The New Yorker

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Sat Dec 31 21:32:32 +0000 2022

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The New Yorker @NewYorker

The subjects of Sheron Rupp’s photographs can often be found in their yards: people young and old move through gardens, sit back on porches, and stand amid drying laundry. https://t.co/fgS3MyE1hf — PolitiTweet.org

Posted Dec. 31, 2022

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The New Yorker @NewYorker

The tale of a family so bruised by the bartering of the outside world that it turns against itself is one Marguerite Duras told again and again in her books. https://t.co/rmE5KDjBDQ — PolitiTweet.org

Posted Dec. 31, 2022

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The New Yorker @NewYorker

Death is significant in “The White Lotus” universe, not because each season has been framed as a murder mystery but because death is the only state in which people can’t jockey for more: more sex, more money, more dominance. https://t.co/y9hJAjZ7PV — PolitiTweet.org

Posted Dec. 31, 2022