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The New Yorker @NewYorker
Until the end of his life, David Crosby remained irascible, short-tempered, and prone to unequivocal declarations. When he was performing, though, he was seized by a kind of silent joy. https://t.co/bbCc0ke8oY — PolitiTweet.org
The New Yorker @NewYorker
When Cy Twombly is at his best, “his creations have an easygoing charm, as though they weren’t really looking for the sublime but are tickled to have found it anyway,” Jackson Arn writes. https://t.co/vWCgxzAQmB — PolitiTweet.org
The New Yorker @NewYorker
The concept of impostor syndrome has become ubiquitous. Some of its critics argue that the idea merely reframes systemic inequality as an individual pathology. https://t.co/YzUaoN4X9H — PolitiTweet.org
The New Yorker @NewYorker
In the short documentary “CANS Can’t Stand,” by Matt Nadel and Megan Plotka, activists work to overturn a baldly prejudiced law aimed at L.G.B.T.Q. people. https://t.co/EQXw2teeeg — PolitiTweet.org
The New Yorker @NewYorker
Texts requesting parking advice, butt dials that expose faint rumblings of war and peace, and other things that happen when a mom joins NATO. https://t.co/aWvls1LKUc — PolitiTweet.org
The New Yorker @NewYorker
From the 1980s into the 2000s, Sheron Rupp traversed the U.S. with her camera, lingering in rural towns. She would spot something that interested her, pull over, and spark a conversation with whoever she encountered. See more of her photos: https://t.co/uIWkwGTY3i https://t.co/p3KPP2CvTi — PolitiTweet.org
The New Yorker @NewYorker
“When you write my epitaph, you must say I was the loneliest person who ever lived,” Elizabeth Bishop, who was born on this day in 1911, once said to Robert Lowell. https://t.co/xvrvBqc857 — PolitiTweet.org
The New Yorker @NewYorker
“Corruption is a symptom of there not being rule of law. So I wanted Pakistan to have rule of law,” Imran Khan, Pakistan’s former Prime Minister, says. https://t.co/TSBAh9h1OQ — PolitiTweet.org
The New Yorker @NewYorker
An antibody that has been under development for nearly two decades appears to give people with early manifestations of Alzheimer’s disease around three more years in that liminal state. https://t.co/mM59jVmMdx — PolitiTweet.org
The New Yorker @NewYorker
Sabiha Çimen’s first photo book, “Hafiz,” documents the young Muslim students in Turkey who attend hafiz schools, where they learn all 604 pages of the Quran. For many of the girls, the two or three years spent there will be their only formal education. https://t.co/lpaLoSFX45 — PolitiTweet.org
The New Yorker @NewYorker
This week on #NewYorkerRadio, the staff writer Kelefa Sanneh talks with an icon of American music, the rapper Chuck D. Listen here. https://t.co/GIHRvgCZty — PolitiTweet.org
The New Yorker @NewYorker
The author Olga Tokarczuk sometimes pieces together a character from various others she knows, “But more often characters appear spontaneously and almost fully formed, so, in that sense, I don’t exactly ‘create’ them,” she says. https://t.co/1IVl30r6le — PolitiTweet.org
The New Yorker @NewYorker
The short film “Night of the Living Dread,” which took more than a year to make, was shot in stop-motion—a medium that lends itself to a warm sort of playfulness—and includes hand-drawn facial features. Watch it here. https://t.co/gmwgM5cgpq — PolitiTweet.org
The New Yorker @NewYorker
Billionaires, too, have been known to toss and turn at night. https://t.co/DBKHG9xFxL — PolitiTweet.org
The New Yorker @NewYorker
“You are the only person known to have this exact mutation,” an investigator at the National Institute of Health told Beverly Gage. “In other words,” she writes, “I am one of a kind, and therefore a medical curiosity.” https://t.co/dzpZpeobJk — PolitiTweet.org
The New Yorker @NewYorker
The Montessori method routed disproportionately to rich white kids partially because its founder, Maria Montessori, increasingly viewed her project as “a patentable business,” one of her biographers wrote. https://t.co/QBEU2Atehb — PolitiTweet.org
The New Yorker @NewYorker
Led Zeppelin’s talent and daring went way beyond the capabilities of the headbanging deadweights who hung off the group’s example, James Wood writes. “Its violence tore things apart which its musicianship put back together.” https://t.co/LZgY2P0OrD — PolitiTweet.org
The New Yorker @NewYorker
In the Victorian era, the long exposures required by cameras meant that children needed to be kept still for considerable periods of time to have their picture taken. Photographers enlisted mothers as literal supports. https://t.co/T2BT8AMwwx — PolitiTweet.org
The New Yorker @NewYorker
Are “universal” Russian novels a product of expansionist ideology? Elif Batuman investigates. https://t.co/6l50aG4cTs — PolitiTweet.org
The New Yorker @NewYorker
“There was no one like Tom,” Patti Smith writes. “He possessed the child’s gift of transforming a drop of water into a poem that somehow begat music.” https://t.co/m41OFjSpzy — PolitiTweet.org
The New Yorker @NewYorker
Anthony Bourdain’s 1999 essay about working in Manhattan restaurants: “Gastronomy is the science of pain,” he writes. “It was the unsavory side of professional cooking that attracted me to it in the first place.” #NewYorkerArchive https://t.co/FaWw7zvskV — PolitiTweet.org
The New Yorker @NewYorker
From 2015: Brain surgery is slow and dangerous, and removing a tumor can be like defusing a bomb. If a neurosurgeon makes a mistake, the damage is often permanent. https://t.co/SBI9N07UKD — PolitiTweet.org
The New Yorker @NewYorker
“Go Ask Alice,” the supposedly real diary of a teen drug addict, was really the work of a straitlaced stay-at-home mom. https://t.co/hr3JcuPaiI — PolitiTweet.org
The New Yorker @NewYorker
On a new episode of The Political Scene, Chuck D talks with Kelefa Sanneh about the history of hip-hop and his new documentary on PBS. Listen here. https://t.co/BcyF4CuA8Y — PolitiTweet.org
The New Yorker @NewYorker
The same earnestness that has sometimes made the director M. Night Shyamalan vulnerable to criticism is also what keeps his movies from succumbing to easy bleakness. https://t.co/b6NG0RaFhD — PolitiTweet.org
The New Yorker @NewYorker
In his new film “Knock at the Cabin,” M. Night Shyamalan explores how reasonable and well-intentioned people can and should respond to possessed destroyers who hold them hostage. https://t.co/VnfoE6iE1c — PolitiTweet.org
The New Yorker @NewYorker
RT @charlesbethea: "Books Are NOT for Student Use!!" I wrote about what's going on in Florida right now: https://t.co/BQbrGfWzGh — PolitiTweet.org
The New Yorker @NewYorker
The photographer Henri Cartier-Bresson felt that New Jersey’s anywhere-ness, its density and diversity, was “a kind of shortcut through America.” View a collection of his images of the state, which have gone unseen for 50 years: https://t.co/AMbTGalBwW https://t.co/aUX5nr1sbV — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by @PaulNoth. #NewYorkerCartoons https://t.co/Hs3SzmFZto — PolitiTweet.org
The New Yorker @NewYorker
In the nearly 120 years since Alzheimer’s disease was first identified, no one has figured out how to slow its progression, let alone prevent it or reverse its damage—but a new clinical trial may indicate a breakthrough. https://t.co/cbwtAihCMk — PolitiTweet.org
