The New Yorker

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Last Checked Oct. 10, 2022

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Thu Oct 06 15:44:19 +0000 2022

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The New Yorker @NewYorker

In five intermissionless acts, “Leopoldstadt” rappels down the 20th century, from 1899 to 1955. In each section, characters turn to or away from their Jewishness, often looking for a sense of belonging or national identity or safety. https://t.co/OTY0KX4EQX — PolitiTweet.org

Posted Oct. 6, 2022

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The New Yorker @NewYorker

“I have all these concerns that somehow everything will go sideways, and it won’t work out,” the artist Carroll Dunham says, about his creative process. “I think there’s a lot of fear of being embarrassed, making a fool of yourself.” https://t.co/0sa7l3aOu3 — PolitiTweet.org

Posted Oct. 6, 2022

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The New Yorker @NewYorker

Seventy-five years since the C.I.A.’s inception, it’s far from clear whether the agency is good at its job, or what that job is or should be, or how we could get rid of the agency if we wanted to. https://t.co/isUMZHNS7g — PolitiTweet.org

Posted Oct. 6, 2022