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Showing page 79 of 3498.
The New Yorker @NewYorker
Literature departments seem to provide a haven for studying books, but they may have painted themselves into a corner. https://t.co/uLXw2iBgQi — PolitiTweet.org
The New Yorker @NewYorker
At last night’s Grammys, Beyoncé “became the most celebrated and most winning, and yet somehow most undersung, artist in Grammy history,” @cbattan writes. https://t.co/QcwDzfikpa — PolitiTweet.org
The New Yorker @NewYorker
.@lsjamison charts the rise of impostor syndrome, a concept first developed in the ’70s that has achieved a level of cultural saturation—and a wave of criticism—that its originators never could have imagined. https://t.co/wmAu1xZiCr — PolitiTweet.org
The New Yorker @NewYorker
A rigorous and surprisingly entertaining new book about the role of workplace surveillance in trucking offers an ethnographic portrait of a profession in transition. https://t.co/ccGTxAEiAD — PolitiTweet.org
The New Yorker @NewYorker
On Monday, the U.N. Secretary-General António Guterres delivered a frank talk on global warming and an excoriating message to the fossil-fuel industry. His courageous directness is hugely important, @billmckibben writes. https://t.co/nDEiyCnWPj — PolitiTweet.org
The New Yorker @NewYorker
On #NewYorkerRadio, Bonnie Raitt, who won Song of the Year at last night’s Grammys, talks with David Remnick about her early career and reflects on the state of the genre today. Listen here. https://t.co/vATgSXaAYL — PolitiTweet.org
The New Yorker @NewYorker
"Georgia O’Keeffe and I stood in front of the painting," Roxana Robinson writes. "She looked quietly at the canvas, as though it were part of her, as if she were alone with it." https://t.co/UURqNAIjxo — PolitiTweet.org
The New Yorker @NewYorker
Slap fighting is outrageous by design. But, in the case of “Power Slap,” some of the outrage has come from a surprising quarter: the world of professional fighting. https://t.co/JNt6ndgaTf — PolitiTweet.org
The New Yorker @NewYorker
“We have an emotional relationship to cities,” a University of Texas psychologist said. “When our cities undergo profound transformation, it poses challenges for us. No city in America has changed more than Austin has in the last two decades.” https://t.co/w1jNVpE7RN — PolitiTweet.org
The New Yorker @NewYorker
It was almost a foregone conclusion that Beyoncé would break the record for the most Grammy wins. But she has also been one of the Recording Academy’s most overlooked artists, racking up smaller wins while mostly losing out in the headlining categories. https://t.co/HJdDxtMl05 — PolitiTweet.org
The New Yorker @NewYorker
M. Night Shyamalan’s new film, “Knock at the Cabin,” is a warning about the knock at the door that may come for any of us under a regime of religious fascism. https://t.co/0OGK70YHf8 — PolitiTweet.org
The New Yorker @NewYorker
A Profile of the author Salman Rushdie, whose new book, “Victory City”—his 16th since a fatwa was issued against him—is an affirmation of the power of storytelling. https://t.co/I7wcVqGImF — PolitiTweet.org
The New Yorker @NewYorker
The late photographer Henri Cartier-Bresson captures the diverse everyday lives of New Jerseyans in a collection of images that had gone unseen for almost 50 years. https://t.co/lw81Gji04G — PolitiTweet.org
The New Yorker @NewYorker
Eustace Tilley, a monocled dandy, first appeared on the cover of The New Yorker’s inaugural issue, in 1925. For this year’s Anniversary Issue, he lends his aesthetic to a canine counterpart. https://t.co/H3T4kkGBnN — PolitiTweet.org
The New Yorker @NewYorker
During childbirth, in your final moments, and other situations in which you absolutely must check your e-mail: https://t.co/fXr97DQJzd https://t.co/C3ffAfoYGp — PolitiTweet.org
The New Yorker @NewYorker
.@Rebeccamead_NYC profiles Lady Glenconner—a trusted friend of Queen Elizabeth II and Princess Margaret—who has come to be known for her wry insider accounts of the British élite. https://t.co/TrZFejSbDT — PolitiTweet.org
The New Yorker @NewYorker
Ariel’s prince in “The Little Mermaid”: four letters. https://t.co/OjqhpLnJKB — PolitiTweet.org
The New Yorker @NewYorker
.@lsjamison charts how the concept of impostor syndrome has achieved cultural saturation in the age of social media, eliciting fierce identification from many but also inspiring critiques. https://t.co/Zv9PsUJhkw — PolitiTweet.org
The New Yorker @NewYorker
.@lawrence_wright pens a kaleidoscopic portrait of his home town of Austin, Texas, a city that he’s seen evolve from a zany hub for artists and visionaries to a turbocharged playground for the rich and powerful. https://t.co/Hm22tp1tSt — PolitiTweet.org
The New Yorker @NewYorker
“Ghosts are an expression of trauma. Something that doesn’t and won’t go away,” Mariana Enriquez says, while discussing her story “My Sad Dead,” from this week’s issue of the magazine. https://t.co/jRKewsU3FN — PolitiTweet.org
The New Yorker @NewYorker
David Remnick profiles the writer Salman Rushdie, who is speaking on the record for the first time since a near-fatal assassination attempt last year. https://t.co/i17GKC6Gc7 — PolitiTweet.org
The New Yorker @NewYorker
Inside this year’s Anniversary Issue: https://t.co/y3kCWZYkak https://t.co/PC1rGZ5dSX — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by John McNamee. #NewYorkerCartoons https://t.co/mQKdgaKUJG — PolitiTweet.org
The New Yorker @NewYorker
RT @evanasmith: .@lawrence_wright on Austin’s transformation. seriously, stop what you’re doing and read this. it’s so great https://t.co/Z… — PolitiTweet.org
The New Yorker @NewYorker
The answer to today’s Name Drop quiz is the only person to have won Academy Awards in both acting and writing categories. Can you guess who it is? https://t.co/C6vVdZKNGQ — PolitiTweet.org
The New Yorker @NewYorker
In the spring of 2021, a literary mystery arose at the 92nd Street Y. A galley proof of The New Yorker, dated from 1995, contained an unfamiliar poem by the late poet Mark Strand. Yet the work was never published. https://t.co/mtlzMrrlpb — PolitiTweet.org
The New Yorker @NewYorker
Everyone seems to feel like they’re faking it. But as the concept of impostor syndrome has spread, so has the criticism. https://t.co/ktlJSTgwDJ — PolitiTweet.org
The New Yorker @NewYorker
In his first interview since a near-fatal assassination attempt, Salman Rushdie talks with David Remnick about the attack and its aftermath, his new novel, and the power of storytelling. https://t.co/04KulJABVY — PolitiTweet.org
The New Yorker @NewYorker
Now 90, Lady Glenconner—a trusted friend of Queen Elizabeth and Princess Margaret—has become a cheeky chronicler of the British élite. https://t.co/weKeW5G3GF — PolitiTweet.org
The New Yorker @NewYorker
“I’ve always thought that my books are more interesting than my life,” Salman Rushdie remarks, in his first interview since the assassination attempt on his life, in August. “Unfortunately, the world appears to disagree.” https://t.co/rkqPDTZMC3 — PolitiTweet.org
