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The New Yorker @NewYorker
In @newyorkerhumor, this year’s best-in-class canines get their portraits illustrated. Take a look at the rest of the pup yearbook: https://t.co/QJDCjo2v0Z https://t.co/edUWpEyLwf — PolitiTweet.org
The New Yorker @NewYorker
The Biden Administration’s Welcome Corps will allow Americans to sponsor newcomers to their home towns—and will test how exposure to refugees changes people’s lives. https://t.co/3uPhBhQY7m — PolitiTweet.org
The New Yorker @NewYorker
Aubrey Plaza discusses her long-standing feud with Joe Biden and how she first bonded with Mike White. “I met Mike White in Stockholm, and we travelled together to stalk my Swedish exchange-student boyfriend together. That is a true story.” https://t.co/a5jqsog3nj — PolitiTweet.org
The New Yorker @NewYorker
A conversation between the late New Yorker art critic Peter Schjeldahl and the iconic American photographer Stephen Shore. https://t.co/OSYFnl1XMd — PolitiTweet.org
The New Yorker @NewYorker
The photographer Stephen Shore discusses the nature of seeing, being a regular at Andy Warhol’s Factory, and how his road trips changed his notion of America. https://t.co/EPhxB3basa — PolitiTweet.org
The New Yorker @NewYorker
Hannah Goldfield reviews two additions to New York’s pizza scene: L’Antica Pizzeria da Michele, which first opened in Italy in 1870, and now débuts in the West Village; and Lucia Pizza of Avenue X, in Sheepshead Bay. https://t.co/C0daAkTUkB — PolitiTweet.org
The New Yorker @NewYorker
The Shinncock Nation is situated on 900 acres in and around the Hamptons. Jeremy Dennis, a Shinnecock photographer, has worked to document the local sites important to Native American history. See more of his photographs: https://t.co/blI4eBnnMW https://t.co/Gmk0JZZr3g — PolitiTweet.org
The New Yorker @NewYorker
David Remnick speaks to Stephen Kotkin, a top scholar of Russian history, about why Putin is not a strategic figure, how victory for Ukraine should be defined, and the lessons we can take from a year of war. https://t.co/KjfvM0ptzx — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by Ivan Ehlers. #NewYorkerCartoons https://t.co/lAsPCofIot — PolitiTweet.org
The New Yorker @NewYorker
A new short film, “Memoir of a Veering Storm,” is based on the real-life experience of the filmmaker’s friend, who accompanied his girlfriend to an abortion without her parents’ knowledge. Watch here. https://t.co/Cu94OMn3aF — PolitiTweet.org
The New Yorker @NewYorker
Aubrey Plaza on the conversation that led to her being cast on “Parks and Rec” (about what happens when you die), being perceived as “weird,” and the similarities between her and her “White Lotus” character. https://t.co/ftbbm6oDP9 — PolitiTweet.org
The New Yorker @NewYorker
.@Helen_E_Shaw reviews “Pictures from Home,” a stage adaptation of a photographer’s photo-memoir, and “Cornelia Street,” a new musical that is “about as authentic a slice of New York as a plastic baguette.” https://t.co/1sA85T5lGI — PolitiTweet.org
The New Yorker @NewYorker
A campaign for Andrea Riseborough’s role in “To Leslie” is believed to have flouted the Academy’s rules against lobbying and other unfair forms of influencing. https://t.co/xu3iGskZKs — PolitiTweet.org
The New Yorker @NewYorker
Vladimir Putin is “wrecking his own country in a way, although in a very different way from the murdering that he’s carrying out in Ukraine,” the historian Stephen Kotkin says, in a new interview with David Remnick. https://t.co/Z5dzJrXvA1 — PolitiTweet.org
The New Yorker @NewYorker
“There’s no net,” Karen O says, of being a woman in rock. “It does take a lot of defiance. It takes bravery.” https://t.co/ibPDqMEUSJ — PolitiTweet.org
The New Yorker @NewYorker
An eccentric Village bohemian claimed to be the author of the longest book ever written. The truth turned out to be even stranger. https://t.co/0Sul9SMDWK — PolitiTweet.org
The New Yorker @NewYorker
“The thing that the audience always is excited by is the question. It’s not the answer.” An interview with Cate Blanchett, who is up for an Oscar for her performance in “Tár.” https://t.co/IC3BXl9ZRy — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a guide to a few disruptors’ “inventions.” https://t.co/en5u6xk0BW — PolitiTweet.org
The New Yorker @NewYorker
The conservative columnist Ross Douthat has called “Yellowstone” “the most red-state show on television.” But partisan politics can’t adequately explain the series’ mass appeal, Lauren Michele Jackson writes. https://t.co/VB7nKw1Rtk — PolitiTweet.org
The New Yorker @NewYorker
“Life, in ‘Ulysses,’ is the experience of the body, from tip to toe, as it wanders through the world,” @mervatim writes. “It is sensation mediated by language, and language refined by sensation.” https://t.co/1AVr0G6YwM — PolitiTweet.org
The New Yorker @NewYorker
A profile of the director Robert Eggers, whose filmmaking process—the scholarly research and the rigid shooting method—opens a way to lost imaginations. https://t.co/lYJsQvQwms — PolitiTweet.org
The New Yorker @NewYorker
M. Night Shyamalan’s latest thriller abounds in compositional devilry, but the frights don’t leave a lasting impression. https://t.co/CKq0F5ekGS — PolitiTweet.org
The New Yorker @NewYorker
Four critics discuss erotic thrillers, prosthetic penises, and the state of desire onscreen. https://t.co/OTENtuinwP — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, meet some American tycoons you won’t find in the history books. https://t.co/2AvZYKEVkw — PolitiTweet.org
The New Yorker @NewYorker
“The night Renzo died, he cried out in the night,” Matthew Schnipper writes, in a new Personal History. “This was the last noise I ever heard him make.” https://t.co/s8ygXN8Wb5 — PolitiTweet.org
The New Yorker @NewYorker
Why do we need sleep, and are we getting enough? https://t.co/fMDq91qRWi — PolitiTweet.org
The New Yorker @NewYorker
Ukrainians living in occupied cities agreed to coöperate with Russian forces for a variety of reasons: fear, pro-Russian sympathies, opportunism, the hope of doing something productive. Now the collaborators face a reckoning. https://t.co/YaeeNcQb4Y — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, discover the other love languages you might not have heard about. https://t.co/ToNLBErI5w — PolitiTweet.org
The New Yorker @NewYorker
“I am not dead; I have never been dead, and after reading that book I will never again feel it quite safe to die!” A short story by F. Scott Fitzgerald, from 1920. https://t.co/noK0e7JV2g — PolitiTweet.org
The New Yorker @NewYorker
The real challenge isn’t being right but knowing how wrong you might be. https://t.co/usFS3pq8C9 — PolitiTweet.org
