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The New Yorker @NewYorker
Each year, gas stoves release 2.6 million tons of methane, according to a Stanford study—more than three-quarters of this leaks from the appliances when they aren’t even in use. https://t.co/BhI8zgSdnQ — PolitiTweet.org
The New Yorker @NewYorker
In “M3GAN,” the human characters provide a flat backdrop for an exuberantly diabolical display of the titular robot’s Machiavellian wiles. https://t.co/8CmUUEjbcF — PolitiTweet.org
The New Yorker @NewYorker
In a series of illustrations by @jared_nangle, the classical pianist Glenn Gould plays the COVID Variations on piano, opening with “Aria SARS-CoV-2.” https://t.co/IXCXJtYSA9 — PolitiTweet.org
The New Yorker @NewYorker
Remembering Gene Tong, a popular herbal-medicine doctor in Los Angeles, who was hanged by a mob during one of the worst mass lynchings in American history. https://t.co/4aEX8tspOB — PolitiTweet.org
The New Yorker @NewYorker
Most of the new movie “Tár” is set in the fortress of serious classical music, Anthony Lane writes. Your grip, as a viewer, will probably be more secure if you know what free bowing means, and who Thomas Beecham was, and what DG and MTT stand for. https://t.co/HVyk70kYdw — PolitiTweet.org
The New Yorker @NewYorker
Most young readers appreciate the fact that, in his children’s stories, Roald Dahl so nakedly takes their side. https://t.co/NVYXkvFLGY — PolitiTweet.org
The New Yorker @NewYorker
An ode to omurice, which is a meal to be made with love. https://t.co/1fhD3dHhqe — PolitiTweet.org
The New Yorker @NewYorker
In France, why are there Kevin memes and Kevin skits and Kevin jokes and even a Kevin novel? https://t.co/7rw9NVrVTl — PolitiTweet.org
The New Yorker @NewYorker
The conundrum of who has the authority to write about old age is this: unlike the subjective experience of most imagined Others, seniority is something that many of us will eventually experience for ourselves. https://t.co/vF0me1ztPu — PolitiTweet.org
The New Yorker @NewYorker
From 2019: Narendra Modi’s Hindu-nationalist government has cast two hundred million Muslims as internal enemies. https://t.co/eYIuYgNQdI — PolitiTweet.org
The New Yorker @NewYorker
Why did Russia put General Valery Gerasimov, who was at least partially responsible for planning the disastrous initial invasion of Ukraine, in charge of the war? https://t.co/OXZ68EjesS — PolitiTweet.org
The New Yorker @NewYorker
If trousers could talk. https://t.co/py2B5yMm0B — PolitiTweet.org
The New Yorker @NewYorker
Thinking in pictures, thinking in patterns, thinking in words—these are quite different experiences. But do thinkers themselves fall into such neat categories? https://t.co/fBnYYNGnEa — PolitiTweet.org
The New Yorker @NewYorker
Some all-new collegiate punctuation marks to rival the Oxford comma. https://t.co/rvcIcSsWOk — PolitiTweet.org
The New Yorker @NewYorker
Some all-new collegiate punctuation marks to rival the Oxford comma. https://t.co/LV2ky19ZpK — PolitiTweet.org
The New Yorker @NewYorker
An Irving Penn portrait, from 1947, of the hulking Arctic explorer Peter Freuchen and his chic wife, Dagmar, seems made for the coldest days of winter. https://t.co/hRSet6LSSa — PolitiTweet.org
The New Yorker @NewYorker
Socialtitle: “Why I Loved Him” Socialcopy: “I can’t tell you Why I loved him or What it meant. When you Are a child, you know only The kind of love your little Life lacked, so every Blooming flower is a field.” A poem by Camonghne Felix. https://t.co/cVjhxaCsio — PolitiTweet.org
The New Yorker @NewYorker
Kate Daloz’s grandmother died after a self-induced abortion. “My questions about her life and death hadn’t changed since I was 12 years old,” Daloz writes. What felt new “was the urgency of her story.” https://t.co/JQuhDWgR2Q — PolitiTweet.org
The New Yorker @NewYorker
“It happened in an apartment, on an old couch. I wasn’t directed so much as given a series of props to make my way through, like an obstacle course.” A short story by Miranda July, from 2017. https://t.co/M8meaVqK7D — PolitiTweet.org
The New Yorker @NewYorker
Punchdrunk’s “The Burnt City” is Felix Barrett and Maxine Doyle’s immersive version of the Trojan War: part warehouse party, part night club, part evening-length choreographic performance. https://t.co/q1UolP2b1Z — PolitiTweet.org
The New Yorker @NewYorker
When the filmmaker Azza Cohen asked her grandmother to star in a documentary, she knew she wanted to tell a story of an older person not looking back at their life but forward. Watch her short documentary about an octogenarian learning how to swim. https://t.co/zx2Noo0UCK — PolitiTweet.org
The New Yorker @NewYorker
Virtually every statistical argument against gun regulation is based on the research of John Lott, whose methods have met with scathing criticism. Revisit the 2022 report published with @teamtrace, in which @mikespiesnyc investigated Lott’s claims. https://t.co/yEphXImsg6 — PolitiTweet.org
The New Yorker @NewYorker
The top one per cent of taxpayers are responsible for 28 per cent of the nation’s unpaid taxes, amounting to an annual shortfall of more than $160 billion, the Treasury Department estimated in 2021. https://t.co/AhJ4koe8yT — PolitiTweet.org
The New Yorker @NewYorker
While waiting for the details of the mass shooting in Monterey Park, a majority-Asian city in California, @michaelluo recalled the long history of anti-Asian hate crimes in the United States. https://t.co/8fh3VHUi6v — PolitiTweet.org
The New Yorker @NewYorker
RT @michaelluo: When I got an alert this morning about the Monterey Park shooting, I was about to sit down to finish the latest chapter in… — PolitiTweet.org
The New Yorker @NewYorker
On Kurt Vonnegut’s birthday, revisit Salman Rushdie on how Vonnegut’s antiwar novel “Slaughterhouse-Five” allows, at the end of the horror that is its subject, for the possibility of hope. https://t.co/8GeoCL5PIg — PolitiTweet.org
The New Yorker @NewYorker
A new volume of John Le Carré’s letters shows him traveling the world, running towards danger, looking for his characters’ inner conflicts in real-world conflict zones. https://t.co/mhpjXWr5fO — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, @blythelikehappy imagines how it all might end—in the Hudson Valley. https://t.co/1LVoBpQXob — PolitiTweet.org
The New Yorker @NewYorker
In this week’s cryptic crossword: crouches around a place to sit (eight letters). https://t.co/7DpXI1WkC4 — PolitiTweet.org
The New Yorker @NewYorker
At the heart of Catherine Chalmers’s solo exhibit, “We Rule,” is a set of four videos about ants that evoke core aspects of human culture: language, ritual, war, and art. https://t.co/bBDLefU76L — PolitiTweet.org