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The New Yorker @NewYorker
“One of my goals was to show that Black women are not monolithic,” Janelle Monáe says, of her eclectic acting roles. “We can be in space and we can be in the ghettos and still make an impact in both.” https://t.co/727B00eIUA — PolitiTweet.org
The New Yorker @NewYorker
“We were so wide-eyed when we started,” the Paramore front woman Hayley Williams says. “In the beginning, we would do everything and anything just to get to hop in the van and make it to the next show.” https://t.co/BrFtARay31 — PolitiTweet.org
The New Yorker @NewYorker
The science-fiction writer Ted Chiang explores how ChatGPT works and what it could—and could not—replace. https://t.co/zfLt4RTSoG — PolitiTweet.org
The New Yorker @NewYorker
Angela Bassett’s performance in “Black Panther: Wakanda Forever” earned the Marvel Universe’s first Oscar nomination in acting. On #NewYorkerRadio, Bassett talks with @MJSchulman about some of her iconic roles. https://t.co/zi1DINybwd — PolitiTweet.org
The New Yorker @NewYorker
A Profile of the author Salman Rushdie, whose new book, “Victory City”—his 16th since a fatwa was issued against him—is an affirmation of the power of storytelling. https://t.co/3tbnHrTPr2 — PolitiTweet.org
The New Yorker @NewYorker
What your cat is up to in the middle of the night: a timeline. https://t.co/TAEBSctKsL — PolitiTweet.org
The New Yorker @NewYorker
Five years after Robert Opel ran naked across the Oscar stage, in 1974, he was murdered in an erotic-art gallery in San Francisco. What really happened to the man known as the “Oscar streaker”? https://t.co/QYL2T2kHcG — PolitiTweet.org
The New Yorker @NewYorker
The main reason that the British Empire was able to sustain itself for more than two centuries, the historian Caroline Elkins maintains, was that the British model of state violence came wrapped in a “velvet glove” of liberal reform. https://t.co/TDSy5ApvSb — PolitiTweet.org
The New Yorker @NewYorker
Angela Bassett’s mother always liked to do things excellently, the actor says, in a new interview. “I just cogitate on things, because I want them to be perfect, and I think I get that curse and that blessing from her.” https://t.co/0FKUlrOtMR — PolitiTweet.org
The New Yorker @NewYorker
“A year ago, in January, I went to Moscow to learn what I could about the coming war—chiefly, whether it would happen,” @keithgessen writes, about the days leading up to the invasion of Ukraine. “Everyone was certain that there would be no war.” https://t.co/56yeZRHRjU — PolitiTweet.org
The New Yorker @NewYorker
The bonsai artist Ryan Neil has been in therapy for years, attempting to root out the odd mixture of insecurity and callousness that was ingrained in him during a six-year apprenticeship that he describes as “mental warfare.” https://t.co/m5FZX40t41 — PolitiTweet.org
The New Yorker @NewYorker
The dating app Feeld asks its users to be open about their desires. Other apps, for all their creative prompts, never state the question plainly: What kind of sex do you want to have? https://t.co/3t8kobMvDa — PolitiTweet.org
The New Yorker @NewYorker
“I was so desperate to escape San Francisco, by which I mean desperate to leave a specific world inside that city,” Rachel Kushner writes, “one I suspected I was too good for and, at the same time, felt inferior to.” https://t.co/3llu2yiroO — PolitiTweet.org
The New Yorker @NewYorker
How did Aubrey Plaza end up on “The White Lotus”? “It has to do with my Swedish exchange-student boyfriend,” she says. https://t.co/A8S4MaZfWe — PolitiTweet.org
The New Yorker @NewYorker
Why are so many people compelled to confess their feelings of insufficiency in high-achieving environments? @lsjamison explores the phenomenon known as impostor syndrome. https://t.co/5bRXdhftrn — PolitiTweet.org
The New Yorker @NewYorker
“There are only very few that we don’t recruit,” a former official with the I.D.F. said. The far-right Israeli leader Itamar Ben-Gvir, who is now the country’s national-security minister, was one of them. “Give someone like *that* a weapon?” https://t.co/hbv6No6lwY — PolitiTweet.org
The New Yorker @NewYorker
The “RRR” director S. S. Rajamouli discusses atheism, what makes a good action sequence, and some of his creative influences, including Mel Gibson and Ayn Rand. https://t.co/vI4aaraIpK — PolitiTweet.org
The New Yorker @NewYorker
The photographer Jamie Diamond captures women mothering lifelike dolls, questioning the seemingly natural roles that women are made to play in society. https://t.co/Z4qyP5Vh92 — PolitiTweet.org
The New Yorker @NewYorker
Why are so many older people confused by quiet quitting? “It’s not meant for us,” Cal Newport writes. “It’s instead the first step of a younger generation taking their turn in developing a more nuanced understanding of the role of work in their lives.” https://t.co/5l1O2Igwff — PolitiTweet.org
The New Yorker @NewYorker
Peloton’s magnetic cast of instructors are workout celebrities on a scale unseen since the heyday of Richard Simmons. @erenorbey speaks with Robin Arzón, one of the trainers most emblematic of the brand. https://t.co/VCuPouDBXG — PolitiTweet.org
The New Yorker @NewYorker
“The Darkness Manifesto” both warns about the dangers of light pollution and celebrates the creatures that it threatens. https://t.co/TqsqPcaMNR — PolitiTweet.org
The New Yorker @NewYorker
The Eurasian eagle-owl Flaco came to the Central Park Zoo at less than a year old and spent the next 12 years in captivity. Three weeks ago, after someone vandalized his enclosure, he escaped. https://t.co/l5yucPq9ZQ — PolitiTweet.org
The New Yorker @NewYorker
In Kharkiv, a performance genre known as Playback Theatre gives residents an outlet to express the ways in which the war has both upended their lives and become a way of life. https://t.co/eiRCj5Ijvn — PolitiTweet.org
The New Yorker @NewYorker
In 1941, at the age of 36, Greta Garbo, one of the biggest box-office draws in the world, stopped acting and, though she lived for half a century more, never made another film. https://t.co/SOSq2U6Ic3 — PolitiTweet.org
The New Yorker @NewYorker
“This Norwegian town has eliminated pollution by incentivizing bike riding,” @huttopian writes, in @newyorkerhumor. “Bicycles are allowed in the United States, of course, but they’re considered target practice for cars.” https://t.co/d8Jxqs2809 — PolitiTweet.org
The New Yorker @NewYorker
Why do so many of us feel like frauds? @lsjamison charts the rise of impostor syndrome, and explores why some critics argue that the concept further disempowers women—particularly women of color. https://t.co/9BA10iMACB — PolitiTweet.org
The New Yorker @NewYorker
Martin Riker’s novel “The Guest Lecture” is a paradoxically frenetic illustration of paralysis: its captures the internal monologue of an academic whose thoughts race but go nowhere. https://t.co/GuPTThr63p — PolitiTweet.org
The New Yorker @NewYorker
In Welkom, South Africa, outlaw miners climbed into some of the deepest shafts in the world, hoping to strike it rich—but many remained in poverty, or died underground. https://t.co/BsdicejfZ5 — PolitiTweet.org
The New Yorker @NewYorker
Color named for a duck: four letters. https://t.co/T1BBunxnFA — PolitiTweet.org
The New Yorker @NewYorker
President Biden’s speech in Warsaw this week was oddly triumphant, @sbg1 writes. “The one-year anniversary of what will undoubtedly go down as the worst fighting in Europe since the end of the Second World War should be an occasion for some humility.” https://t.co/PzGat6S6Xi — PolitiTweet.org
