The New Yorker

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Last Checked Oct. 27, 2022

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Sat Oct 22 08:19:25 +0000 2022

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The New Yorker @NewYorker

The films that the Iranian director Jafar Panahi has made since 2011 are exemplary works of personal cinema, @tnyfrontrow writes. His latest, “No Bears,” is a film of rage calmly expressed, and the target of that rage is religious dogma. https://t.co/WNR3X1dRs8 — PolitiTweet.org

Posted Oct. 22, 2022

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The New Yorker @NewYorker

For Iran, #WomanLifeFreedom is a turning point. “Iranian women have been waiting for four decades for this moment when they could take matters into their own hands,” a former director of the Wilson Center’s Middle East program said. https://t.co/NISne6D5AY — PolitiTweet.org

Posted Oct. 22, 2022

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The New Yorker @NewYorker

Anne Brigman was an artist who helped shape American modernist, feminist, and landscape photographic traditions—and she was one of the first women to photograph herself in the nude. https://t.co/epyX8Hrd76 — PolitiTweet.org

Posted Oct. 22, 2022