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The New Yorker @NewYorker

The documentary short “Heart Valley” follows a Welsh shepherd whose time is structured entirely around the needs of his sheep. Watch here. https://t.co/Lo4z3sNI6o — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

The animated short “The Originals” re-creates a world of pranks and mischief, of neighborhood sports that transform stationary objects in the street into bases and home plates. Watch here. https://t.co/RguzD0wklA — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

The genius of Marcella Hazan's classic tomato sauce lies in the fact that although it is made of only inexpensive, shelf-stable ingredients, it can’t be improved upon. https://t.co/IEXyBAjIhf — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

Move to Los Angeles. Be really sanctimonious about it.https://t.co/HvqMo2jLyj — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

In her documentary “All the Beauty and the Bloodshed,” Laura Poitras seamlessly weaves together Nan Goldin’s political work and her photography by drawing parallels between the two. https://t.co/RgpN5TUT7i — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

Cry when the baby cries; laugh when the baby laughs; trash the room when the baby trashes the room.https://t.co/SFFfaWbGr8 — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

“The collapsing sound and sinking heat of a city-state as it empties and falls.” A poem by Simon Armitage. https://t.co/KCrsblkQAC — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

The short film “The Ritual to Beauty” depicts a filmmaker’s family—three women from the Dominican Republic—and the beauty rites they practice that honor their identities. Watch here. https://t.co/sytxZGzZrY — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

Fiction writers love it. Filmmakers can’t resist it. But does this trope deepen characters, or flatten them into a set of symptoms? https://t.co/bNMvd03kge — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

A cautionary tale, in @newyorkerhumor. https://t.co/OaUeqdMasf — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

“who loved the baby instantly who fed the baby until she passed out who gave up sleep and time and mind and heart she who gave so generously of her body over and over only to have them say it was never hers to give” A poem by @HeyLizzieHarris. https://t.co/3hdGgm1SyL — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

Could an A.I. chatbot “ultimately do my job as a columnist?” @jaycaspiankang asks. “Could it produce political opinions and prose drawn from nearly 100 years of New Yorker writers?” https://t.co/X3eKlwfpeb — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

Many of H.D.’s post-Imagist writings were unpublished in her lifetime, likely because of their lesbian content. The poet’s autobiographical novel “HERmione”—published in 1981, 20 years after her death—is one of the most vivid works she ever produced. https://t.co/19uexDHW6p — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

The new Scandinavian restaurant Björk’s rotating menu of dagens (Swedish for “dishes of the day”) provides a potent dose of hygge. https://t.co/2LQWqUcOL3 — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

Every summer, scores of teens worked at the Cove Inn. “That was summer. I started in winter.” The cartoonist Seth illustrates scenes from a chilly part-time job. https://t.co/zp0FnmhGq9 — PolitiTweet.org

Posted Dec. 25, 2022
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The New Yorker @NewYorker

“I thought I was a student. I thought I was a teacher. And then I discovered that I liked to tell stories and make people cry,” Susan Sontag said. https://t.co/UVzKKCGRqp — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

For elderly Americans, social isolation is especially perilous. Will machine companions fill the void? https://t.co/7tDyVcwwrZ — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

A cartoon by @maddiedai. #NewYorkerCartoons https://t.co/COb8eys7Vn — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

To encounter, as a child, Tomie dePaola’s visual and writerly voice—clear-eyed, sympathetic, gently sly—felt like coming across an ally, Naomi Fry writes. https://t.co/2LYMtpgxLK — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

.@amandapetrusich writes about the appeal of Steve Lacy’s “Bad Habit”: “a song about remorse, impostor syndrome, timidity, acquiescence, and the sort of unnecessary meekness that, at one point or another, comes for us all.” https://t.co/AXTGyhKmHi — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

A cartoon by @GlenLeLievre. #NewYorkerCartoons https://t.co/njoD39iWH4 — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

There is much to be learned from how little we know about eels. https://t.co/4sHHVCzLO3 — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

“Frunk” full of presents keeps catching fire, Rudolph is suing for I.P., and more reported problems with Santa’s Tesla. https://t.co/sRZStfFnhz — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

There are some 1,400 galleries in New York City, per a 2015 study—not to mention scores of museums. These are a few highlights of the city’s many art shows this year. https://t.co/U98LHRjcoC — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

This year’s installment of our annual family newsletter wraps up 2022 in verse. https://t.co/nmZAflWbq3 — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

.@cbattan reviews Jonah Hill’s “Stutz” and Selena Gomez’s “My Mind & Me,” two films that turn the process of caring for one’s mental health as an artist into art itself. https://t.co/JM6OV9GMJi — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

A cartoon by Harry Bliss. #NewYorkerCartoons https://t.co/ntf1CSbI6D — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

In a foreword to the January 6th report, published in partnership with @CeladonBooks, David Remnick ruminates on the historic significance of the House Select Committee’s findings—and why it’s vital that we engage with them. https://t.co/7gz3VhzP1Y — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

An Irving Penn portrait, from 1947, of the hulking Arctic explorer Peter Freuchen and his chic wife, Dagmar, seems made for the coldest days of winter. https://t.co/LNdIl4fYHb — PolitiTweet.org

Posted Dec. 24, 2022
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The New Yorker @NewYorker

“The United States and its allies have not done enough to stop the war in Ukraine,” @mashagessen writes. “They could, but they have not.” https://t.co/s4QTCE7Yr1 — PolitiTweet.org

Posted Dec. 24, 2022