The New Yorker

@NewYorker ↗

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Last Checked Oct. 17, 2022

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Wed Oct 12 04:05:54 +0000 2022

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The New Yorker @NewYorker

The d.j. Solomun isn’t a natural performer, @edcaesar writes, but he has learned some moves. “When a beat drops, he greets it like a conductor bringing in the string section. . . . he skips around the booth doing a semi-ironic, elbows-out dad dance.” https://t.co/4dy40UCsgi — PolitiTweet.org

Posted Oct. 12, 2022

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The New Yorker @NewYorker

The films that the Iranian director Jafar Panahi has made since 2011 are exemplary works of personal cinema, @tnyfrontrow writes. His latest, “No Bears,” is a film of rage calmly expressed, and the target of that rage is religious dogma. https://t.co/XWyYlMopZi — PolitiTweet.org

Posted Oct. 12, 2022

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The New Yorker @NewYorker

“There was simply no way of conceiving, on the part of these very smart, well-intentioned people, a Black intellectual class,” Lorraine O’Grady said, about working in Washington, D.C., before becoming an artist. https://t.co/nUDPhZqs4Q — PolitiTweet.org

Posted Oct. 12, 2022