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The New Yorker @NewYorker
Curtis LeMay believed that the only sure nuclear defense was to launch a preëmptve first strike. During the Cuban missile crisis—which ended on this day in 1962—he almost did it. https://t.co/YpiPy8TSYK — PolitiTweet.org
The New Yorker @NewYorker
Vladimir Putin’s threats allow him to fight Ukraine while warning the West that it would risk a nuclear response from Russia if it intervened militarily in the conflict. https://t.co/bFwdqVEjeo — PolitiTweet.org
The New Yorker @NewYorker
This singer wrote and recorded the original version of a song made famous by Aretha Franklin. Can you guess who it is? https://t.co/oxllqP62aZ — PolitiTweet.org
The New Yorker @NewYorker
The optimistic case for Elon Musk’s purchase of Twitter is that he has a strong incentive to make a financial success of it, and this wouldn’t be consistent with allowing the platform to turn into even more of a cesspit, @JohnCassidy writes. https://t.co/JytbUpVQ7H — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @PaulNoth. #NewYorkerCartoons https://t.co/ZKb345hatj — PolitiTweet.org
The New Yorker @NewYorker
These days, nobody seems all that sure that their children will live better, or even slightly less privileged, lives than they did. That fear has only been made worse by the pandemic, and the stream of stories about falling test scores. https://t.co/lnXjecFkOK — PolitiTweet.org
The New Yorker @NewYorker
The new James Gray film, “Armageddon Time,” is punctuated by uncrushed and finely modulated social scenes. “Each of them feels like a small drama unto itself,” Anthony Lane writes. https://t.co/d0ee9INTcc — PolitiTweet.org
The New Yorker @NewYorker
For the Democratic Party, the Ohio congressman Tim Ryan has supplied a rare point of optimism, @benwallacewells writes. https://t.co/buAWmMpBLG — PolitiTweet.org
The New Yorker @NewYorker
A 9,000-mile road trip brings the subjects of a classic photography book face to face with their contemporary incarnations. https://t.co/oihfI75rCj — PolitiTweet.org
The New Yorker @NewYorker
The filmmakers behind the new short “Death and the Lady” used C.G.I. to create a world that’s layered and cozy, even when Death comes knocking. Watch here. https://t.co/mq6m2Ve1Id — PolitiTweet.org
The New Yorker @NewYorker
At Jalao, the new outpost of a Santo Domingo restaurant, in Washington Heights, the plating evokes a high-end resort, but the food is all homey Dominican classics. https://t.co/S5TXXAZ9lr — PolitiTweet.org
The New Yorker @NewYorker
In his latest Kvetchbook, Barry Blitt presents the compelling evidence that Ted Cruz is in fact a vampire. https://t.co/2basbEBf6H — PolitiTweet.org
The New Yorker @NewYorker
The 23-year-old British musicians Rosa Walton and Jenny Hollingworth, together known as the pop-duo “Let’s Eat Grandma,” have reconnected for a new album and a show at Webster Hall. https://t.co/HdWg3ji8TE — PolitiTweet.org
The New Yorker @NewYorker
Halfway through “Triangle of Sadness,” the new black comedy from the Swedish director Ruben Östlund, shit literally hits the fan, @frynaomifry writes. https://t.co/QVWijSsbuh — PolitiTweet.org
The New Yorker @NewYorker
In 1977, then 23-year old photographer Marilyn Nance travelled to Lagos to attend FESTAC, “the Olympics, plus a Biennial, plus Woodstock” of Black cultural events. See her photos, of both the spectacles and the sidelines: https://t.co/Thtps6gXuy — PolitiTweet.org
The New Yorker @NewYorker
The new book “Stroller” explores how the ubiquitous tool came to sit at the intersection of natural parental anxiety, consumerism run amok, and the outsized weight we place on the choices of individual parents. https://t.co/fVYU39bjBJ — PolitiTweet.org
The New Yorker @NewYorker
.@alexrossmusic on the demonization of mid-century modernism, and how an architectural style became Hollywood’s favorite backdrop for villainy. https://t.co/kWPtMJr0zr — PolitiTweet.org
The New Yorker @NewYorker
Not getting along with your partner? Dress up as bluetooth earbuds that haven’t linked in weeks. https://t.co/zHd70H54Er — PolitiTweet.org
The New Yorker @NewYorker
For Iran, #WomanLifeFreedom is a turning point. “Iranian women have been waiting for four decades for this moment when they could take matters into their own hands,” a former director of the Wilson Center’s Middle East program said. https://t.co/0rtYIT0Yvw — PolitiTweet.org
The New Yorker @NewYorker
Toto Wolff’s Mercedes dominated Formula 1 for a decade. Now it can’t win a race. “I would just like us to be back in the front,” Wolff said. Could he imagine ever being happy with third, or even fifth? “No.” https://t.co/dLnFpj3X5q — PolitiTweet.org
The New Yorker @NewYorker
Economic weapons have been deployed against Russia since hostility first erupted in Ukraine, in 2014. Over that time, Putin has learned how to accommodate and compensate for the worst penalties of the Western sanctions regime. https://t.co/69CO3fCieX — PolitiTweet.org
The New Yorker @NewYorker
Anne Brigman was an artist who helped shape American modernist, feminist, and landscape photographic traditions—and she was one of the first women to photograph herself in the nude. https://t.co/bRhyNF04Lt — PolitiTweet.org
The New Yorker @NewYorker
“What he taught us that day was not history; it was a way of digging through the ruins of the past to see the future.” @huahsu remembers the historian Mike Davis, whom Hsu first encountered in an undergraduate lecture at U.C. Berkeley. https://t.co/EytIsGVVBT — PolitiTweet.org
The New Yorker @NewYorker
From @pitchfork: Co-organized by Beastie Boy Adam Yauch and featuring Björk, Rage Against the Machine, Fugees, Sonic Youth, and many more, the 1996 San Francisco concert set the template for combining music and activism in the 1990s. https://t.co/sTU6G3s0jB — PolitiTweet.org
The New Yorker @NewYorker
“I do wonder if this is going to be a cohort of kids whose puberty was more rapid because they were in a critical window of susceptibility during a time of great social upheaval,” a pediatric endocrinologist said, about the recent uptick in early puberty. https://t.co/qlk2Cw7Ull — PolitiTweet.org
The New Yorker @NewYorker
So many Fleet Foxes songs hinge on the speaker’s realization, imagined or otherwise, that he is alone and the past is a place to which he can never repatriate, @blgtylr writes. https://t.co/AsaNMDx9ok — PolitiTweet.org
The New Yorker @NewYorker
“Come down to us. Come down with your song, little wren. The world is in pieces. We must not say so. In the dark hours, in the nearest branches, I hear you thrum—” A poem by @davidbakerpoet. https://t.co/gFdKPYoZ9a — PolitiTweet.org
The New Yorker @NewYorker
The U.S. has spent more than $16 billion over the past year on arming Ukraine in the war against Russia—all while carefully avoiding direct conflict with Vladimir Putin. https://t.co/aIXTY7l39q — PolitiTweet.org
The New Yorker @NewYorker
@TeenVogue Summit returns to Los Angeles on November 12th for an all-day block party featuring inspirational conversations, food trucks, music, networking, and more. https://t.co/Z4y6X6i61p — PolitiTweet.org
The New Yorker @NewYorker
Stéphane Bourgoin riveted audiences with tales of his encounters with the “Son of Sam” murderer David Berkowitz and the “Killer Clown” John Wayne Gacy. He was revered as an expert on serial killers—until fans dug into his story. https://t.co/s03PAS7ZGS — PolitiTweet.org
