS3Db2bJ — PolitiTweet.org
The New Yorker @NewYorker
.@tnyfrontrow shares his favorite Jean-Luc Godard films—“I haven’t picked them, they picked me,” he writes. https://t.co/zvLndpk1zr — PolitiTweet.org
The New Yorker @NewYorker
On November 13, 2015, Henry Worsley set out from the coast of Antarctica, hoping to achieve what his hero, Ernest Shackleton, had failed to do a century earlier: to trek on foot from one side of the continent to the other. https://t.co/LQkRhm3tnx — PolitiTweet.org
The New Yorker @NewYorker
“In my own kitchen, the pandemic years have been a golden era of fusion cooking,” Danny Chau writes. Get his recipe for Taiwanese Sunday gravy (which doubles as Monday beef noodle soup). https://t.co/WyPcqP46Df — PolitiTweet.org
The New Yorker @NewYorker
A photograph known as “Double Standard,” captured by Dennis Hopper in the early 1960s, resides in the permanent collection of the Museum of Modern Art, and, as visual distillations of L.A. go, it’s one of the greats. https://t.co/KqHwhdxqds — PolitiTweet.org
The New Yorker @NewYorker
For his series “Gentlemen’s Club,” the photographer Chris Buck sought out the men and women who built their lives with strippers. https://t.co/BGfWqdYLfa — PolitiTweet.org
The New Yorker @NewYorker
People have strong, divergent opinions about the continuity of their own selves. Are you the same person you used to be? Or have you changed? https://t.co/5i9BU3pvO2 — PolitiTweet.org
The New Yorker @NewYorker
The Internet has made it far more convenient—maybe even compulsory—to broadcast the crises that we live through, and to witness others from afar. https://t.co/pPFWBbi9SE — PolitiTweet.org
The New Yorker @NewYorker
“The only reason I wasn’t standing in the record store at 5:30 P.M. on May 17, 1974, is that a bus strike meant that we’d had to cycle to school”: in a new Personal History, Bono writes about narrowly dodging one of the deadliest bombings of the Troubles. https://t.co/Kp32UakvgV — PolitiTweet.org
The New Yorker @NewYorker
Merrill v. Milligan concerns a map of Alabama’s congressional districts, which civil-rights groups say is in violation of the Voting Rights Act. The case could be a litmus test for the wreckage the Supreme Court is ready to leave behind. https://t.co/7B49QjHES4 — PolitiTweet.org
The New Yorker @NewYorker
“The figure of this revolution is the body of these women, these unveiled women who are walking in the streets without harming anyone,” the Iranian scholar Fatemeh Shams tells @IChotiner. “And this is unprecedented.” https://t.co/f6yU1NHggO — PolitiTweet.org
The New Yorker @NewYorker
“American (tele)visions,” at @NYTW79, is the rare recent show whose use of—and constant references to—video feels absolutely necessary to its story. https://t.co/Z1CzCELRM4 — PolitiTweet.org
The New Yorker @NewYorker
How many books is too many books? https://t.co/SkroCrUttw — PolitiTweet.org
The New Yorker @NewYorker
It would be a—wait for it—catastrophe to miss @sharonhorgan at this year’s #NewYorkerFest. Tickets are selling quick. Get yours now. https://t.co/n3seUjK6pG — PolitiTweet.org
