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The New Yorker @NewYorker
“As a long-standing skeptic of the idea that economics should be considered a hard science alongside chemistry and physics, I wasn’t planning to write about this year’s Nobel in Economics,” @JohnCassidy writes. “The prize committee changed my mind.” https://t.co/17FZHIxen2 — PolitiTweet.org
The New Yorker @NewYorker
David Mills, the creator of an obscure software system that synchronizes clocks on the Web, has served as the Internet’s Father Time. But his tenure is coming to an end. https://t.co/lYVVPJH6Me — PolitiTweet.org
The New Yorker @NewYorker
Saying goodbye to your excess stuff is easy; finding it a new home is the challenge. Here’s how to sell, donate, and give away that which no longer sparks joy. https://t.co/BfHQMJ9RuC — PolitiTweet.org
The New Yorker @NewYorker
“It’s incredibly unusual to find a book this good that has been this profoundly forgotten,” said a literary agent who rediscovered Kay Dick’s novella “They.” “That almost never happens.” https://t.co/TsqDI4yRwl — PolitiTweet.org
The New Yorker @NewYorker
Roy Moore has had luck with one lawsuit—against Senate Majority PAC. The case “will live and die on the ‘actual malice’ standard for defamation,” a lawyer for the defense said, “at a time when that standard is under attack.” https://t.co/jtRQsDqvQt — PolitiTweet.org
The New Yorker @NewYorker
“The figure of this revolution is the body of these women, these unveiled women who are walking in the streets without harming anyone,” the Iranian scholar Fatemeh Shams tells @IChotiner. “And this is unprecedented.” https://t.co/phM0raCAUg — PolitiTweet.org
The New Yorker @NewYorker
A series of tender black-and-white pictures show Julia Child before books, before cooking on television, before fame. https://t.co/KRehl1iQrp — PolitiTweet.org
The New Yorker @NewYorker
The 2021 documentary “Fake Famous” tries to create a one-size-fits-all version of an influencer, the too-big-to-fail kind that showcases a fantasy of a luxurious, if anodyne, life style. https://t.co/M5gT04iHIa — PolitiTweet.org
The New Yorker @NewYorker
The first season of “Ramy” exposes the kind of uncomfortable truths to which some Muslims are tempted to turn a blind eye, @yasminealsayyad writes. Season 3 ups the ante. https://t.co/yMqdev1tux — PolitiTweet.org
The New Yorker @NewYorker
A photograph known as “Double Standard,” captured by Dennis Hopper in the early 1960s, resides in the permanent collection of the Museum of Modern Art, and, as visual distillations of L.A. go, it’s one of the greats. https://t.co/3Ci9NvHpGb — PolitiTweet.org
The New Yorker @NewYorker
.@susanorlean remembers Eugene DeLeon, whose passion for rattlesnakes was a guiding force in his life. https://t.co/YDlWOW4hz1 — PolitiTweet.org
The New Yorker @NewYorker
The rightward swing in Indian politics is reflected by Bollywood. Productions that don’t align with Hindu-nationalist politics have been met with bitter legal battles and targeted harassment—offering a lesson in what can and cannot be said under Modi. https://t.co/D1EQm59dN8 — PolitiTweet.org
The New Yorker @NewYorker
Running transformed the Indigenous Canadian Darius Sam, who says he often felt lost and he struggled with depression in his teens. Watch a short documentary about his unlikely journey to becoming an ultramarathoner. https://t.co/1i2muS9fJF — PolitiTweet.org
The New Yorker @NewYorker
In the latest renovation of Geffen Hall, at Lincoln Center, the acoustics came first: “It’s the same hall,” Rivka Galchen writes, “but it’s also a near-total transformation.” https://t.co/i3DeNhKWh4 — PolitiTweet.org
The New Yorker @NewYorker
RT @samanth_s: For ~a year, I've dug into the Hindu right's impact on Bollywood, to find out how the vauntedly liberal industry - directors… — PolitiTweet.org
The New Yorker @NewYorker
A jury in Alabama awarded Roy Moore more than $8 million. A lawyer for the defense says that the case reflects a worrying trend. https://t.co/ajd5IsuWnw — PolitiTweet.org
The New Yorker @NewYorker
The photographer @gregmillerfoto documents a morning ritual—waiting for the school bus—that has taken on new meaning for the children of Uvalde. https://t.co/ngqRHtMkbh — PolitiTweet.org
The New Yorker @NewYorker
Who wrote one of the first best-selling novels by an African American author? https://t.co/ACkMkMU4YL — PolitiTweet.org
The New Yorker @NewYorker
Why do so many books about the C.I.A. have trouble getting their story straight? The biggest problem may be the agency’s own pattern of self-deception, @tnyCloseRead writes. https://t.co/MMBMhH6w4J — PolitiTweet.org
The New Yorker @NewYorker
Barrister Amal who has represented two Nobel Peace Prize winners: seven letters. https://t.co/RZph9juh52 — PolitiTweet.org
The New Yorker @NewYorker
“It was every woman’s worst nightmare. There I was—35, single, and trapped in a corn maze.” https://t.co/jPUUY3pgqM — PolitiTweet.org
The New Yorker @NewYorker
Reading “Predator,” Ander Monson’s new book, “sometimes felt like reading a tweet thread from the most annoying white people on Twitter,” @jaycaspiankang writes. “And yet, against all odds, Monson pulls this off.” https://t.co/SBA7GcGg0x — PolitiTweet.org
The New Yorker @NewYorker
.@newyorkerhumor, from 2017: “Trump is guilty of yet another Very Illegal Thing. It is similar to all the previous Very Illegal Things, but somehow Even Worse.” https://t.co/TVOxG6cnCy — PolitiTweet.org
The New Yorker @NewYorker
Immediately after Roe v. Wade fell, volunteers for the nonprofit Las Libres, based in Mexico, had slipped enough medication across the border to help 2,000 women have abortions at home. Las Libres’ supply chain is rapidly growing. https://t.co/W72etby5J1 — PolitiTweet.org
The New Yorker @NewYorker
The French Senegalese director Alain Gomis grapples with the power and menace of image-making in “Rewind & Play,” a documentary about the making of a documentary featuring Thelonious Monk. https://t.co/yqY2632z19 — PolitiTweet.org
The New Yorker @NewYorker
Most of us know steak tartare as a restaurant meal, but making it yourself can be a revelation. Bill Buford guides you through the process. https://t.co/Qm8xCbOcIA — PolitiTweet.org
The New Yorker @NewYorker
The artist Chris Ware discusses his cover for this week’s issue, using his daily life in his drawings, and his daughter’s experience with school shooting drills. https://t.co/R5JvMJD8q6 — PolitiTweet.org
The New Yorker @NewYorker
Even as exhaustion and cynicism dull the senses, the option of simply ignoring Donald Trump’s utterances isn’t really viable, John Cassidy writes, attractive as it may seem. https://t.co/ScrW7HebQ5 — PolitiTweet.org
The New Yorker @NewYorker
The bombings in Kyiv on Monday were part of a nationwide barrage that hit more than 10 cities. According to Ukrainian officials, the objective was to disable power grids and energy services ahead of the winter. https://t.co/5dZWSxb4lX — PolitiTweet.org
The New Yorker @NewYorker
“This is the danger of the ecstasy of kissing the dead or dying poet on the mouth. The disease you’ll catch—well, it changes you.” A poem by @dlseuss. https://t.co/acTPHFc6Ec — PolitiTweet.org
