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Showing page 174 of 3498.
The New Yorker @NewYorker
.@amandapetrusich spends time with the members of @Metallica as the heavy-metal band—now in its 41st year—prepares to release an 11th record. https://t.co/Tm257NIdks — PolitiTweet.org
The New Yorker @NewYorker
Constance Debré’s new novel, “Love Me Tender,” opens with a provocative proposal: Why is maternal love seen as more lasting than any other kind? https://t.co/8xhLqkpVi6 — PolitiTweet.org
The New Yorker @NewYorker
.@AvaKofman examines how hospice, once a counterculture movement mostly staffed by volunteers, has morphed into a $22-billion industry funded almost entirely by taxpayers. https://t.co/84ctlAZwT3 — PolitiTweet.org
The New Yorker @NewYorker
Inside this week’s issue of The New Yorker: https://t.co/3AY3eVf2QS https://t.co/JC3qQ0mVwt — PolitiTweet.org
The New Yorker @NewYorker
“Coney Island is seen as a joyful place of effusion and communion, but I find the ghost of a party more touching than the actual party.” Jorge Colombo discusses his cover for this week’s issue. https://t.co/IbEL9d7HTR — PolitiTweet.org
The New Yorker @NewYorker
RT @amandapetrusich: I spent the last year reporting this (sweeping… perhaps even definitive!) profile of @metallica, one of the most compl… — PolitiTweet.org
The New Yorker @NewYorker
Danielle Dutton reads her story “My Wonderful Description of Flowers,” which appears in this week’s issue of the magazine. Listen here. https://t.co/2fOU09mDds — PolitiTweet.org
The New Yorker @NewYorker
In Mick Herron’s “Slough House” thrillers, the screwups save the day—and there’s a very fine line between comedy and catastrophe. https://t.co/oVBtmDHHR8 — PolitiTweet.org
The New Yorker @NewYorker
“People say, ‘What does Metallica mean to you?’ It’s just a fuckin’ . . . it’s a state of mind.” A Profile of the legendary heavy-metal band in its 41st year. https://t.co/dVBvpoZ87p — PolitiTweet.org
The New Yorker @NewYorker
As the year comes to a close, @inkookang reflects on the best TV shows of 2022. https://t.co/Pl2pkTGi4v — PolitiTweet.org
The New Yorker @NewYorker
The hospice-care industry has evolved from a constellation of charities, mostly reliant on volunteers, into a $22 billion juggernaut funded almost entirely by taxpayers. https://t.co/umHmCzELp0 — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Off-Season,” by Jorge Colombo. #NewYorkerCovers https://t.co/ICYXYWgU5M https://t.co/DJDrrCpglK — PolitiTweet.org
The New Yorker @NewYorker
Isaac Childres was 32 years old when he started designing what is widely considered the best board game in the world. Gloomhaven is a Brobdingnagian fantasy game that fits inside a 22-pound box the size of a microwave. https://t.co/J4rGAI7lpQ — PolitiTweet.org
The New Yorker @NewYorker
.@mollyhfischer explores the N.F.T. enterprise World of Women, created by @YKarkai to make a space for women in web3. “This was a collection that I wanted any woman and diverse person to feel represented by,” Karkai said. https://t.co/Id3gY3dIt0 — PolitiTweet.org
The New Yorker @NewYorker
Adrienne Kennedy’s 1992 one-act play, which revisits the playwright’s time in college, has its Broadway début, directed by Kenny Leon. https://t.co/HDWd5LOOkE — PolitiTweet.org
The New Yorker @NewYorker
Depictions of the Roman emperor Nero are based on a partisan source narrative, a curator at the British Museum said. “Anything you think you know about Nero is based on manipulation and lies that are 2,000 years old.” https://t.co/NRg3JgLeC5 — PolitiTweet.org
The New Yorker @NewYorker
"Before we were born we found ways not to exist, happily, playfully, thriving on no-fish a billion billion years before the universe exploded." A poem by D. Nurkse https://t.co/XuJudRpSbD — PolitiTweet.org
The New Yorker @NewYorker
“A Heart That Works,” Rob Delaney’s memoir of losing his son Henry to brain cancer, is a weapons-grade cocktail of the lewd and the deadly serious. https://t.co/tGpzEiYC1m — PolitiTweet.org
The New Yorker @NewYorker
“I am willing to make a case that there’s nothing more luxurious than a jambon-beurre, the classic French sandwich of ham and butter,” Hannah Goldfield writes. https://t.co/BOTMhAJwFU — PolitiTweet.org
The New Yorker @NewYorker
If Franz Kafka, who was born on this day in 1883, deemed it impossible to be himself, then what chance can a translator have to snare his mind? https://t.co/aMT5huXK2I — PolitiTweet.org
The New Yorker @NewYorker
Don DeLillo on film and memory, from 2003: “Where do movie stars go, the ones whose names and faces have fallen out of time?” https://t.co/cmOnxs59iy — PolitiTweet.org
The New Yorker @NewYorker
“We wondered at each other. I joked did I need a note from his wife to kiss back. He said no, which was the first lie.” A poem by @marykarrlit. https://t.co/SHYNz7MycX — PolitiTweet.org
The New Yorker @NewYorker
Few actors inspire the warm fuzzies like Alan Alda. In a new interview, Alda shares his wisdom on the art of relating, talks about his early involvement in the feminist movement, and coaches @MJSchulman through a mirror exercise on Zoom. https://t.co/tKWEXNdOIL — PolitiTweet.org
The New Yorker @NewYorker
The Internet constantly confronts us with evidence of our past. Are we losing the chance to remake ourselves? https://t.co/bT6qyhXQGq — PolitiTweet.org
The New Yorker @NewYorker
In “Glass Onion,” Rian Johnson’s sequel to “Knives Out,” Daniel Craig returns as the sybaritic detective Benoit Blanc to solve a murder mystery—this time on a Greek island. https://t.co/625QRRc40I — PolitiTweet.org
The New Yorker @NewYorker
“You are as far from civilization as it’s possible to get, and you must figure things out for yourself.” @dwbwriter reflects on a harrowing expedition to study the decline of one of Antarctica’s fastest-retreating glaciers. https://t.co/6JOW6JEcmN — PolitiTweet.org
The New Yorker @NewYorker
Physical beauty was always important to the French novelist Collette; in her most famous books, time, and its effect on her characters, is the grand antagonist. https://t.co/pMSEmdsYFO — PolitiTweet.org
The New Yorker @NewYorker
From 2017: Isabel Magowan captures the enchantment of “The Nutcracker,” and the darker reality of ballet behind the scenes. https://t.co/aYC9SQxsI6 — PolitiTweet.org
The New Yorker @NewYorker
After the United States team had stumbled to a disappointing 1–1 draw against Wales earlier in the week, their 0–0 draw against England seemed like a win. https://t.co/nVudT8SEqZ — PolitiTweet.org
The New Yorker @NewYorker
How a massive painting by Charles Addams wended its way from a Hamptons hotel to a university library. https://t.co/9zFlOo1Xbu — PolitiTweet.org
