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The New Yorker @NewYorker
Move to Los Angeles. Be really sanctimonious about it. https://t.co/lOAziwmGAV — PolitiTweet.org
The New Yorker @NewYorker
Was Harry Yee (1918-2022) the very first human on planet Earth to put a little umbrella in a drink? It’s impossible to know, but he was celebrated for it, and solidified the concept of the umbrella drink in popular culture for all time. https://t.co/xb73NKs46e — PolitiTweet.org
The New Yorker @NewYorker
In a collaboration between @ProPublica and The New Yorker, @AlecMaGillis reports on the violence-intervention programs that have sprung up in cities across the United States. https://t.co/xPXeyYdCi7 — PolitiTweet.org
The New Yorker @NewYorker
A baby rescued from the earthquake’s rubble was named Aya, meaning “a sign of God’s existence.” But what is the life ahead of her? https://t.co/xG8cvgGW5x — PolitiTweet.org
The New Yorker @NewYorker
In a new production of Samuel Beckett’s play “Endgame,” the leads play off each other like an existential vaudeville duo, wringing moments of superb physical comedy from two characters who struggle to move. https://t.co/14tYa5LuS5 — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a kidnapper grapples with the ethics of the profession: “I have come to the conclusion that kidnapping is morally wrong.” https://t.co/cPQrn8RDqI — PolitiTweet.org
The New Yorker @NewYorker
Certain questions resurface often in Patricia Highsmith’s early diaries. Does she work better in a relationship or alone? Is she more attracted to her lover’s body or her sparkling conversation? https://t.co/QxFF4D8FsX — PolitiTweet.org
The New Yorker @NewYorker
Cy Twombly is “smart enough to see through the past but is seduced all the same, and he takes pleasure in seducing you, too,” Jackson Arn writes. https://t.co/1l09s9C72q — PolitiTweet.org
The New Yorker @NewYorker
From David Sedaris’s diary, September 9, 1985: “Ted H. is my painting teacher. . . . At the start of class he said that no question was a stupid question. So I raised my hand and asked if we could use part of the room as a smoking section.” https://t.co/yfFg1nVuhh — PolitiTweet.org
The New Yorker @NewYorker
Boeing’s iconic jumbo jet made the world smaller, encouraging and making it possible for more people to travel. “And, in that way, it changed us fundamentally,” James Ross Gardner writes, “as citizens of the planet and maybe even as a species.” https://t.co/A4QsiWoB7s — PolitiTweet.org
The New Yorker @NewYorker
Some fake orgasms; others fake satisfied responses to glasses of wine. https://t.co/muYhA67ETP — PolitiTweet.org
The New Yorker @NewYorker
After Amanda Petrusich’s husband died, she found comfort in Anderson Cooper’s podcast about death and loss, “All There Is.” In a recent interview, Petrusich and Cooper talk about grief, love, and what it means to be human. https://t.co/JuXO5wSAzN — PolitiTweet.org
The New Yorker @NewYorker
James Mollison’s playground photographs are as fun as a “Where’s Wally?” book, but they also raise questions about ethics and memory. Read Jon Ronson’s essay on remembering recess: https://t.co/i2ZkY6K18a https://t.co/Zdwi2GtNOP — PolitiTweet.org
The New Yorker @NewYorker
For decades, flying saucers were a punch line. Gideon Lewis-Kraus explores how the U.S. government relaxed its grip on the taboo. https://t.co/Lj8LRNgbJz — PolitiTweet.org
The New Yorker @NewYorker
Five years after Robert Opel ran naked across the Oscar stage, in 1974, he was murdered in an erotic-art gallery in San Francisco. What really happened to the man known as the “Oscar streaker”? https://t.co/Rq4bqBAyTB — PolitiTweet.org
The New Yorker @NewYorker
