The New Yorker

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Tue Dec 27 11:57:33 +0000 2022

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The New Yorker @NewYorker

Critics were divided in their reception of the cult novelist Katherine Dunn’s work: some valued the truth-seeking impulse behind her writing, and others found her embrace of the grotesque to be gratuitous. https://t.co/2yS0qU4hXR — PolitiTweet.org

Posted Dec. 27, 2022

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The New Yorker @NewYorker

The short film “Dear Max,” which combines archival footage with stop-motion animation, is scripted as a letter from a father to his son. Watch here. https://t.co/NEFBTGRHZY — PolitiTweet.org

Posted Dec. 27, 2022

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The New Yorker @NewYorker

In a short documentary about a troubled family relationship, Diana Cam Van Nguyen uses cuts, folds, and mixed media to bring old letters to life. Watch here. https://t.co/F0QZGlMW6A — PolitiTweet.org

Posted Dec. 27, 2022