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The New Yorker @NewYorker

The American Air Force general Curtis LeMay believed that the only sure nuclear defense was to launch a preëmptive first strike. During the Cuban missile crisis, which began on this day in 1962, he almost did it. https://t.co/1jTyhqwesg — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

Aaron Judge may have come by his home-run record honestly, but does anyone else play by the rules? @mcgrathben investigates some cheating complaints in chess, poker, and an angling tournament on Lake Erie. https://t.co/RipW10OKVL — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

“I have no doubt we shall win, but the road is long, and red with monstrous martyrdoms,” Oscar Wilde wrote, foreseeing his posthumous triumph. He was born on this day in 1954. https://t.co/W0dSpx6lSB — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

In this week’s cryptic crossword: Boy George’s first tune (four letters). https://t.co/4quug1v5DP — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

“People would say that I played eccentric characters. But in those circumstances I’m the normal one,” the actor Geena Davis says, in a new interview. “Even in ‘Stuart Little,’ Hugh Laurie and I are very normal about having a mouse as a son.” https://t.co/rRCKNkn8oU — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

In Kate Atkinson’s new novel, she hints at the idea that undergirds all of her historical fiction: no matter how closely we examine or imagine the past, the idea that we might fully understand it is always an illusion. https://t.co/N7hfTIm19W — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

In recent years, a small group of scholars has focussed on war-termination theory—that is, the study of how wars end. They see reason to fear the possible outcomes in Ukraine. https://t.co/p5MA4RGdFy — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

A pawnbroker’s viral TikTok about a wartime album he found has brought renewed attention to the Nanjing Massacre. “The sad irony here is that, as far as I can tell, none of these photographs are from Nanjing,” a professor who reviewed the images said. https://t.co/ojjHqDpBxK — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

What does it mean when limes, fingers, and lobsters appear in your dreams? Roz Chast does some decoding: https://t.co/l2D0UeHgP6 https://t.co/aWEKQWs6Cj — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

With the midterms now only a few weeks away, one shouldn’t expect an overflowing of dignity in any of the half-dozen or so states where Senate seats are being seriously contested, @tnyCloseRead writes. https://t.co/hbmZ8MEVee — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

Revisit Janet Flanner’s 1957 Profile of Pablo Picasso, who began making art as a prodigy—at the age of about 17—and continued for the rest of his life. #NewYorkerArchive https://t.co/8lXVcT7awW — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

Should rich nations pay the communities that they have helped to drown? https://t.co/ww6f1t8cnB — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

Stephen King’s horrors “seduce us with scenes and places that are reassuringly familiar.” A 1998 Profile of the legendary author, by Mark Singer. #NewYorkerArchive https://t.co/VtRqm8goQB — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

“Competing visions—left-inspired, multiracial progressivism vs. middle-class, business-driven ethnic politics—will likely shape the future of Los Angeles,” @jaycaspiankang writes. https://t.co/zliagIRL9X — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

Although Angela Lansbury (1925-2022) appealed to practically everyone, she had a special grasp on the old and the young. Her tenure on “Murder, She Wrote” made a demographic that is usually invisible in mass culture—older women—visible. https://t.co/QqMdZfgLqF — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

How much should we value the past, the present, and the future? https://t.co/Rx4fHTSVTL — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

The Falwells “were some of the most interesting subjects that I’ve talked to in my career,” says @Megankstack, who reported on the aftermath of Jerry Falwell, Jr.,’s ouster from Liberty University. Read her account of talking to the disgraced evangelicals. https://t.co/SH4KXql9pv — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

A list of 10 spooky stories that forgo the blood and guts. https://t.co/GCO5jbgTMB — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

What happened to Lovett Fort-Whiteman, the only known African American to die in the Gulag? https://t.co/GlM2BdYk2k — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

John Donne’s startlingly intimate love poems fell from favor for centuries, but his drive to see every subject anew makes him seem more contemporary than ever. https://t.co/iLZEzk54DG — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

From 2021: “I’m paying my rent by trading JPEG pictures on the Internet,” one N.F.T. buyer said. “That’s what I tell my parents.” https://t.co/f5ZjMHijjX — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

The music historian Richard Taruskin, who died in July, was staggeringly knowledgeable about his chosen field. What made him a singular phenomenon, @alexrossmusic writes, was not what he wrote but how he wrote it. https://t.co/gCuWt96YNz — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

Bertrand Russell observed that “men who sleep badly are always proud of the fact.” But in the insomniac’s self-satisfaction there is also, perhaps, a genuine fear of the nullity of sleep. https://t.co/MpU3PsGuNa — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

LaTanya Richardson Jackson directs a stunning encore of “Piano Lesson,” August Wilson’s most enigmatic work. https://t.co/ElbCqtHknB — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

“I’m a philosophical writer,” the novelist Joyce Carol Oates says, of the masculine and femine themes that often emerge in her work. “I can dramatize an idea that I don’t believe in myself.” https://t.co/yPkkwqTj5q — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

For Iran, #WomanLifeFreedom is a turning point. “Iranian women have been waiting for four decades for this moment when they could take matters into their own hands,” a former director of the Wilson Center’s Middle East program said. https://t.co/kdDyqzzpDI — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

After receiving both doses of the coronavirus vaccine, @mashagessen tested positive for COVID-19. “For me, the biggest impact of getting COVID-19 after being vaccinated may be psychological.” https://t.co/ehnbfbXaXx — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

“Over time, you realize that your role might be bigger than being a housewife,” says the captain of a softball team challenging a small Mexican town’s gender norms. Watch a documentary about the team here. https://t.co/EelgTjjdrk — PolitiTweet.org

Posted Oct. 16, 2022
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The New Yorker @NewYorker

“What is it about asafetida that so haunts the senses? Many spices and seasonings change when they are toasted,” Madhur Jaffrey writes. “But something almost miraculously transformative happens to asafetida when it hits hot oil or ghee.” https://t.co/5nARAjxJCp — PolitiTweet.org

Posted Oct. 15, 2022
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The New Yorker @NewYorker

Roz Chast illustrates a song she and her son sang to his almost two-year-old kid, about Mary’s not-so-little lamb. https://t.co/eevlnVZ2Lk — PolitiTweet.org

Posted Oct. 15, 2022