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The New Yorker @NewYorker
Stéphane Bourgoin riveted audiences with tales of his encounters with the “Son of Sam” murderer David Berkowitz and the “Killer Clown” John Wayne Gacy. He was revered as an expert on serial killers—until fans dug into his story. https://t.co/9DkwuYXhpL — PolitiTweet.org
The New Yorker @NewYorker
Oscar (Zeta) Acosta, the inspiration for the sidekick to Hunter S. Thompson’s alter ego in “Fear and Loathing in Las Vegas,” believed that Thompson had helped himself to his sensibility and personality—and then erased his identity. https://t.co/WNJVSmGBx7 — PolitiTweet.org
The New Yorker @NewYorker
“I do wonder if this is going to be a cohort of kids whose puberty was more rapid because they were in a critical window of susceptibility during a time of great social upheaval,” a pediatric endocrinologist said, about the recent uptick in early puberty. https://t.co/wbkwJonSts — PolitiTweet.org
The New Yorker @NewYorker
In a year of news fatigue and anxiety, some of the most popular New Yorker stories were ones that were completely unmoored from current events. From true-crime tales to wry personal histories, check out the top stories of 2022. https://t.co/ofgYKUulZX — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by Paul Noth. #NewYorkerCartoons https://t.co/LsLGcxa8pf — PolitiTweet.org
The New Yorker @NewYorker
In 2016, this musician briefly served as an advice columnist for the Guardian, taking over from Molly Ringwald. Can you guess who? https://t.co/GmU9g3sKdt — PolitiTweet.org
The New Yorker @NewYorker
Since the pandemic, for obvious reasons, Americans have paid much more attention to their work conditions. @etammykim recaps a year in labor movements. https://t.co/oei9uq9aFc — PolitiTweet.org
The New Yorker @NewYorker
Lionel Messi is soccer’s great ambler. To keep your eyes fixed on him throughout a match is both spellbinding and deadly dull. It is also a lesson in the art and science of watching a soccer match. https://t.co/as548uStND — PolitiTweet.org
The New Yorker @NewYorker
In our latest advice column (ghostwritten by @lianafinck), an overextended millennial wonders how she can maintain her social network without agonizing over her calendar. https://t.co/3jfphbym7K — PolitiTweet.org
The New Yorker @NewYorker
Material for Britney Spears and Justin Timberlake’s matching red-carpet looks at the 2001 American Music Awards: five letters. https://t.co/xGOwrgr3xP — PolitiTweet.org
The New Yorker @NewYorker
The video game The Last of Us follows a man charged with shepherding a teen girl across a pandemic-ravaged America. Now HBO is betting on a more than $100 million TV adaptation of the story. https://t.co/62dJNkYesG — PolitiTweet.org
The New Yorker @NewYorker
It took centuries to build the 140 million homes in the United States. “If we’re to seriously address the climate crisis, we have only a few years to remake them,” @billmckibben writes. https://t.co/RfyscpTmki — PolitiTweet.org
The New Yorker @NewYorker
In a harrowing account from the battlefield, Luke Mogelson reports on the relentless violence along Ukraine’s front line. https://t.co/JCPzVKCrdt — PolitiTweet.org
The New Yorker @NewYorker
Kehinde Wiley, whose paintings endow ordinary Black people with Old Master grandiosity, and whose reputation conjures the spectres of Warhol and Basquiat, is a superstar in the art world—and he’s working to shift its center of gravity toward Africa. https://t.co/EoE1a75V85 — PolitiTweet.org
The New Yorker @NewYorker
Kevin McCarthy is going to the January 3rd floor vote for Speaker on a knife’s edge, @JonathanBlitzer writes. Will his continued support of Trumpism pay off? https://t.co/dPsK3XNBLL https://t.co/yk4ylCg7iL — PolitiTweet.org
The New Yorker @NewYorker
In a short documentary about a troubled family relationship, Diana Cam Van Nguyen uses cuts, folds, and mixed media to bring old letters to life. Watch here. https://t.co/F0QZGlMW6A — PolitiTweet.org
The New Yorker @NewYorker
Critics were divided in their reception of the cult novelist Katherine Dunn’s work: some valued the truth-seeking impulse behind her writing, and others found her embrace of the grotesque to be gratuitous. https://t.co/2yS0qU4hXR — PolitiTweet.org
The New Yorker @NewYorker
The short film “Dear Max,” which combines archival footage with stop-motion animation, is scripted as a letter from a father to his son. Watch here. https://t.co/NEFBTGRHZY — PolitiTweet.org
The New Yorker @NewYorker
Despite mounting commercial pressures, artists continued to produce enchanting video games in 2022. Here are some of the year’s best. https://t.co/a0BnVpq1p7 — PolitiTweet.org
The New Yorker @NewYorker
“Congress won’t spend tax dollars on reparations for the descendants of enslaved Africans; they’re even more unlikely to do it for survivors of the climate crisis in Africa or Asia,” @billmckibben writes. https://t.co/cBO3zlHeyI — PolitiTweet.org
The New Yorker @NewYorker
Sequels can feel “like wilted love letters to old I.P.,” @xwaldie writes. Jennifer Egan’s novel “The Candy House, the follow-up to “The Goon Squad,” demonstrates how returning to the past can enrich and reshape the present. https://t.co/zohOKOdjRb — PolitiTweet.org
The New Yorker @NewYorker
“But she moves aside and lets him leave. She closes the door after him. Her heart is beating fast. It’s horrible to care.” Fiction by Marisa Silver. https://t.co/QqovIDQzMm — PolitiTweet.org
The New Yorker @NewYorker
The short film “The Clearing” uses a mix of mundane and surreal stop-motion to dramatize the power struggle between a married couple. Watch here. https://t.co/LVXFNJ197i — PolitiTweet.org
The New Yorker @NewYorker
For four decades, the brothers Jaime and Gilbert Hernandez have produced the “Love and Rockets” series and its many spinoffs—to date, 136 issues in all—by themselves. A new book collects every issue published between 1982 and 1996. https://t.co/kGwczSh9bC — PolitiTweet.org
The New Yorker @NewYorker
“Bernadette Mayer was a poet, by all accounts, with many friends. Reading her work lets us all get swapped, if briefly, into the dreams, and gives us a chance to make a friend, too,” Rivka Galchen writes. https://t.co/KBS9FLSmDF — PolitiTweet.org
The New Yorker @NewYorker
Gather ’round the hearth and let the games, goofs, and gags begin! https://t.co/bzx31s1AF4 — PolitiTweet.org
The New Yorker @NewYorker
“If this store had an identity, it would be Don Rickles,” the owner of Katz’s Delicatessen says. In addition to hosting the cast party for the movie “Uncut Gems,” the Delicatessen recently held a comedy show. https://t.co/OgH2p9QLCt — PolitiTweet.org
The New Yorker @NewYorker
Last season, at the L.A. Philharmonic, the conductor Xian Zhang “facilitated the most flat-out electrifying account of Beethoven’s Seventh I’ve ever heard,” @alexrossmusic writes. https://t.co/ZMnISNLLW2 — PolitiTweet.org
The New Yorker @NewYorker
On our Writer’s Voice podcast, Ayşegül Savaş reads her story from this week’s issue of the magazine. Listen here. https://t.co/wPtT5kIuMo — PolitiTweet.org
The New Yorker @NewYorker
Luke Mogelson reports from Ukraine’s nearly 700-mile front line, where, last October, he embedded with a team of fighters from around the world who have volunteered to support the Ukrainian Army. https://t.co/qu2GQtzW5h https://t.co/jp6PgImUx1 — PolitiTweet.org
