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The New Yorker @NewYorker
“I think it will change things,” the creator of The Last of Us said, about the game’s HBO adaptation. @alexbarasch explores the story’s journey to the big screen and the future of Hollywood’s relationship to video games. https://t.co/bso0pw5Ytc — PolitiTweet.org
The New Yorker @NewYorker
“We are in this place culturally of needing to have clean narratives around identity and pain and trauma, and there is social and economic capital to be gained by making that trauma consumable and legible,” @kateberlant says. https://t.co/hNU9PlHlkF — PolitiTweet.org
The New Yorker @NewYorker
“For the sort of evening when you’d normally roast a chicken, and you want to make dinner into *dinner,* duck is your friend,” @hels writes. https://t.co/vhZ2Gh4jM2 — PolitiTweet.org
The New Yorker @NewYorker
Resilience is a set of skills—and psychologists know how you can learn them. https://t.co/4Lc9rJtnr2 — PolitiTweet.org
The New Yorker @NewYorker
Are we the same people at age four that we will be at 24, 44, or 74? Or do we change dramatically through time? https://t.co/QJfe8YGXD4 — PolitiTweet.org
The New Yorker @NewYorker
Has “The Last of Us” broken the curse of video-game adaptations? On #NewYorkerRadio, @alexbarasch picks some examples—successful and otherwise—from the genre’s long history. https://t.co/c4JHYw9Pjr — PolitiTweet.org
The New Yorker @NewYorker
“MILF Manor,” a dating show on TLC, might be a new low for reality TV, “perhaps even a rock bottom,” @frynaomifry writes. https://t.co/o8rs7j3tIV — PolitiTweet.org
The New Yorker @NewYorker
“The long night is over—you’ll never carry your own bags or professional weight again.” In @newyorkerhumor, a man gets welcomed into his new status as a seven. https://t.co/4apbaIRmS3 — PolitiTweet.org
The New Yorker @NewYorker
When Anne Boyer was diagnosed with cancer, she was treated with a drug known as “the red devil,” which turned her bodily fluids toxic to other people. https://t.co/k60cfXhkwW — PolitiTweet.org
The New Yorker @NewYorker
In recent years, as the worst drought in more than 1,000 years has seized the Southwest, the region’s tribal nations have been asserting their legal rights to the contentious, increasingly scarce commodity of water. https://t.co/8Zn30qKSAa — PolitiTweet.org
The New Yorker @NewYorker
Why are so many older people confused by quiet quitting? “It’s not meant for us,” Cal Newport writes. “It’s instead the first step of a younger generation taking their turn in developing a more nuanced understanding of the role of work in their lives.” https://t.co/UFg7B2Alpp — PolitiTweet.org
The New Yorker @NewYorker
The story of the Murdaugh murders has taken one brutal swerve after another, “complete with serial fake-outs, intimations of corruption, and a true psychological puzzle at its center,” James Lasdun writes. https://t.co/E9M4LlsIJP — PolitiTweet.org
The New Yorker @NewYorker
The question about our perennial debt-ceiling crisis might remain tediously the same: Is the G.O.P. really reckless enough to go through with its threats? https://t.co/59TaamPRIR — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, Nicole Kidman lends her Oscar-winning gravitas to ads for Staples, Buffalo Wild Wings, and more. https://t.co/tHiPJ5yqoy — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @larskenseth. #NewYorkerCartoons https://t.co/E0uHIhyjam — PolitiTweet.org
The New Yorker @NewYorker
“The Lonely Doll,” a children’s book from 1957, tells the story of a doll named Edith through photographic illustrations. In the six decades since it was published, it has become a cult classic. See more images from the book: https://t.co/aGYJ6G334Y https://t.co/ce90GJoJOH — PolitiTweet.org
The New Yorker @NewYorker
A new production of “Endgame” stars Bill Irwin, who might be the most celebrated clown in America, and John Douglas Thompson, a formidable Shakespearean actor. Their different performance styles help open up new meanings in Samuel Beckett’s text. https://t.co/6enkfM25V0 — PolitiTweet.org
The New Yorker @NewYorker
The first “Magic Mike” movie exuded a sense of swing, and a cool and confident physicality, @tnyfrontrow writes. In “Magic Mike’s Last Dance,” “the camera gyrates but doesn’t swing.” https://t.co/iiSmMV1l8c — PolitiTweet.org
The New Yorker @NewYorker
Two short, savage novels by the English writer Gwendoline Riley, “First Love” and “My Phantoms,” are grotesquely honest about “the original sin of being born to inadequate parents,” James Wood writes. https://t.co/gDcVWkxt1i — PolitiTweet.org
The New Yorker @NewYorker
On our Political Scene podcast, Benjamin Wallace-Wells discusses the influence of the early primaries, and the political calculations that went into changing the Democratic Party’s schedule in 2024. Listen here. https://t.co/Kfunt5Q6qT — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a guide to a few disruptors’ “inventions.” https://t.co/JCj0W5ynJ4 — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @willsantino. #NewYorkerCartoons https://t.co/0tTTPUeCdb — PolitiTweet.org
The New Yorker @NewYorker
“Real life, life at last laid bare and illuminated—the only life in consequence which can be said to be really lived—is literature,” Marcel Proust writes, in the last volume of his autobiographical novel, “In Search of Lost TIme.” https://t.co/yW5vrGxol7 — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Roz Chast. #NewYorkerCartoons https://t.co/fJHnEoWgw8 — PolitiTweet.org
The New Yorker @NewYorker
Photographer Diane portrayed by Nicole Kidman in the 2006 film “Fur”: five letters. https://t.co/GeEbqZ4XBQ — PolitiTweet.org
The New Yorker @NewYorker
The story of an improbable escape from slavery, a genre-bending novel weaving together the lives of feminist and lesbian icons, and other books we recommend this week. https://t.co/RkMPihk46Z — PolitiTweet.org
The New Yorker @NewYorker
Elon Musk is just one of the recent billionaire arrivals now hanging around Austin, Texas. There were two or three until not long ago, @lawrence_wright writes. “Now I hear there are 14.” https://t.co/wRE0U9B6Ia — PolitiTweet.org
The New Yorker @NewYorker
Many of this writer’s novels draw on his experience working for M.I.5 and M.I.6. Who is it? https://t.co/u3lcUbHA71 — PolitiTweet.org
The New Yorker @NewYorker
After a fatwa was issued against Salman Rushdie, he feared he would no longer be merely a storyteller; for the rest of his life, he would be a story, a controversy, an affair. He has refused to accept that fate. https://t.co/85x6ZHrjH2 — PolitiTweet.org
The New Yorker @NewYorker
The boos from Republican hecklers during the State of the Union address “might as well have been a campaign contribution to Biden’s reëlection,” @sbg1 writes. “Joe Biden has been lucky in his enemies these last few years.” https://t.co/d4gk67Ps71 — PolitiTweet.org
