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The New Yorker @NewYorker
“I think I’ll hear one of these voices for the rest of my life,” a man in Turkey said, of listening for voices from the rubble after this week’s earthquake. “He said over and over, ‘I am here, don’t leave me, don’t leave me.’ But we had to leave him.” https://t.co/XpQOoKEJoD — PolitiTweet.org
The New Yorker @NewYorker
What unites the fathers and the mothers in Gwendoline Riley’s short novels “First Love” and “My Phantoms” is their deep disappointment with the world. https://t.co/F3EMKU5hzj — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @zoesees. #NewYorkerCartoons https://t.co/8ArFiBjIDr — PolitiTweet.org
The New Yorker @NewYorker
Edward Berger’s new film, “All Quiet on the Western Front,” is less radical in import than either the original novel or the 1930 adaptation, @alexrossmusic writes. “The critique of nationalist ideology is weakened at almost every turn.” https://t.co/kMb7QIfrKF — PolitiTweet.org
The New Yorker @NewYorker
You need to hear only a few bars of a Burt Bacharach song to sense his singular gift, Adam Gopnik writes. Read his remembrance of the composer, who died on Wednesday: https://t.co/TxLAc2GlLI https://t.co/6NK9Hwtvtd — PolitiTweet.org
The New Yorker @NewYorker
“The night Renzo died, he cried out in the night,” Matthew Schnipper writes, in a new Personal History. “This was the last noise I ever heard him make.” https://t.co/vCvKMcZ98N — PolitiTweet.org
The New Yorker @NewYorker
Let’s not take any chances! Barry Blitt illustrates America’s efforts to save the country from balloons. https://t.co/AUOg8kipPq https://t.co/eGwFVg9Aa2 — PolitiTweet.org
The New Yorker @NewYorker
M. Night Shyamalan’s new film, “Knock at the Cabin,” is a warning about the knock at the door that may come for any of us under a regime of religious fascism. Read @tnyfrontrow’s review: https://t.co/y4VMGclSKW https://t.co/BaWaTYog4k — PolitiTweet.org
The New Yorker @NewYorker
One problem with M. Night Shyamalan’s latest thriller “Knock at the Cabin” is that it takes place *in* the cabin. https://t.co/HSv0HYyubb — PolitiTweet.org
The New Yorker @NewYorker
“I shaved my head about six weeks ago . . . knowing I’d be too vain to go into town when I was stuck on a page or a paragraph.” J. D. Salinger once wrote his editor. https://t.co/VEszESBjEi — PolitiTweet.org
The New Yorker @NewYorker
Coming this month: All 12 seasons of a show you’ve never heard of but that your parents have been watching religiously since 2011. Leaving this month: The show that made you sign up for this streaming platform in the first place. https://t.co/j7pAcjwmCq — PolitiTweet.org
The New Yorker @NewYorker
Consoled a friend after a breakup, roasted a goose, and other things I’ve done while keeping my Slack status “active.” https://t.co/w1XTHh8cwd — PolitiTweet.org
The New Yorker @NewYorker
In 1981, the French artist Sophie Calle took a job as a hotel maid in Venice and recorded what she found in the rooms, looking through wallets, transcribing unsent postcards, and photographing the contents of wastebaskets. https://t.co/yKLuImRRmm — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by David Ostow. #NewYorkerCartoons https://t.co/7iDLNjTc7j — PolitiTweet.org
The New Yorker @NewYorker
Iowa will no longer be the Democratic Party’s first official stop in its Presidential-nomination process, likely putting an end to an arrangement that dates back to the 1970s. “This news was a long time coming,” @ericlach writes. https://t.co/GLYugGW9O3 — PolitiTweet.org
The New Yorker @NewYorker
In 1979, the photographer JEB released what has been credited as the first photo book of lesbians, by a lesbian. Disarmingly intimate, her photos serve as plain evidence of the community’s basic humanity. See more of her images: https://t.co/D5GTwKC4Ej https://t.co/3VJMjZvjk1 — PolitiTweet.org
The New Yorker @NewYorker
Samuel Beckett cited “Endgame” as his favorite of his plays. A new production, at the Irish Repertory Theatre, makes it easy to agree. https://t.co/8r5rfaJ5Da — PolitiTweet.org
The New Yorker @NewYorker
Prince Harry’s autobiography is worth reading not just for its headline-generating details but also for its narrative force, its voice, and its sometimes surprising wit. https://t.co/SGc15pUlA5 — PolitiTweet.org
The New Yorker @NewYorker
Read a new poem by @seminewblack: https://t.co/uJOu0UGb0v https://t.co/aiKQCzQ1Gh — PolitiTweet.org
The New Yorker @NewYorker
If you just skipped one coffee per day, you could save up enough cash to buy your dream house in just over 300 years. https://t.co/oHRHgu1FuH — PolitiTweet.org
The New Yorker @NewYorker
Read a long-lost work by the poet Mark Strand, now published for the first time. https://t.co/LPzvUDwRkJ https://t.co/XOktZS96sT — PolitiTweet.org
The New Yorker @NewYorker
In September, the Japanese pharmaceutical company Eisai announced that it had made a significant breakthrough in developing a treatment for Alzheimer’s disease. https://t.co/01hE5pCi3D — PolitiTweet.org
The New Yorker @NewYorker
No matter what, Salman Rushdie is determined to keep writing. “As long as there’s a story that I think is worth giving my time to, then I will,” he said. “When I have a book in my head, it’s as if the rest of the world is in its correct shape.” https://t.co/9pgE2lcpxK — PolitiTweet.org
The New Yorker @NewYorker
The Wife of Bath is fundamentally a better person than any other speaker in “The Canterbury Tales,” Joan Acocella writes. “With her, women, freed of halos or hellfire, entered the world of ethics. About time, Chaucer seems to say.” https://t.co/aw9MsEfjax — PolitiTweet.org
The New Yorker @NewYorker
Welcome to February, the second month of the Year of New You! How’s that going so far? Does New You need a new handbag? https://t.co/KfRWazPdKP — PolitiTweet.org
The New Yorker @NewYorker
The more that text generated by large-language models gets published on the Web, the more the Web becomes a blurrier version of itself. https://t.co/hNz8OrRi1c — PolitiTweet.org
The New Yorker @NewYorker
“Where our days had been brim-filled, now they were empty. We tended to each other as a way to tend to ourselves.” In a new Personal History, Matthew Schnipper reflects on losing his son, Renzo, when he was 22 months old. https://t.co/LfPGi4eQWu — PolitiTweet.org
The New Yorker @NewYorker
Cy Twombly’s art pokes gentle fun at the grandeur of gods and ruins—but not without whipping up some grandeur of its own. https://t.co/cXa66TSVet — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @lianafinck. #NewYorkerCartoons https://t.co/7vDnO1Ws69 — PolitiTweet.org
The New Yorker @NewYorker
In addition to offering a personal perspective on some of the United Kingdom’s most public moments, Lady Glenconner’s memoir “Lady in Waiting” provides an intimate view of the monarchy’s strange aura and its effect on those close to it. https://t.co/Vnh4RQK4c4 — PolitiTweet.org
