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The New Yorker @NewYorker
The Danish designer Jens Quistgaard’s stainless-steel-and-teak Fjord flatware, and his stove-to-table Anker Line casserole, were not only great to look at but pointed toward a more relaxed home life. https://t.co/ItLpYfCbhr — PolitiTweet.org
The New Yorker @NewYorker
“These creatures are a mixture of my childhood nightmares, hallucinations, things I saw on TV, and things I saw in my everyday life,” the artist Edward Steed said, about his cover for this week’s issue. https://t.co/kW7OUqovpO — PolitiTweet.org
The New Yorker @NewYorker
Today, nearly half a billion people qualify as Indigenous. If they were a single country, it would be the world’s third most populous, behind China and India. Exactly who counts as Indigenous, however, is far from clear. https://t.co/mjDk8sYT6p — PolitiTweet.org
The New Yorker @NewYorker
RT @mnvrsngh: The "Indigenous" identity can be empowering. But, as I argue in next week's @NewYorker, the push to apply it to peoples every… — PolitiTweet.org
The New Yorker @NewYorker
Welkom, South Africa, was once the center of the world’s richest goldfields. After the mining industry collapsed, a dystopian criminal economy emerged in its place. https://t.co/WWaYQkFfts — PolitiTweet.org
The New Yorker @NewYorker
David Remnick talks with the historian Stephen Kotkin and the Kyiv-based journalist Sevgil Musaieva about a year of disaster, and what a Ukrainian victory would look like. Listen here. https://t.co/a2CdW11SxF — PolitiTweet.org
The New Yorker @NewYorker
Last fall, the Russian military began targeting coal-fuelled power plants, substations, and transformers across the whole of Ukraine. https://t.co/DszFcVDyhZ — PolitiTweet.org
The New Yorker @NewYorker
In Israel, the embattled left wing has stopped asking whether a figure as divisive as the far-right leader Itamar Ben-Gvir could reach the highest levels of power. Instead, the question has become: Can he be contained? https://t.co/jLUQio46qM — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Curiosities,” by Edward Steed. #NewYorkerCovers https://t.co/hkPBuyFQ50 https://t.co/Nd57afaCbR — PolitiTweet.org
The New Yorker @NewYorker
“I think people will be surprised,” Randall Park said, of his directorial début, “Shortcomings.” “I don’t know if ‘divisive’ is the word. I think that there will be people who are uncomfortable with it.” https://t.co/vIGpIzQw1a — PolitiTweet.org
The New Yorker @NewYorker
In a new comic, Navied Mahdavian illustrates the magician’s trick of fatherhood. https://t.co/cPcRFzrxKl — PolitiTweet.org
The New Yorker @NewYorker
“I did not yet register the fear of dying, although I sensed the fear was coming; I sensed a deep ancestral panic was taking form, but it wasn’t inside me, it was not yet mine.” A short story by Ben Lerner. https://t.co/v85beI6Cr1 — PolitiTweet.org
The New Yorker @NewYorker
“If I’m in a bar, there’s a lot of people that ask me to punch them in the face and stuff. But I don’t really engage.” An interview with Aubrey Plaza. https://t.co/nozbZmhOEr — PolitiTweet.org
The New Yorker @NewYorker
At Lucia Pizza of Avenue X, in Sheepshead Bay, the Cudduruni, topped with marinara, Gaeta olives, and—fair warning—a truly generous smattering of very salty anchovies, harks back to the owner’s native Sicily. https://t.co/9GFHdVUyMw — PolitiTweet.org
The New Yorker @NewYorker
Serbest Salih, a Syrian refugee, settled in Turkey in 2014, having fled the war in his own country. After the earthquake, it “feels like starting a new page, like being a refugee again,” he says. Read Salih’s first-person account of the devastation: https://t.co/oFAiynkCvf — PolitiTweet.org
The New Yorker @NewYorker
The book “Learning from Las Vegas,” which turns 50 this year, argues for understanding cities as they are rather than how planners wish they might be—and then using that knowledge as the basis for new architecture. https://t.co/dHEn6077VC — PolitiTweet.org
The New Yorker @NewYorker
An interview with Mike Judge, the creator of hit shows such as “Beavis and Butt-Head” and “King of the Hill” and “one of the most prolific, needle-accurate satirists of the past few decades,” Mike Sacks writes. https://t.co/dMB2V43QW1 — PolitiTweet.org
The New Yorker @NewYorker
“No one encouraged me to be a cartoonist,” Roz Chast recalls. “I showed my work and they just said, ‘I didn’t know you were this unhappy.’ ” https://t.co/mXA5xBBmfO — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, @LynnIHsu offers up some corporate alternatives to the “compliment sandwich.” https://t.co/V3dImNXCYS — PolitiTweet.org
The New Yorker @NewYorker
In a collaboration between @ProPublica and The New Yorker, @AlecMaGillis reports on the violence-intervention programs that have sprung up in cities across the United States. https://t.co/EJFK06fQFY — PolitiTweet.org
The New Yorker @NewYorker
“No one knows what they’re doing,” Alex Ross Perry said of directing his musical “Slanted! Enchanted!,” about the band Pavement. “But we do have two leads from Broadway rock musicals who can tell us what we’re doing wrong.” https://t.co/bSWm4V6hDl — PolitiTweet.org
The New Yorker @NewYorker
The science-fiction writer Ted Chiang explores how ChatGPT works and what it could—and could not—replace: https://t.co/v8AgmkdC1u — PolitiTweet.org
The New Yorker @NewYorker
The backlash against the College Board’s initial proposal for an AP class in African American studies is “an ongoing struggle to roll back anything that’s perceived as diminishing white power,” the historian Robin D. G. Kelley tells @KeeangaYamahtta. https://t.co/PWkm5SDfiB — PolitiTweet.org
The New Yorker @NewYorker
In just six working years, Aubrey Beardsley produced more than 1,000 art works and was hailed as “the very essence of the decadent fin de siècle” for transgressing both social and aesthetic norms. https://t.co/7PiNTIOIna — PolitiTweet.org
The New Yorker @NewYorker
Alba de Céspedes’s novel “Forbidden Notebook,” published in 1952 and newly translated, contends with the liberating—and sometimes, limiting—insights that come with self-examination. https://t.co/SBNFvBvIu3 — PolitiTweet.org
The New Yorker @NewYorker
The 1974 photo book “Pumping Iron” features iconic images of a young Arnold Schwarzenegger, who was considered among bodybuilders to have not only the best physique but the best style of posing. https://t.co/AiilRuZAtn — PolitiTweet.org
The New Yorker @NewYorker
“I’ve always thought that my books are more interesting than my life,” Salman Rushdie remarks, in his first interview since the assassination attempt on his life, in August. “Unfortunately, the world appears to disagree.” https://t.co/prIIWdFlck — PolitiTweet.org
The New Yorker @NewYorker
The agony of destroyed friendship is at the heart of “All Quiet on the Western Front,” Erich Maria Remarque’s enduring novel about life and death in the trenches. Read Alex Ross’s review of a new film adaptation: https://t.co/TQC75QYJj2 — PolitiTweet.org
The New Yorker @NewYorker
“There are days when my debt seems to be at the center of my being, a cancer that must be treated with the morphine of excuses and rationales.” A Personal History by Meghan Daum, from 1999. https://t.co/Q4AU76Wr6i — PolitiTweet.org
The New Yorker @NewYorker
“There was no one like Tom,” Patti Smith writes. “He possessed the child’s gift of transforming a drop of water into a poem that somehow begat music.” https://t.co/mDZWhOgEOS — PolitiTweet.org
