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Showing page 66 of 3498.
The New Yorker @NewYorker
For centuries, Ukrainians have struggled against Russian cultural dominance. Vladimir Putin’s invasion has accelerated a growing need to reassert a Ukrainian identity once and for all. https://t.co/0bzMCcLkhX — PolitiTweet.org
The New Yorker @NewYorker
In 2020, Americans bought more than twice as many e-bikes as they did electric cars. Read Patricia Marx on the desire “to strap on a helmet, join the traffic, and e-roll with the flow.” https://t.co/5UHOYll0Ci — PolitiTweet.org
The New Yorker @NewYorker
In her Afterword column, @susanorlean remembers Blanche, a swan who reigned at San Francisco’s Palace of Fine Arts. https://t.co/3osUDux2bK — PolitiTweet.org
The New Yorker @NewYorker
From 2019: Millions of Americans have taken antidepressants for many years. What happens when it’s time to stop? https://t.co/F5ugAf6a4t — PolitiTweet.org
The New Yorker @NewYorker
“You want to have lots of hippies around because they make the music and the food better,” said Joe Lonsdale, a venture capitalist who moved to Austin from Silicon Valley. “But you just don’t want them in government.” https://t.co/uxNL9tqznQ — PolitiTweet.org
The New Yorker @NewYorker
Revisit Truman Capote’s 1957 Profile of Marlon Brando: “He looked at people with assurance, and with what can only be called a pitying expression, as though he dwelt in spheres of enlightenment where they, to his regret, did not.” #NewYorkerArchive https://t.co/9ZmOR7MNOy — PolitiTweet.org
The New Yorker @NewYorker
What keeps Haruki Murakami healthy? “Music and cats,” he says. https://t.co/hfce4EeJgr — PolitiTweet.org
The New Yorker @NewYorker
Defenders of A.I. art-making could point out that artists have always taken from and riffed on each other’s work. Is A.I. imagery just a new wave of appropriation art? https://t.co/BKgtpfVbA9 — PolitiTweet.org
The New Yorker @NewYorker
“Couples Therapy” has turned Orna Guralnik into a rare thing: a famous analyst. Her popularity rests on her frank clinical style, which involves nudging patients to the edge of a terrifying emotional precipice, then encouraging them to jump. https://t.co/LknON38x4d — PolitiTweet.org
The New Yorker @NewYorker
“Love & Basketball” features one of the greatest romantic scenes, @vcunningham says: when Sanaa Lathan approaches Omar Epps and tells him, “One game for your heart,” and then they play basketball. “What’s hilarious is that he just whoops her ass.” https://t.co/6dPHoDjJE2 — PolitiTweet.org
The New Yorker @NewYorker
See pictures by the iconic New York photographer Jamel Shabazz, who captured images of a cohort of carefree young people before the war on drugs. https://t.co/kZxZlxPDPf — PolitiTweet.org
The New Yorker @NewYorker
Anthony Bourdain’s 1999 essay on working in Manhattan restaurants: “Gastronomy is the science of pain,” he writes. “It was the unsavory side of professional cooking that attracted me to it in the first place.” #NewYorkerArchive https://t.co/S1vfhBuVqb — PolitiTweet.org
The New Yorker @NewYorker
“The problem is that we have tremendous concentrations of power over discourse in private hands,” @daphnehk tells @IChotiner, in a conversation about platform regulation. “One response might be to try to break up that concentration.” https://t.co/UoeFrrlCmK — PolitiTweet.org
The New Yorker @NewYorker
A revelatory book collects behind-the-scenes photos of Joan Crawford, Bette Davis, Marilyn Monroe, Humphrey Bogart, and others on the set of movie shoots. https://t.co/czL1xisouR — PolitiTweet.org
The New Yorker @NewYorker
“The ‘Magic Mike’ movies are less interested in class mobility than in authenticity,” @Lfeidel writes. “If stripping is about cosplaying a sailor or soldier, then dancing is about shedding stratified professional identity.” https://t.co/68C2w3503t — PolitiTweet.org
The New Yorker @NewYorker
Rhiannon Giddens is a singer, a songwriter, a multi-instrumentalist, and even something of a historian, whose work reflects both the universality of folk music and the specific tradition of the Black string band. https://t.co/2TzmLsHmip — PolitiTweet.org
The New Yorker @NewYorker
“With proper seasoning there shouldn't be more than an inch or so of solid carbonized food gunk left on the bottom of your pan.” In @newyorkerhumor, a step-by-step guide to caring for your new bundle of joy. https://t.co/b1m9kwUxmx — PolitiTweet.org
The New Yorker @NewYorker
A social anthropologist discusses how President Erdoğan’s governing style and policies have hindered Turkey’s response to the earthquake, and what the crisis could mean for the country’s upcoming election. https://t.co/UkyhHHKgcR — PolitiTweet.org
The New Yorker @NewYorker
A poem by Sharon Olds. https://t.co/YFIboBfsrW https://t.co/OFXRyQB7S4 — PolitiTweet.org
The New Yorker @NewYorker
The feeling of giddy wonder that distinguishes the first two “Ant-Man” films is absent in the latest installment. https://t.co/Y78vEloc9q — PolitiTweet.org
The New Yorker @NewYorker
In advance of the release of Peyton Reed’s latest film, “Ant-Man and the Wasp: Quantumania,” @tnyfrontrow looks back at the director’s mercurial and fascinating early features. https://t.co/BppaS6nQtb — PolitiTweet.org
The New Yorker @NewYorker
Todd Field is not a programmatic filmmaker, Cate Blanchett says. “You’ve got to invent something, you’ve got to bring it alive. . . . I felt, in a way, that it was simply about being at the center of sound,” the actor says, of her performance in “Tár.” https://t.co/5iiqtmS0xl — PolitiTweet.org
The New Yorker @NewYorker
Will Shortz, the veteran @nytimes puzzle editor, talks about his favorite clues, debates in the crossword community, and unexpectedly finding his first serious romance. https://t.co/eTfD6UrEsQ — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Jason Adam Katzenstein. #NewYorkerCartoons https://t.co/vGH2uWWqef — PolitiTweet.org
The New Yorker @NewYorker
On a new episode of The Political Scene, we unravel two major news stories: the disaster in Turkey and Syria, and the sudden proliferation of floating bodies in America’s airspace. Listen here. https://t.co/LJMAj5RQLz — PolitiTweet.org
The New Yorker @NewYorker
“We have been declared dead, dead, dead many times during the campaign, since we’ve been here,” President Biden’s former chief of staff, Ron Klain, said. “Those of us who’ve been around know that if you stick with it you can get things done.” https://t.co/1ZEhuFACqa — PolitiTweet.org
The New Yorker @NewYorker
“Joy of Cooking” author Rombauer: four letters. https://t.co/blQ0dAuamo — PolitiTweet.org
The New Yorker @NewYorker
The conductor Gustavo Dudamel’s decision to lead the New York Philharmonic is seen by some as another example of the L.A.-ification of New York. https://t.co/csD9uZGyX9 — PolitiTweet.org
The New Yorker @NewYorker
Many hold that Clarice Lispector’s most famous interview, given a few months before her death, created an inaccurate perception of the writer. A new conversation, translated into English for the first time, shows her in a different light. https://t.co/PP54anEYqC — PolitiTweet.org
The New Yorker @NewYorker
“I was just extremely lucky in my early career. I know the difference between luck and hard work. I was lucky.” Read a new interview with Sandra Oh. https://t.co/LQhwV5oirN — PolitiTweet.org
