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Showing page 228 of 3498.
The New Yorker @NewYorker
The states’ secretaries of state are supposed to insure election integrity, but a far-right coalition seeks to transform that office. https://t.co/AD3FQ8kpUg — PolitiTweet.org
The New Yorker @NewYorker
If the de-facto Haitian Prime Minister Ariel Henry’s request for foreign troops is met, it will mark the fifth time in a little more than a century that Haiti has seen military intervention. https://t.co/NNzBVgIdnb — PolitiTweet.org
The New Yorker @NewYorker
H.D.’s autobiographical novel “HERmione” dissents from the lore around her relationship with Ezra Pound—by turns her lover and editor—by suggesting that he was a threat, as well as a spur, to the poet’s self-making. https://t.co/cHctNay0yv — PolitiTweet.org
The New Yorker @NewYorker
The longtime New Yorker critic Peter Schjeldahl, who died on Friday, “was openhearted, he knew how to praise critically, and, to the end, he was receptive to new things, new artists,” David Remnick writes. https://t.co/hcx7eTZOzv — PolitiTweet.org
The New Yorker @NewYorker
Legal experts believe that court rulings between now and the 2024 election will play a central role in determining whether the United States emerges from the Trump era or continues down an authoritarian route. https://t.co/NLi2Rs4qkZ — PolitiTweet.org
The New Yorker @NewYorker
“We told the Ukrainians if they try and fight like the Russians, they will lose,” a senior Defense Department official said. “Our mission was to help Ukraine compensate for quantitative inferiority with qualitative superiority.” https://t.co/QFCW2v6imm — PolitiTweet.org
The New Yorker @NewYorker
Even as exhaustion and cynicism dull the senses, the option of simply ignoring Donald Trump’s utterances isn’t really viable, John Cassidy writes, attractive as it may seem. https://t.co/oVpKK4ALBp — PolitiTweet.org
The New Yorker @NewYorker
Revisit Peter Schjeldahl on the twentieth-century American poet who invested slight subjects (the weather, often) with oracular gravitas, and grand ones (death, frequently) with capering humor. https://t.co/rwCMMOpvnF — PolitiTweet.org
The New Yorker @NewYorker
Thousands of women who claim that Johnson & Johnson’s talcum powder gave them ovarian cancer filed lawsuits—then the company pulled a legal maneuver that stalled their cases and prevented others from even filing. https://t.co/tO7TI2UXyE — PolitiTweet.org
The New Yorker @NewYorker
“I’ve been wearing a hat lately. A little bucket hat, at the beach. It’s Eileen Fisher,” Eileen Fisher says, in a new interview with @cbattan. https://t.co/H5EBPnUreh — PolitiTweet.org
The New Yorker @NewYorker
For decades, the Bloomsbury-group artist Duncan Grant kept hundreds of explicit drawings out of the public eye. The painter’s erotic art is now on display at Charleston, in East Sussex, for the first time. https://t.co/czSwPQ6tc4 — PolitiTweet.org
The New Yorker @NewYorker
After she heard “Do It Again,” @ChelseaLeu became entranced with Steely Dan. “What was with these harmonies, so strange and so addictive?” she writes. “Who would make a song like this?” https://t.co/BXNUYWKb7F — PolitiTweet.org
The New Yorker @NewYorker
“But she moves aside and lets him leave. She closes the door after him. Her heart is beating fast. It’s horrible to care.” Fiction by Marisa Silver. https://t.co/gamyHLd4Vi — PolitiTweet.org
The New Yorker @NewYorker
The base ingredient of Kate Atkinson’s new novel, “Shrines of Gaiety,” is research-packed historical fiction, but there’s also a generous measure of mystery, a dash of romance, and a barely there float of playful authorial provocation. https://t.co/TKC9Fzz7F0 — PolitiTweet.org
The New Yorker @NewYorker
