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The New Yorker @NewYorker
In “Power Slap,” a reality show tied to a slap-fighting league, there is no evasion, no trickery, and no possibility of a swing and a miss. Just two people taking turns slapping each other in the face. https://t.co/g1T7shk59T — PolitiTweet.org
The New Yorker @NewYorker
This actor once embedded with The New Yorker’s fact-checking department. Who is it? https://t.co/mJFVYOfPYJ — PolitiTweet.org
The New Yorker @NewYorker
“Trust Exercise” author Susan: four letters. https://t.co/hWe6EZPSJs — PolitiTweet.org
The New Yorker @NewYorker
The N.F.L.’s greatest quarterback seemed ageless right up until his first retirement. Then he came back. And now he is retiring again, presumably for good. https://t.co/cx7eVWItUy — PolitiTweet.org
The New Yorker @NewYorker
The Ukrainian government is working to identify and charge suspected Russian collaborators in newly liberated territories. But the magnitude of—and the motives behind—the collaborators’ actions varies widely. https://t.co/nBDYHaFqMP — PolitiTweet.org
The New Yorker @NewYorker
By making an exhibition of the footage of Tyre Nichols’s brutal beating by police officers, the City of Memphis calculatedly situated itself and its police as the conduits to truth. https://t.co/WUL4zFMGwX — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @ChristophWeyant. #NewYorkerCartoons https://t.co/bcpe0wFZ5Z — PolitiTweet.org
The New Yorker @NewYorker
A rigorous and surprisingly entertaining new book about the role of workplace surveillance in trucking offers an ethnographic portrait of a profession in transition. https://t.co/C31gQQlsNE — PolitiTweet.org
The New Yorker @NewYorker
Since the start of the 20th century, the media has striven to be objective—that is, nonpartisan and unopinionated. But objectivity has been a fraught concept from the start. https://t.co/jndmLbGwD3 — PolitiTweet.org
The New Yorker @NewYorker
Ron Klain, Joe Biden’s departing chief of staff, was so closely identified with the Administration that an assessment of his tenure is inseparable from an evaluation of the Biden Presidency—its culture, its maneuvers, its achievements and defeats. https://t.co/7UVbJi85Fp — PolitiTweet.org
The New Yorker @NewYorker
Including a posthumous work by David Graeber and and a playfully self-referential novel examining Asian American identity. https://t.co/h43rggO1GY — PolitiTweet.org
The New Yorker @NewYorker
The genial yet guarded persona of Langston Hughes, who was born on this day in 1902, curtailed not only what he was able to achieve as an artist but what he was able to express as a man. https://t.co/j0L9Ax6mY3 — PolitiTweet.org
The New Yorker @NewYorker
Modern Catholicism has embraced the nun, theologian, and composer Hildegard of Bingen as a symbol of piety and creativity intertwined. Her fame has also crossed over into zones of New Age spirituality, environmental discourse, and feminist thought. https://t.co/tydS2aceIm — PolitiTweet.org
The New Yorker @NewYorker
Whisper, an open-source program, transcribes speech in more than 90 languages. In some of them, the software can actually parse what somebody’s saying better than a human can. https://t.co/U1pWvRN91E — PolitiTweet.org
The New Yorker @NewYorker
.@IChotiner speaks with a former Trump loyalist about how Republicans have tried to take both sides of election denialism—and why the Party always ends up returning to the former President. https://t.co/oWJ4Aoaemm — PolitiTweet.org
The New Yorker @NewYorker
On a new episode of our Fiction Podcast, Clare Sestanovich reads “The Moons of Jupiter,” by Alice Munro, which was published in The New Yorker in 1978. Listen here. https://t.co/CHVsFLVDY5 — PolitiTweet.org
The New Yorker @NewYorker
“Are you there Margaret? It’s me, God. I just saw your messages. Sorry it’s taken so long to get back to you—I’ve just been totally swamped.” https://t.co/ebdpjObHLp — PolitiTweet.org
The New Yorker @NewYorker
Literature departments seem to provide a haven for studying books, but they may have painted themselves into a corner. https://t.co/W1oz1e9FRW — PolitiTweet.org
The New Yorker @NewYorker
Reading Patricia Highsmith’s early diaries feels like bearing witness to a version of the author that she largely managed to destroy, Hannah Gold writes. https://t.co/azbloM9zTQ — PolitiTweet.org
The New Yorker @NewYorker
Florida Governor Ron DeSantis’s objective is seemingly to provide white Floridians, from a young age, with a version of the past that they can be comfortable with, regardless of whether it’s true. https://t.co/AuXZugBXW5 — PolitiTweet.org
The New Yorker @NewYorker
The basketball commentator Bill Walton is a polarizing media member—strange, spacey, hyper-fluent and deeply sincere, often wrong—whom N.B.A. fans either enjoy as a kind of camp or really can’t stand at all. https://t.co/f8wUFRYpOk — PolitiTweet.org
The New Yorker @NewYorker
Samuel Fosso has told various stories about becoming his own muse. At only 13, he opened a commercial studio, shooting his first self-portraits with the leftover film, and posing in flamboyant outfits inspired by musicians like James Brown. https://t.co/34OGJMG85d — PolitiTweet.org
The New Yorker @NewYorker
Are “universal” Russian novels a product of expansionist ideology? Elif Batuman investigates. https://t.co/kl7C7kibIc — PolitiTweet.org
The New Yorker @NewYorker
On December 31, 1946, in Brooklyn, two young women got on a subway train and sat across from each other. They had never met, had never spoken, but their lives had been drawn together—and the entwinement was a sinister one. #NewYorkerArchive https://t.co/AOenLqocxF — PolitiTweet.org
The New Yorker @NewYorker
.@tnyfrontrow picks *his* Oscar winners—“Benediction” for Best Picture, “Nope” for Best Original Screenplay, “Framing Agnes” for Best Documentary Feature, and more. https://t.co/vAcTpOfr4K — PolitiTweet.org
The New Yorker @NewYorker
The photographer Sage Sohier's images of animals, taken mostly in New England between 1979 and 1993, showcase a variety of interspecies relationships. https://t.co/Detvqm5R9Y — PolitiTweet.org
The New Yorker @NewYorker
From 2014: Without the underrated and overlooked elevator, cities as we know them would not be possible. https://t.co/iHWsTFmlxW — PolitiTweet.org
The New Yorker @NewYorker
Was Harry Yee (1918-2022) the very first human on planet Earth to put a little umbrella in a drink? It’s impossible to know, but he was celebrated for it, and solidified the concept of the umbrella drink in popular culture for all time. https://t.co/HLzG15UpC5 — PolitiTweet.org
The New Yorker @NewYorker
Targeted police units that were created to go after gangs, guns, and drugs often use trivial infractions as a pretext to justify pulling over a car and looking inside it. These stops are not only inefficient; they spark a deadly cycle of fear. https://t.co/0JNVx84zxp — PolitiTweet.org
The New Yorker @NewYorker
From 2009: Judith Thurman on Laura Ingalls Wilder, her daughter Rose, and the Little House—an American saga about their life on a shrinking frontier. https://t.co/w9Zhm694Iw — PolitiTweet.org
