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The New Yorker @NewYorker

Lawrence Brownlee has long been one of the most impeccable stylists on the opera scene, but in “Otello” he displays a new dramatic bite. https://t.co/uGM2pblOlz — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

A new short documentary follows a group of women in Hondzonot, Mexico, a small Indigenous community in the Yucatán Peninsula, who challenged their town’s restrictive gender norms by forming a softball team. Watch here. https://t.co/YNgS7WiorB — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

“Tár,” starring Cate Blanchett, is “a regressive film that takes bitter aim at so-called cancel culture and lampoons so-called identity politics,” @tnyfrontrow writes. https://t.co/ruxi3ghbdk — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

“Go Ask Alice,” the supposedly real diary of a teen drug addict, was really the work of a straitlaced stay-at-home mom. https://t.co/8cEXY2AzMK — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

In 1972, in Kansas, a family of four picked up a hitchhiker. Then they got into a near-fatal car crash. The hitchhiker later chronicled the event in an acclaimed short story that became a movie—and a word-of-mouth hit among Gen Xers. https://t.co/pWe9t2njdZ — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

Learning loss won’t be addressed in a significant way unless both parents and teachers demand the money and resources that are necessary to change public schools in the poor and working-class communities where those resources are most needed. https://t.co/i1TLOz6oSw — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

The case of the headless goats in the Chattahoochee River, which runs through metro Atlanta, is a mystery. It’s also a public-health hazard, and a nightmare for a stretch of river that’s newly safe for recreation. https://t.co/V3uB8ASDTU — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

The Internet has made it far more convenient—maybe even compulsory—to broadcast the crises that we live through, and to witness others from afar. https://t.co/K1CrKlhsVX — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

“What is the tooth fairy doing with all the teeth?” https://t.co/fJIC5hq5CS — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

If you can name the “big three” of ancient Greek philosophy, you can solve today’s Name Drop. Give it a guess. 👇 https://t.co/wxfR2Q7tEn — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

“It seemed almost miraculous to me, back then, that two white guys from New York in the ’70s could manage to capture something of how it felt to be a misfit teen-age Taiwanese American girl circa 2010,” @ChelseaLeu writes. “It still seems miraculous.” https://t.co/7SuaEeWeco — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

Thursday marks the last expected public hearing of the January 6th committee. Listen to a live taping of our politics podcast, in which @eosnos, @JaneMayerNYer, @sbg1, and @RepRaskin discuss the legal theory of the possible cases against Trump. https://t.co/0faJdgCKRm — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

“___ to Prince” (@NifMuhammad poem): three letters. https://t.co/gFRmh37H7P — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

A comic chronicles the reactions to a cartoonist’s name since he moved to the U.S., in 2013. https://t.co/0YgQt682Eh — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

Governments have tried to control Indian cinema in the past. But the disdain for Bollywood displayed by Narendra Modi’s Party registers as something deeper—as an echo of its animus toward the Congress and other rival parties. https://t.co/oHOUrhiHOf — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

An obituary for Eugene DeLeon, the founder of the all-purpose snake enterprise Snakebusters Snake Handlers, who lived in prime rattler territory—and was proud to do something helpful in town. https://t.co/MlxQHMaq8R — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

Five British monarchs, from Henry VII to Elizabeth I, as well as the European artists who flourished under their patronage, are the focus of the exhibition “The Tudors: Art and Majesty in Renaissance England.” https://t.co/fiHgHEFQxV — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

A new U.N. report on the Xinjiang region found that China’s government had committed violations that may amount to “crimes against humanity.” Some activists think it didn't go far enough. https://t.co/EPUfgVNv6o — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

How a multigenerational network of activists took inspiration from a nonprofit in Mexico to distribute abortion pills to Texas and other states. https://t.co/zFMOQbmldg — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

David Sedaris grieves the loss of his father, contemplates the existence of Heaven, and dismisses the many euphemisms people use when someone dies. https://t.co/6zl244v5li — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

During the pandemic, few issues have crystallized the trade-offs we face as the disruptions to education have. Students returning to public schools this year are among a cohort that has experienced historic losses in educational achievement. https://t.co/MToN6yPU6w — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

“The Mets are good this year, right?” “What are you saying?! Don’t jinx it!” https://t.co/UFdMDNHE5K — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

In @newyorkerhumor: how to survive on Twitter in 2022. https://t.co/t8i8LtbZvY — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

T. S. Eliot’s most celebrated work, “The Waste Land,” marks its 100th birthday this year. “The poem,” Anthony Lane writes, “is fated to tell each of us, from one era to the next, whatever it is that we most fear to hear.” https://t.co/msUuKh9cHF — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

For decades, a man has romanced New York women, persuading them to invest in questionable business deals. How did he keep running the same scam? https://t.co/LqKZ6dhE5A — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

How many books is too many books? https://t.co/Q8xG1QzhIj — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

“There was simply no way of conceiving, on the part of these very smart, well-intentioned people, a Black intellectual class,” Lorraine O’Grady said, about working in Washington, D.C., before becoming an artist. https://t.co/nUDPhZqs4Q — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

The d.j. Solomun isn’t a natural performer, @edcaesar writes, but he has learned some moves. “When a beat drops, he greets it like a conductor bringing in the string section. . . . he skips around the booth doing a semi-ironic, elbows-out dad dance.” https://t.co/4dy40UCsgi — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

The films that the Iranian director Jafar Panahi has made since 2011 are exemplary works of personal cinema, @tnyfrontrow writes. His latest, “No Bears,” is a film of rage calmly expressed, and the target of that rage is religious dogma. https://t.co/XWyYlMopZi — PolitiTweet.org

Posted Oct. 12, 2022
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The New Yorker @NewYorker

If Vladimir Putin were to use nuclear weapons against Ukraine, the attack would terrorize the country’s population and shatter a seven-decade-old international taboo, all while bringing few benefits on the battlefield, an expert says. https://t.co/ZBUhrGzxKf — PolitiTweet.org

Posted Oct. 12, 2022