The New Yorker

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Last Checked Dec. 19, 2022

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Wed Dec 14 23:05:52 +0000 2022

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The New Yorker @NewYorker

Sequels can feel “like wilted love letters to old I.P.,” @xwaldie writes. With Jennifer Egan’s novel “The Candy House, the follow-up to “The Goon Squad,” she demonstrates how returning to the past can enrich and reshape the present. https://t.co/aPdBfnIgtT — PolitiTweet.org

Posted Dec. 14, 2022

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The New Yorker @NewYorker

At Qatar’s World Cup, the Belgian photographer Max Pinckers documented the spaces between the spectacle and something closer to reality. See a collection of his images. https://t.co/DWXGcVVMWl — PolitiTweet.org

Posted Dec. 14, 2022

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The New Yorker @NewYorker

The writer Evan S. Connell, Jr., was suspicious of coherence, and mistrustful of invention taking the place of observation. “Everything that we are looking for, he suggests, is right in front of us,” Max Norman writes. “You’ve just got to look.” https://t.co/CieIK3OUGv — PolitiTweet.org

Posted Dec. 14, 2022