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Showing page 74 of 3498.
The New Yorker @NewYorker
“A shoe has so much more to offer than just to walk,” Christian Louboutin told @laurenzcollins, in 2011. Revisit her Profile of the shoe designer, for whom shoes are less interesting for their physical properties than for their psychological ones: https://t.co/PZgBl2iLSz https://t.co/rYP7WJLaMJ — PolitiTweet.org
The New Yorker @NewYorker
“Protect life and property, in that order,” Patrick Bringley was told when he first started working as a security guard at the Met. He would go on to spend a decade at the museum, an experience detailed in his memoir “All the Beauty in the World.” https://t.co/juyhBJS9Fw — PolitiTweet.org
The New Yorker @NewYorker
“You want to have lots of hippies around because they make the music and the food better,” said Joe Lonsdale, a venture capitalist who moved to Austin from Silicon Valley. “But you just don’t want them in government.” https://t.co/gBJPnKywz4 — PolitiTweet.org
The New Yorker @NewYorker
This week’s earthquakes in Turkey were likely the largest natural disaster the country has ever faced. For nearly three days, aid and rescue from the Turkish government stalled, and local communities were largely left to fend for themselves. https://t.co/eV6v0TTQEN — PolitiTweet.org
The New Yorker @NewYorker
When the pandemic shuttered salons, many women were obliged—or enabled—to go gray. A series of photographs celebrates the beauty of silver-streaked hair. See more: https://t.co/4dTezHMkMV https://t.co/YMnHCWRw7p — PolitiTweet.org
The New Yorker @NewYorker
Impostor syndrome was designed to liberate women from their shame. Its critics argue that it’s just another way to keep them disempowered. https://t.co/uWdO4eyuNn — PolitiTweet.org
The New Yorker @NewYorker
Title: Social-Media Manager Responsibilities: Optimized content calendar across all platforms to coincide with anniversaries, vacations, etc.; contributed to the 28-per-cent growth of combined social-media accounts during tenure. https://t.co/qN8HZn1lve — PolitiTweet.org
The New Yorker @NewYorker
“ ‘Magic Mike’ is about capitalism,” @Lfeidel writes. Channing Tatum’s character, a six-year veteran at the Exquisite Male Dance Revue, displays a wincing, genuine precarity. In the club, though, he’s king. https://t.co/2IoATgMhmO — PolitiTweet.org
The New Yorker @NewYorker
Some AI-image generators present work “as if it’s copyright free,” an attorney behind a new class-action suit said, adding that every image a generative tool produces “is an infringing, derivative work.” https://t.co/f44G5ywkpI — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by Sarah Kempa. #NewYorkerCartoons https://t.co/okRQE1bLdX — PolitiTweet.org
The New Yorker @NewYorker
Go on the lam (eight letters): https://t.co/gpE11XvHz5 — PolitiTweet.org
The New Yorker @NewYorker
Can you guess this musician in six clues or fewer? https://t.co/Gz8sHqAqho — PolitiTweet.org
The New Yorker @NewYorker
The Washington Post’s C.E.O., Fred Ryan, has framed the paper’s recent layoffs not as a cost-cutting measure but as a move to transform the paper. But many staff felt the layoffs were chaotically implemented and capricious. https://t.co/F5QzG0o2ME — PolitiTweet.org
The New Yorker @NewYorker
Since the attack on his life last year, Salman Rushdie has struggled to write—but he refuses to stop trying. https://t.co/ombl6DbLOx https://t.co/QbBOULmEOn — PolitiTweet.org
The New Yorker @NewYorker
A new “biography” of the Wife of Bath tells us where the character came from—in terms both of literary precursors and of actual women’s lives in Chaucer’s England—and where the idea of such a woman has gone in the course of English literature. https://t.co/aq7pjtfoM8 — PolitiTweet.org
The New Yorker @NewYorker
Elena Ferrante’s novels produce a rapt engagement “so urgent it can feel like hypnosis,” @xwaldie writes. But the onscreen adaptations of her work are frictionless. https://t.co/sSg3PCTNI0 — PolitiTweet.org
The New Yorker @NewYorker
The writer Wendell Berry says a properly ordered, sustainable farm is “something even more miraculous than most art.” https://t.co/tW4omxBj6a — PolitiTweet.org
The New Yorker @NewYorker
The conservative columnist Ross Douthat has called “Yellowstone” “the most red-state show on television.” But partisan politics can’t adequately explain the series’ mass appeal, Lauren Michele Jackson writes. https://t.co/uCWiSRDtBW — PolitiTweet.org
The New Yorker @NewYorker
If it involves a stove-to-oven transfer, abort mission. https://t.co/J7YktOu5Bs — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, discover the other five love languages you might not have heard about. https://t.co/HOJoKZnoX3 — PolitiTweet.org
The New Yorker @NewYorker
Samuel Fosso has told various stories about becoming his own muse. At only 13, he opened a commercial studio, shooting his first self-portraits with the leftover film, and posing in flamboyant outfits inspired by musicians like James Brown. https://t.co/wGGmIeIzCE — PolitiTweet.org
The New Yorker @NewYorker
See the best books our editors and critics read this week. https://t.co/I4KSXmlWty — PolitiTweet.org
The New Yorker @NewYorker
In the winter months, communities close to the North Pole experience a phenomenon known as polar night: a period of uninterrupted darkness. In Utqiagvik, this lasts for approximately two months. https://t.co/VRO6mfNJVM — PolitiTweet.org
The New Yorker @NewYorker
“The problem is that we have tremendous concentrations of power over discourse in private hands,” @daphnehk tells @IChotiner, in a conversation about platform regulation. “One response might be to try to break up that concentration.” https://t.co/2KLO7DuLSq — PolitiTweet.org
The New Yorker @NewYorker
Should employees be obligated to participate in “fun” workplace activities? A French court doesn’t think so. https://t.co/3n4BEUfQjR — PolitiTweet.org
The New Yorker @NewYorker
“Identity is rooted in place as well as in parentage,” David Wright Faladé writes, in a recent Personal History. “I was formed in a space where differences converged.” https://t.co/sgHWuNpOUI — PolitiTweet.org
The New Yorker @NewYorker
Can large-language models help humans with the creation of original writing? To answer that, we need to be specific about what we mean by that question. https://t.co/ugAZOOfZpa — PolitiTweet.org
The New Yorker @NewYorker
Audrey Jongens and Meg Radice have built an audience for the VIP List, their TikTok-born satirical foodie account, in part by bringing out the brass knuckles. https://t.co/XHb0xgUUS6 — PolitiTweet.org
The New Yorker @NewYorker
From boomers to zoomers, the concept of “generations” gets social history all wrong. https://t.co/vQlt0pNYF4 — PolitiTweet.org
The New Yorker @NewYorker
From boomers to zoomers, the concept of “generations” gets social history all wrong. https://t.co/iAYoe42tVg — PolitiTweet.org
