The New Yorker

@NewYorker ↗

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Last Checked Oct. 26, 2022

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Sat Oct 22 05:13:30 +0000 2022

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The New Yorker @NewYorker

In his new film, “Triangle of Sadness,” Ruben Östlund’s “strongest suit and his strongest inclination are in conflict with each other,” @tnyfrontrow writes: “his keen observations are submerged in his efforts at social criticism and political philosophy.” https://t.co/jdN6nA7Zp5 — PolitiTweet.org

Posted Oct. 22, 2022

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The New Yorker @NewYorker

Annie Ernaux has become famous for pushing the boundaries of memoir. “She writes of herself, but in a flat, observational, reportorial way that relentlessly inventories the surface of things,” @AdamGopnik writes. https://t.co/cCVgPBtcA8 — PolitiTweet.org

Posted Oct. 22, 2022

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The New Yorker @NewYorker

“Daytime talk shows always have a gloss of self-help to them,” @rachsyme writes. “The Drew Barrymore Show,” though, “is too chaotic and destabilizing to feel manufactured.” https://t.co/SJGLRlGc83 — PolitiTweet.org

Posted Oct. 22, 2022