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Sun Dec 25 07:49:45 +0000 2022

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The New Yorker @NewYorker

In her documentary “All the Beauty and the Bloodshed,” Laura Poitras seamlessly weaves together Nan Goldin’s political work and her photography by drawing parallels between the two. https://t.co/RgpN5TUT7i — PolitiTweet.org

Posted Dec. 25, 2022