Five years after Robert Opel ran naked across the Oscar stage, in 1974, he was murdered in an erotic-art gallery in San Francisco. What really happened to the man known as the “Oscar streaker”? https://t.co/SuIMNtCR9A — PolitiTweet.org
The New Yorker @NewYorker
.@Helen_E_Shaw remembers Mikéah Ernest Jennings, a fixture of New York’s experimental-theatre scene whose “particular charisma was rooted in his unchanginess.” https://t.co/agvY24VHQS https://t.co/o14knjq4Qe — PolitiTweet.org
The New Yorker @NewYorker
Serbest Salih, a Syrian refugee, settled in Turkey in 2014, having fled the war in his own country. After the earthquake, it “feels like starting a new page, like being a refugee again,” he says. Read Salih’s first-person account of the devastation: https://t.co/1KgA7wOkJH https://t.co/Fil4CvzF9I — PolitiTweet.org
The New Yorker @NewYorker
Jessica Chen Weiss is on the front ranks of a growing number of China experts concerned that U.S. foreign policy suffers from an unhealthy focus on China as a threat. “I think we are in an action-reaction spiral,” Weiss said. https://t.co/UXPCxkcqnU — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @BrendanLoper. #NewYorkerCartoons https://t.co/PBhjQG8q9V — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @BrendanLoper. #NewYorkerCartoons https://t.co/qSis1wUU6e — PolitiTweet.org
The New Yorker @NewYorker
A campaign for Andrea Riseborough’s role in “To Leslie” is believed to have flouted the Academy’s rules against lobbying and other unfair forms of influencing. https://t.co/I6rD5lHt8q — PolitiTweet.org
The New Yorker @NewYorker
“The first disaster in space had occurred, and no one knew what had happened.” From the #NewYorkerArchive, revisit the story of Apollo 13, the space mission that got lost—and found again: https://t.co/B9yR7K75ON https://t.co/HOW4l4RCMJ — PolitiTweet.org
The New Yorker @NewYorker
Five centuries on, portraits by the painter Hans Holbein continue to dazzle viewers. “His virtuosity with fabrics and heraldic ornament stuns,” the late critic Peter Schjeldahl wrote last year. Revisit his full essay: https://t.co/A7wmougI1J https://t.co/ihKIKQMf3x — PolitiTweet.org
The New Yorker @NewYorker
When does scientific knowledge, however incomplete, compel us to change? Read Ingfei Chen’s essay on the medical historians researching the long chronology of concern about head injuries in sports: https://t.co/NDXoflAM0g https://t.co/NyxRgpQ5SG — PolitiTweet.org
The New Yorker @NewYorker
Inflation has become an irresistible political weapon. Recently, blaming Biden for causing inflation has been a favorite strategy of the political right. https://t.co/DzSnSOz9iU — PolitiTweet.org
The New Yorker @NewYorker
Every year, the Super Bowl commercials bring surprising laughs and cameos. This year, @newyorkerhumor imagines some exciting variations, including Timothée Chalamet in some capacity. https://t.co/Uu2RLt5qUZ https://t.co/HD4oNOWGqJ — PolitiTweet.org
The New Yorker @NewYorker
“I’ve found it very, very difficult to write,” Salman Rushdie said, in his first interview since his attack. “I write, but it’s a combination of blankness and junk, stuff that I write and that I delete the next day. I’m not out of that forest yet, really.” https://t.co/rRRm23nn4h — PolitiTweet.org
The New Yorker @NewYorker
A new film adaptation of “All Quiet on the Western Front” presents war as an inevitable condition—a fatalism that is opposed to the spirit of Erich Maria Remarque’s antiwar novel, which floats the possibility of change. https://t.co/a9tSE75b5f — PolitiTweet.org
The New Yorker @NewYorker
In a new book, the medieval scholar Marion Turner argues that the Wife of Bath is the first ordinary woman in English literature. “By that,” she writes, “I mean the first mercantile, working, sexually active woman.” https://t.co/pD9kfL68zv — PolitiTweet.org
