The New Yorker

@NewYorker ↗

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Last Checked Oct. 26, 2022

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Sat Oct 22 06:00:37 +0000 2022

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The New Yorker @NewYorker

“Daytime talk shows always have a gloss of self-help to them,” @rachsyme writes. “The Drew Barrymore Show,” though, “is too chaotic and destabilizing to feel manufactured.” https://t.co/SJGLRlGc83 — PolitiTweet.org

Posted Oct. 22, 2022

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The New Yorker @NewYorker

In his new film, “Triangle of Sadness,” Ruben Östlund’s “strongest suit and his strongest inclination are in conflict with each other,” @tnyfrontrow writes: “his keen observations are submerged in his efforts at social criticism and political philosophy.” https://t.co/jdN6nA7Zp5 — PolitiTweet.org

Posted Oct. 22, 2022

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The New Yorker @NewYorker

For the documentary “In Silico,” a filmmaker set out to track the creation of a simulated brain. He ended up capturing a more complicated story. https://t.co/VhBAZTkhGz — PolitiTweet.org

Posted Oct. 22, 2022