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The New Yorker @NewYorker
You may have taken classes at other improv theatres, but we do things differently here at Venture Capital Comedy. https://t.co/AjarCrGpG4 — PolitiTweet.org
The New Yorker @NewYorker
A new biography makes clear that J. Edgar Hoover “was never able to understand campaigns to expand social or racial or gender equality as anything other than criminal conspiracies, ginned up by foreign agents and their dupes,” Margaret Talbot writes. https://t.co/stmey21M87 — PolitiTweet.org
The New Yorker @NewYorker
The cartoon sewer-dwelling saviors of New York weren’t always going to be turtles. In @newyorkerhumor, see some of the early pitches. https://t.co/TMS3Yiqs2s — PolitiTweet.org
The New Yorker @NewYorker
Earlier this week, @jaycaspiankang wrote about the history of progressive math education and the culture wars it has inspired. Today, he poses a broader question: What do we really know about how to teach math? https://t.co/ZFCYe3RR9G — PolitiTweet.org
The New Yorker @NewYorker
.@jaycaspiankang explores the politics of today’s wars over math education, which have consequences for millions of… https://t.co/JBtPJchMo3
The New Yorker @NewYorker
An animated short, inspired by historical events, imagines what happens to a middle-aged man who goes from minding his own business to being blasted through the heavens. Watch here. https://t.co/Zhbeq2hnc8 — PolitiTweet.org
The New Yorker @NewYorker
In a period of deepening division and growing threats to American democracy, The New Yorker has expanded and reimagined its flagship politics podcast, The Political Scene. Read more and listen: https://t.co/vT6AwzqRRk https://t.co/tlAA6ukzWz — PolitiTweet.org
The New Yorker @NewYorker
An exhibition of gingerbread creations, a model train show, a live accompaniment for Harry Potter, and other festive events to attend this season. https://t.co/d5d4vmNxBu — PolitiTweet.org
The New Yorker @NewYorker
@taxtweet Hello, Kay. We regret the difficulty you're having accessing the articles and appreciate the time you took to provide us with feedback. We are currently working to resolve this situation that some customers are experiencing, and we truly appreciate your patience at this time. — PolitiTweet.org
The New Yorker @NewYorker
In the aftermath of Hurricane Ian, residents of Sanibel Island, Florida, are now figuring out how to pay for rebuilding—and some essential questions are not yet answered. Should the government help, or should it instead be helping people to leave? https://t.co/vFQ0z4ZuwV — PolitiTweet.org
The New Yorker @NewYorker
A new book by an Oxford scholar shows how, even after the so-called colonial era, tribal nations often played a determining role in American history. https://t.co/2521jJiZ5K — PolitiTweet.org
The New Yorker @NewYorker
After the artist Nan Goldin had wrist surgery, in 2014, she was prescribed OxyContin. She developed a three-year addiction, during which she had a near-fatal overdose of fentanyl. In recovery, started a group to hold the Sackler family responsible. https://t.co/3rKqZaOXb1 — PolitiTweet.org
The New Yorker @NewYorker
RT @sbg1: Just taped episode one of new @NewYorker Political Scene pod with fab Washington colleagues @JaneMayerNYer @eosnos. We’ll b… — PolitiTweet.org
The New Yorker @NewYorker
A new musical version of “Some Like it Hot,” starring Adrianna Hicks, J. Harrison Ghee, and Christian Borle, aims to splice the classic film’s old-school fun with contemporary gender politics. https://t.co/pj1NYc33S8 https://t.co/ik0dcq1RZW — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by Sofia Warren. #NewYorkerCartoons https://t.co/Z0gdnkelnn — PolitiTweet.org
The New Yorker @NewYorker
In 2010, a family in central India was offered about $70,000 to move out of the hilltop village where they had lived for generations. The hilltop was levelled. In its place, a conglomerate dug an enormous pit—its largest operational coal mine in India. https://t.co/q0JTFBUpnj — PolitiTweet.org
The New Yorker @NewYorker
“You might describe my relationship with shrimp cocktail as delusional,” Hannah Goldfield writes. Now the shrimp cocktail of her dreams is available at Kingfisher, a new restaurant in Prospect Lefferts Garden. https://t.co/0EphxgX6RC — PolitiTweet.org
The New Yorker @NewYorker
Do you know which “Somethings Gotta Give” (2003) actress helped inspire the “coastal grandmother” aesthetic that went viral on TikTok? https://t.co/ihkcoFRy4S — PolitiTweet.org
The New Yorker @NewYorker
What a sick burn is, counterintuitively: four letters. https://t.co/9IRqXNuLtZ — PolitiTweet.org
The New Yorker @NewYorker
Toto Wolff’s Mercedes dominated Formula 1 for a decade. Now it can’t win a race. “I would just like us to be back in the front,” Wolff said. Could he imagine ever being happy with third, or even fifth? “No.” https://t.co/r2PCYq7Mgc — PolitiTweet.org
The New Yorker @NewYorker
The eyes might be the windows to the soul, but the under-eye bags are the window-box planters to the soul. https://t.co/AFQN7K2qbe — PolitiTweet.org
The New Yorker @NewYorker
In the course of her nearly 50-year career, Annie Ernaux has published more than 20 books. The notion of becoming another woman—of being transfigured by time—animates all of her work, @Alex_Lily writes. https://t.co/Nwd4XBJ0wl — PolitiTweet.org
The New Yorker @NewYorker
The eyes might be the windows to the soul, but the under-eye bags are the window-box planters to the soul. https://t.co/1X8OqK8yE0 — PolitiTweet.org
The New Yorker @NewYorker
“I can understand why he went back,” Susan Greer said, about her husband, who died evacuating people from the South Tower on September 11, 2001. “What I can’t understand is why I was left behind.” #NewYorkerArchive https://t.co/TgFMfEKG8Z — PolitiTweet.org
The New Yorker @NewYorker
Conservateur, an online style magazine that pitches itself as a Gen-Z right-wing alternative to Vogue, is “taking back that I’m-with-her thing from Hillary,” one founder says. https://t.co/kauDL8g9t1 — PolitiTweet.org
The New Yorker @NewYorker
In 1919, T. S. Eliot published his manifesto on poetry and criticism. About 100 years later, the seminal essay continues to influence students of literature. https://t.co/PONTx4nHH6 — PolitiTweet.org
The New Yorker @NewYorker
“Twitter’s pious mercilessness is generating nothing so much as a new and bitter remorselessness,” Jill Lepore writes. https://t.co/7AEN9BTnfw — PolitiTweet.org
The New Yorker @NewYorker
“When I’m writing well, I have this very clear and distinct feeling that what I’m writing on is already written. It’s somewhere out there. I just have to write it down before it disappears,” the author Jon Fosse says. https://t.co/2DvsdczjV0 — PolitiTweet.org
The New Yorker @NewYorker
How to sell, donate, and give away that which no longer sparks joy. https://t.co/hCQkhhXqwG — PolitiTweet.org
The New Yorker @NewYorker
The fourth season of the TV series “The Crown” painted Princess Diana as a virgin sacrificed on the altar of good press. The fifth season “takes a more he-said, she-said approach to her marriage,” @inkookang writes. https://t.co/Jul5U2sYDm — PolitiTweet.org
The New Yorker @NewYorker
Stevie Nicks reflects on the origins of some of her most famous songs, staying in touch with the spirit realm, and her friendship with Prince. https://t.co/kVXjt03q9o — PolitiTweet.org
