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The New Yorker @NewYorker
“I am grateful . . . but if I could stop being ghosted by guys named Matt I would be, like, 10 times more grateful.” https://t.co/p9BTDwbntn — PolitiTweet.org
The New Yorker @NewYorker
Oscar (Zeta) Acosta, the inspiration for the sidekick to Hunter S. Thompson’s alter ego in “Fear and Loathing in Las Vegas,” believed that Thompson had helped himself to his sensibility and personality—and then erased his identity. https://t.co/WnTvftXdEQ — PolitiTweet.org
The New Yorker @NewYorker
“You realize once you subscribe, it’s a bit like going into a V.I.P. room at a club,” a correspondent at Axios said, about the media startup Puck. “You’re, like, ‘Wait, after all that effort I ended up in here?’ ” https://t.co/tCcUBHwrhK — PolitiTweet.org
The New Yorker @NewYorker
That perspective that is so commonplace to us now, in which the rooftops stretch out before us as though they were made of a child’s blocks, and people crawl along like ants, was a rare sight when Dr. Julius Neubronner invented his pigeon camera. https://t.co/67C7xQRNIE — PolitiTweet.org
The New Yorker @NewYorker
Not a single one of the United Nations Convention on Biological Diversity’s 2010 targets have been met. Will the participating countries be able to meet even more ambitious goals in the next 10 years? https://t.co/1a3bbaCZMk — PolitiTweet.org
The New Yorker @NewYorker
For a long time in the United States, soccer was nearly invisible in the mainstream. Then, in 1990, the American men’s team reached the World Cup for the first time in 40 years. https://t.co/LghIKAts4O — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, learn about some lesser-known Hollywood “nepo babies.” https://t.co/h2aGbWe5Ww — PolitiTweet.org
The New Yorker @NewYorker
Jessica Lester insisted she had never had thoughts about harming herself, but police concluded that two gunshots to her head were self-inflicted. What really happened? https://t.co/yBQcQpBpTG — PolitiTweet.org
The New Yorker @NewYorker
Einstein had what might be called a night-sky theology, a sense of the awesomeness of the universe that even atheists and materialists feel when they gaze up at the Milky Way. https://t.co/MeZ4VasJaI — PolitiTweet.org
The New Yorker @NewYorker
“I do wonder if this is going to be a cohort of kids whose puberty was more rapid because they were in a critical window of susceptibility during a time of great social upheaval,” a pediatric endocrinologist said, about the recent uptick in early puberty. https://t.co/yVJlWSFwRF — PolitiTweet.org
The New Yorker @NewYorker
South Beach’s residents were a tribe, with its own gathering places, leisure pursuits, and cultural rituals. Andy Sweet’s pictures give us a solid, painstaking sense of what this tribe’s life looked like, day in and day out. https://t.co/qhmybM4WH4 — PolitiTweet.org
The New Yorker @NewYorker
Read a new short story by @MatthewKlam: https://t.co/DoVBrEYrkM https://t.co/PpekVwvhEQ — PolitiTweet.org
The New Yorker @NewYorker
Could an Independent movement energize electoral politics in our highly partisan moment? @tnyCloseRead discusses Kyrsten Sinema’s decision to leave the Democrats and Americans’ growing dissatisfaction with both major political parties. https://t.co/XfAYLXxPro — PolitiTweet.org
The New Yorker @NewYorker
The writer Evan S. Connell, Jr., was suspicious of coherence, and mistrustful of invention taking the place of observation. “Everything that we are looking for, he suggests, is right in front of us,” Max Norman writes. “You’ve just got to look.” https://t.co/CieIK3OUGv — PolitiTweet.org
The New Yorker @NewYorker
Sequels can feel “like wilted love letters to old I.P.,” @xwaldie writes. With Jennifer Egan’s novel “The Candy House, the follow-up to “The Goon Squad,” she demonstrates how returning to the past can enrich and reshape the present. https://t.co/aPdBfnIgtT — PolitiTweet.org
The New Yorker @NewYorker
At Qatar’s World Cup, the Belgian photographer Max Pinckers documented the spaces between the spectacle and something closer to reality. See a collection of his images. https://t.co/DWXGcVVMWl — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Julia Suits. #NewYorkerCartoons https://t.co/N7HpqBm0vM — PolitiTweet.org
The New Yorker @NewYorker
Thanks to dozens of appearances on Fox News, criticizing “cultural totalitarianism” enforced by liberal élites, Vivek Ramaswamy is closing in on fame as a conservative pundit. Now some are suggesting that he run for President. https://t.co/IZ0czXZipm — PolitiTweet.org
The New Yorker @NewYorker
.@alexrossmusic writes about the year in classical music, which saw major institutions extricating themselves from “the sticky cultural tentacles of Vladimir Putin’s regime.” See his picks for the most notable performances and recordings of 2022. https://t.co/d1zbkNdqdj — PolitiTweet.org
The New Yorker @NewYorker
In a new comic, two moms unlock the secret of the “Eyes Wide Shut” holiday party. https://t.co/LzJxE9JWqU — PolitiTweet.org
The New Yorker @NewYorker
Dans une nouvelle Histoire Vécue, Molly Ringwald revient sur son rôle dans le King Lear de Jean-Luc Godard – l’un des films les plus singuliers du cinéaste. https://t.co/kemwbgT8J4 — PolitiTweet.org
The New Yorker @NewYorker
In a new Profile of Metallica, James Hetfield, the band’s co-founder and lead singer, talks about recovery and his quest for presence. https://t.co/vvPDv8PSVU https://t.co/yZtunirIGi — PolitiTweet.org
The New Yorker @NewYorker
Instead of industrial-scale quick-fix planting projects, the practice known as rewilding is based on a near-fanatical attunement to the specifics of local ecosystems and the livelihoods of their people. https://t.co/ISyANdE8NY — PolitiTweet.org
The New Yorker @NewYorker
RT @michaelluo: .@iandenisjohnson profiles @jessicacweiss, "who has emerged as a kind of loyal and measured opposition to a rare case of bi… — PolitiTweet.org
The New Yorker @NewYorker
On a new episode of #NewYorkerRadio, the poet John Lee Clark reflects on the sensory world of DeafBlind writers, and his reception by hearing and sighted audiences. https://t.co/1v3BqyIYHd — PolitiTweet.org
The New Yorker @NewYorker
Kyrsten Sinema’s announcement that she was leaving the Democratic Party wasn’t exactly a surprise, but there is a political mystery there, @benwallacewells writes: Why is she the only one? https://t.co/n5fhmCt6If — PolitiTweet.org
The New Yorker @NewYorker
Can you guess this English singer and songwriter? https://t.co/80OA8wvM2w — PolitiTweet.org
The New Yorker @NewYorker
The late artist Greer Lankton sewed, constructed, and painted exquisitely ragtag and ever-evolving, often human-size characters. Photographing these dolls, she developed a kind of candid, intimate portraiture practice of her own. https://t.co/lxTkbvR0KN — PolitiTweet.org
The New Yorker @NewYorker
Jess’s best friend, on “New Girl”: four letters. https://t.co/n1biJqNvvj — PolitiTweet.org
The New Yorker @NewYorker
Hulu’s “Welcome to Chippendales,” about the rise and fall of the male striptease venture, “is an ideas-rich but disjointed series that feels like it’s tackling too much, yet somehow hardly enough,” @inkookang writes. https://t.co/wO9kq5NRDV — PolitiTweet.org
