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The New Yorker @NewYorker
A cartoon by Kim Warp, from 2016. #NewYorkerCartoons https://t.co/wm5rrCp6Qz https://t.co/TlejctK2bI — PolitiTweet.org
The New Yorker @NewYorker
“Who knows if there will be a human future. But if there is, there will be poetry, as there has always been.” An interview with the poet Jorie Graham. https://t.co/IAP2uZJCOb — PolitiTweet.org
The New Yorker @NewYorker
Astronaut’s car (4). https://t.co/FuQDrISxmp — PolitiTweet.org
The New Yorker @NewYorker
Legend says that no one has invested in these crypto caves since the Ice Age. https://t.co/lH0kS1phMz — PolitiTweet.org
The New Yorker @NewYorker
Matthew Klam discusses his short story “The Other Party”: “I want to walk through the walls of people’s houses and into their lives, into their stories and secrets and struggles.” https://t.co/deTPOHEfdB — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Roz Chast. #NewYorkerCartoons https://t.co/Zp5DseoeBu — PolitiTweet.org
The New Yorker @NewYorker
Hollywood’s relationship to video games, the creator of The Last of Us said, is changing by degrees. Can his critically acclaimed game become a hit HBO series? https://t.co/LFVaBS0ZqH — PolitiTweet.org
The New Yorker @NewYorker
“I actually do love these people and I love this country,” a soldier from New Zealand who has joined the war effort in Ukraine said. “I can’t go home because *this* is home now. It really does feel that way.” https://t.co/lennuX15Hf — PolitiTweet.org
The New Yorker @NewYorker
The last year was a ghoulish one for queer folks in the United States, Bryan Washington writes. As schools banned books and state legislatures passed anti-trans bills, bars offered something holy. https://t.co/68q28X1X9M — PolitiTweet.org
The New Yorker @NewYorker
Solve our bagel-themed puzzle to reveal the caption for this cartoon. Ready? Go. https://t.co/KfZUMCxLEJ https://t.co/sIaUWO1ZVW — PolitiTweet.org
The New Yorker @NewYorker
Republicans look mostly set to win key races in the Sun Belt. The margin and manner will help determine what form conservatism takes over the next two years and who will lead it, Benjamin Wallace-Wells writes. https://t.co/7j58S7tS2C — PolitiTweet.org
The New Yorker @NewYorker
As the media landscape shifted in 2022, great podcasts continued to be made at all levels, from corporate behemoths to public radio to independents. See @asarahlarson’s picks for the year’s best. https://t.co/QTmaeSX5NV — PolitiTweet.org
The New Yorker @NewYorker
The artist George Booth, who died in November, loved to draw scenes and figures related to Christmas. The cover of this week’s issue, “Believe,” features a drawing that Booth made later in his life. https://t.co/6Q5J1Fwaxx — PolitiTweet.org
The New Yorker @NewYorker
Experimental jazz trumpet, haunted London club music, and Lil Yachty’s “Poland” made for the most memorable listening of 2022. https://t.co/vEG92jHjIl — PolitiTweet.org
The New Yorker @NewYorker
The “La La Land” director’s over-the-top paean to silent Hollywood, starring Margot Robbie as a hopeful actress and Brad Pitt as an affable superstar, amounts to a frenzied scrapbook. https://t.co/ZOsAUqub5c — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @lianafinck. #NewYorkerCartoons https://t.co/6uM3hljYfD — PolitiTweet.org
The New Yorker @NewYorker
The politics of Alexey Navalny, whose views have developed in an unusually public way over the past decade, are rooted in a belief in the fundamental right of self-determination. https://t.co/l7t2PhWZ0n — PolitiTweet.org
The New Yorker @NewYorker
On #NewYorkerRadio, the choreographer Akram Khan discusses how he reimagined the ballet “Giselle” for a world in which women do not die of broken hearts. Listen here. https://t.co/V8eY3i2ICl — PolitiTweet.org
The New Yorker @NewYorker
When Lee Kim started walking around in a homemade, architectural hat, people stared, smiled, snickered, and side-eyed. A new documentary follows her year-long social experiment. Watch here. https://t.co/NDCnNdyQnb — PolitiTweet.org
The New Yorker @NewYorker
How many books is too many books? https://t.co/mCtq8i1OyD — PolitiTweet.org
The New Yorker @NewYorker
With his lavish arts residency, Kehinde Wiley “is shifting the art world’s center of gravity toward Africa with a determination that combines the institution-founding fervor of Booker T. Washington and the stagecraft of Willy Wonka,” @jcljules writes. https://t.co/sij5zIPpM8 — PolitiTweet.org
The New Yorker @NewYorker
After George Floyd’s murder, Black artists like Britton Smith forced Broadway to acknowledge structural racism in the industry. Two years later, Smith looks at what has changed—and what hasn’t. Listen here, on #NewYorkerRadio. https://t.co/lI6DZpcbl8 — PolitiTweet.org
The New Yorker @NewYorker
Thanks to dozens of appearances on Fox News, criticizing “cultural totalitarianism” enforced by liberal élites, Vivek Ramaswamy is closing in on fame as a conservative pundit. Now some are suggesting that he run for President. https://t.co/TzGUldEI4G — PolitiTweet.org
The New Yorker @NewYorker
On the morning of December 6, 1917, the citizens of Halifax, Nova Scotia, witnessed the largest and most destructive man-made explosion the world had seen to that day. A new animated short film reimagines the event. https://t.co/E10wLi7h6i — PolitiTweet.org
The New Yorker @NewYorker
From ironic portraiture to campy food compositions, commissioned photographers filled The New Yorker with images that subverted the familiar. See some of the most memorable photographs of 2022. https://t.co/ouvJiS9L0y — PolitiTweet.org
The New Yorker @NewYorker
When David Sedaris was finally able to visit his father after lockdown, he noticed something different about him. “It’s like when celebrities get face-lifts. I can see they’ve undergone a change, but I can never tell exactly what it is.” https://t.co/QQVfcFAQdN — PolitiTweet.org
The New Yorker @NewYorker
The bland aesthetics and banal emotions of James Cameron’s “Avatar” sequel turns it into “the Club Med of effects-driven extravaganzas,” @tnyfrontrow writes. https://t.co/Sook5QfCRW — PolitiTweet.org
The New Yorker @NewYorker
Are we the same people at age four that we will be at 24, 44, or 74? Or do we change dramatically through time? https://t.co/cO0dyblwV6 — PolitiTweet.org
The New Yorker @NewYorker
Death is significant in “The White Lotus” universe, not because each season has been framed as a murder mystery but because death is the only state in which people can’t jockey for more: more sex, more money, more dominance. https://t.co/y9hJAjZ7PV — PolitiTweet.org
The New Yorker @NewYorker
The subjects of Sheron Rupp’s photographs can often be found in their yards: people young and old move through gardens, sit back on porches, and stand amid drying laundry. https://t.co/fgS3MyE1hf — PolitiTweet.org