The E.P.A is tasked with helping to control rodent populations. But rats have gotten the best of the agency in Atlanta, preventing employees from returning to its regional office. https://t.co/3drk8i9QJa — PolitiTweet.org
The New Yorker @NewYorker
The P.G.A. Tour considers LIV, Saudi Arabia’s new golf league, an existential threat. But the Tour has taken solace in LIV’s actual product, which it views as a joke. https://t.co/aDJuF9yVxp — PolitiTweet.org
The New Yorker @NewYorker
In a new comic, Julia Wertz rediscovers reading through her son, Felix. https://t.co/kawRi3x6Fl — PolitiTweet.org
The New Yorker @NewYorker
“Is Harry Styles a plausible movie star?” @MJSchulman writes, “It’s a job requiring less facility for transformation than sheer magnetism—something an international pop star presumably has at his fingertips.” https://t.co/jIj9m6SUh5 — PolitiTweet.org
The New Yorker @NewYorker
Haitian Prime Minister Ariel Henry has requested outside forces to help deal with the country’s humanitarian crises and gangs, but Haitians have little faith in foreign intervention. https://t.co/q4LzCK4upS — PolitiTweet.org
The New Yorker @NewYorker
In her novel “The Sweetest Dream,” Doris Lessing—born on this day in 1919—renders the political hypocrisies and timeless wisdoms of the sixties. https://t.co/7Tf6D2YSIu — PolitiTweet.org
The New Yorker @NewYorker
The politics of Beijing had prepared Guo Wengui for navigating Trump’s Washington—another realm where money bought influence, business mixed with government, and truth merged with fiction. What is he after? https://t.co/K4EXQEQ2jc — PolitiTweet.org
The New Yorker @NewYorker
The podcast “Rumble Strip” offers a reminder that ordinary life, and the ties that bind it, remains something to celebrate. https://t.co/mF63lg2pxr — PolitiTweet.org
The New Yorker @NewYorker
“I don’t want to be cheesy, but I feel like getting married and working on a relationship is my greatest accomplishment,” Ramy Youssef says, in a new interview. “That means so much more to me than popularity.” https://t.co/bqmmg4L2lD — PolitiTweet.org
The New Yorker @NewYorker
“Writing something, even writing something well, teaches you really nothing about how to write the next thing. You’re always starting over.” An interview with Ocean Vuong. https://t.co/5WXx07igCi — PolitiTweet.org
The New Yorker @NewYorker
The novelist Lydia Millet is energized by our place in the wider landscape. Why, her work demands, are we afraid to die? What are the ethics of wanting what we want? https://t.co/yqHXJMf46i — PolitiTweet.org
The New Yorker @NewYorker
“they had come to find failure hilarious, and even faked it on some occasions.” A poem by Rae Armantrout. https://t.co/Hs4WFyvsYF — PolitiTweet.org
The New Yorker @NewYorker
The screening writing guru Robert McKee will devote the final day of his famous “Story” seminar to a six-hour, scene-by-scene analysis of “Casablanca,” which he considers a paragon of excellent writing. https://t.co/ISgITMtpGK — PolitiTweet.org
The New Yorker @NewYorker
Anne Brigman was an artist who helped shape American modernist, feminist, and landscape photographic traditions—and she was one of the first women to photograph herself in the nude. https://t.co/epyX8Hrd76 — PolitiTweet.org
The New Yorker @NewYorker
The films that the Iranian director Jafar Panahi has made since 2011 are exemplary works of personal cinema, @tnyfrontrow writes. His latest, “No Bears,” is a film of rage calmly expressed, and the target of that rage is religious dogma. https://t.co/WNR3X1dRs8 — PolitiTweet.org
The New Yorker @NewYorker
For Iran, #WomanLifeFreedom is a turning point. “Iranian women have been waiting for four decades for this moment when they could take matters into their own hands,” a former director of the Wilson Center’s Middle East program said. https://t.co/NISne6D5AY — PolitiTweet.org
