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Showing page 97 of 3498.
The New Yorker @NewYorker
At age 94, the composer Charles Strouse is compiling his archives to donate to the Library of Congress. On #NewYorkerRadio, he reflects on his life and career. Listen here. https://t.co/xU77svBXYY — PolitiTweet.org
The New Yorker @NewYorker
In 2019, Beverly Gage’s ankles started to itch—“really itch, the maddening kind of sensation that blots out all thought and reason,” she writes. Then testing revealed a one-of-a-kind genetic mutation. “I was not only a zebra but one with polka dots.” https://t.co/SoHv6a9vGI — PolitiTweet.org
The New Yorker @NewYorker
From Robert Redford and Marlon Brando to Grace Jones and Paris Hilton, the paparazzo Ron Galella shot many of the defining personalities of his age. https://t.co/vXocMqiIHY — PolitiTweet.org
The New Yorker @NewYorker
It’s time to let go of that punch card from Radio Shack. https://t.co/nVmFhIqql0 — PolitiTweet.org
The New Yorker @NewYorker
In “Night Ride,” which is nominated in the Best Live Action Short Film category, one passenger on a tram begins to harass another, leaving its driver with a decision: Say something, or keep driving? https://t.co/hLDZ67m2KZ https://t.co/Gb5fHezhJV — PolitiTweet.org
The New Yorker @NewYorker
In the animated film “Ice Merchants,” about a family living on the edge, the sketches and the music do the talking. https://t.co/pFIPy47iQk https://t.co/PZwadcLDt9 — PolitiTweet.org
The New Yorker @NewYorker
“The Flying Sailor” tells the story—perhaps embellished over time—of an English sailor who was launched skyward in a blast. https://t.co/5rJG1QM70R https://t.co/D2diyXMmqH — PolitiTweet.org
The New Yorker @NewYorker
In “Stranger at the Gate,” a community recollects how a would-be terrorist made—and then abandoned—a violent plan. https://t.co/C8v0FvUGBE https://t.co/JA5R8YNhfx — PolitiTweet.org
The New Yorker @NewYorker
The short documentary “Haulout” follows a scientist on a remote Arctic beach who witnesses the chaotic effects of climate change on Pacific walruses. https://t.co/UoVj6iFJQg https://t.co/pdWU4wQ9N5 — PolitiTweet.org
The New Yorker @NewYorker
Five New Yorker shorts—two documentaries, a pair of animated films, and a live-action short—have been nominated for Academy Awards. https://t.co/167dWeMm22 — PolitiTweet.org
The New Yorker @NewYorker
The first dinosaurs lived in a world without flowers. When, and how, did they originate? https://t.co/izFVcDyfUN — PolitiTweet.org
The New Yorker @NewYorker
.@mollyhfischer profiles Pamela Paul, an opinion columnist at the Times whose work—deliberately contrarian or not—has pushed a lot of people’s buttons. https://t.co/XEEHHrfcDW — PolitiTweet.org
The New Yorker @NewYorker
If you just skipped one coffee per day, you could save up enough cash to buy your dream house in just over 300 years. https://t.co/8hpWGXlOyD — PolitiTweet.org
The New Yorker @NewYorker
For a decade, or more, the N.H.S. has run on what health analysts call “discretionary effort”—a mixture of vocational calling, not letting people down, and a social ideal—rather than adequate investment or pay. Now the well is dry. https://t.co/p6CldegZ9m — PolitiTweet.org
The New Yorker @NewYorker
The film “Women Talking” is adapted from a novel by Miriam Toews. “The cinematic package in which the text is delivered doesn’t entirely do it justice,” @tnyfrontrow writes. https://t.co/AHbmMXRFAi — PolitiTweet.org
The New Yorker @NewYorker
The comedian Caitlin Reilly revived her acting career with short character videos on TikTok—but she wasn’t always elated when her content went viral. “It gave me a lot of anxiety,” she said. “It was, like, Oh, no! People are going to see it!” https://t.co/0BUFmE5lw1 — PolitiTweet.org
The New Yorker @NewYorker
The current COVID-19 crisis in China raises fundamental questions about why China persisted with its “zero COVID” policy for so long and why it chose to reverse its policy now. https://t.co/AqkFyMY4qJ — PolitiTweet.org
The New Yorker @NewYorker
“Who cares that a year of child care costs more than you make annually, so you’re going into debt just to keep your job until your kids reach public-school age?” Some sage advice in @newyorkerhumor. https://t.co/3hEM2NAnQJ — PolitiTweet.org
The New Yorker @NewYorker
Are we the same people at age four that we will be at 24, 44, or 74? Or do we change dramatically through time? https://t.co/bbEneUV2wv — PolitiTweet.org
The New Yorker @NewYorker
From 2015: Kazimir Malevich’s “The Black Square” is the most famous, most enigmatic, and most frightening painting known to man. https://t.co/ACbaXlUDhm — PolitiTweet.org
The New Yorker @NewYorker
Attention, viewer: this material may not be suitable for parents who have to verbally identify every actor who appears on the screen. https://t.co/FFOIdplDB4 — PolitiTweet.org
The New Yorker @NewYorker
“What’s interesting to me is not the details of quiet quitting, or even the question of how widespread the phenomenon actually is, but our collective reaction to its provocations,” Cal Newport writes: “we’re simultaneously baffled and enthusiastic.” https://t.co/WDB8xtgMam — PolitiTweet.org
The New Yorker @NewYorker
A winter-outfit word problem: Ari is buying a pair of snow boots. If he wears a size 10, but the brand runs a half size small and he needs space for three layers of socks, what size boots should he buy? https://t.co/lCyobnMD8D — PolitiTweet.org
The New Yorker @NewYorker
Maxine Hong Kingston’s 1976 book, “The Woman Warrior,” changed American culture. Now Kingston, who has kept a low profile in the past decade, plans to release her final work only after she dies. https://t.co/vDtumUEOPO — PolitiTweet.org
The New Yorker @NewYorker
From 1978: “I try to figure out what would drive a person to make such a phone call. Hatred? Deep principle short-circuited by desperation? Fanaticism? Frenzy?” https://t.co/PBIU79Qzjy — PolitiTweet.org
The New Yorker @NewYorker
In June, 1968, Andy Warhol was shot point-blank at his Manhattan studio, the Factory. He spent two months in the hospital recovering. The shooting was a turning point in his life, and his religious life. https://t.co/HIkJnJMr0x — PolitiTweet.org
The New Yorker @NewYorker
Jon Stewart treated “The Daily Show” like a calling; Trevor Noah just seemed like he was there to do a job. https://t.co/OqnXEuJozN — PolitiTweet.org
The New Yorker @NewYorker
Prince Harry’s autobiography, “Spare,” is worth reading not just for its headline-generating details but also for its narrative force, its voice, and its sometimes surprising wit. https://t.co/TQfLQKgz2p — PolitiTweet.org
The New Yorker @NewYorker
.@csestanovich reads her story “Different People,” which appears in this week’s issue of the magazine. Listen here. https://t.co/Xi19kZTTJT — PolitiTweet.org
The New Yorker @NewYorker
The neurologist Oliver Sacks found that the social-media era resembles a neurological catastrophe on a gigantic scale.https://t.co/OOz3obLR7Z — PolitiTweet.org