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The New Yorker @NewYorker

In advance of the release of Peyton Reed’s latest film, “Ant-Man and the Wasp: Quantumania,” @tnyfrontrow looks back at the director’s mercurial and fascinating early features. https://t.co/FAwr9Ts7ef — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

Conceived during COVID, Shariffa Ali’s short film “You Go Girl!” is a testament to the space that Black people, and specifically Black women, hold for one another in times of joy and adversity. Watch here. https://t.co/SrD7FAw4nG — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

Rather than a departure from his literary work, Peter Handke’s position on Serbia may be of a piece with it, Ruth Franklin writes. https://t.co/gRtsA6naGB — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

Meeting your idols can go very, very badly. https://t.co/JTWUAo7Z2K — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

In @newyorkerhumor, a person lists their grievances against the woke mob. https://t.co/Cis3bbf6HP — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

Slap fighting is outrageous by design. But, in the case of “Power Slap,” some of the outrage has come from a surprising quarter: the world of professional fighting. https://t.co/OUn4a5nQmf — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

“When I’m writing well, I have this very clear and distinct feeling that what I’m writing on is already written. It’s somewhere out there. I just have to write it down before it disappears,” the author Jon Fosse says. https://t.co/EMuinDiia3 — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

Our latest operating system, Mid-Thirties, introduces an array of new, nonnegotiable features. https://t.co/Qj77iG2nNu — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

Scientists experiment on some 120 million lab mice and rats per year. But, as the global animal-testing industry continues to grow, problematic results continue to emerge. https://t.co/DlXMnlMX3w — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

Rebel-held areas of Syria remain largely cut off from the world. So far, U.N.-distributed aid has only been permitted through one border crossing, and none of the assistance has included earthquake relief or rescue equipment. https://t.co/9Zzz4NpBje — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

.@Helen_E_Shaw reviews “Pictures from Home,” a stage adaptation of a photographer’s photo-memoir, and “Cornelia Street,” a new musical that is “about as authentic a slice of New York as a plastic baguette.” https://t.co/AqJZuDcZdU — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

“He would remarry. It was obvious to her—to everyone. He was already living with his girlfriend, Heather, who was smart and beautiful and sane.” New fiction by Allegra Goodman. https://t.co/n1f6rTFU6Y — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

The conservative columnist Ross Douthat has called “Yellowstone” “the most red-state show on television.” But partisan politics can’t adequately explain the series’ mass appeal, Lauren Michele Jackson writes. https://t.co/ax7e1HXyla — PolitiTweet.org

Posted Feb. 26, 2023
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The New Yorker @NewYorker

The agony of destroyed friendship is at the heart of “All Quiet on the Western Front,” Erich Maria Remarque’s enduring novel about life and death in the trenches. Read Alex Ross’s review of a new film adaptation: https://t.co/IaxVY57tRB — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

An increasing percentage of parents decide to hold their child back for an extra year before the start of kindergarten. Research, though, suggests that the youngest kids ultimately end up on top. https://t.co/a6VjduhBxP — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

“I’ve always thought that my books are more interesting than my life,” Salman Rushdie remarks, in his first interview since the assassination attempt on his life, in August. “Unfortunately, the world appears to disagree.” https://t.co/horiDdYddC — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

In 2014, when Russian forces invaded Crimea and the Donbas, the photographer Maksym Levin went to document the conflict there. “I want to show that these are the people who protect all of us,” he said. https://t.co/iLGrOX3jQd — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

At the East Village location of the Dolar Shop—a Macau-inspired, Shanghai-based hot-pot chain—the pots are individually sized and can be outfitted with an S-shaped divider, so that you can sample more than one broth. Read Hannah Goldfield’s review: https://t.co/SjIzeqwI1g https://t.co/eVx64GdXDu — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

A cartoon by @himelblog and @shodell. #NewYorkerCartoons https://t.co/c26PSqmkGH https://t.co/b6DKrQ6121 — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

“I am not dead; I have never been dead, and after reading that book I will never again feel it quite safe to die!” A short story by F. Scott Fitzgerald, from 1920. https://t.co/2hNwxpfJzv — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

In 2014, when Russian forces invaded Crimea and the Donbas, the photographer Maksim Levin went to document the conflict there. “I want to show that these are the people who protect all of us,” he said. https://t.co/jvUSTt92Oe — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

“I watch Tucker Carlson so you don’t have to,” Kat Abughazaleh’s social-media accounts read. A 23-year-old senior video producer for the liberal watchdog Media Matters for America, she has professionally watched Carlson for two years. https://t.co/H6Q1NnU3UZ — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

In 1958, Jay Williams and Raymond Abrashkin, both now deceased, anticipated the rise of artificial intelligence and wrestled with some of the thornier issues in a children’s book series. https://t.co/E3K9NpUsoB — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

The lack of humor in Prince Harry’s “Spare,” @laurenzcollins writes, is a real weakness. In contrast, “The Heart Has Its Reasons,” published by the Duchess of Windsor in 1956, is laconic and self-deprecating. Read her full essay: https://t.co/pL2xFW7aeb https://t.co/wuvgnicoon — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

“It doesn't have to be a great movie, but you have to believe that these two people want to be together, and you have to buy in,” @Alex_Lily says, about good rom-coms. If you can't believe, “the whole thing falls apart like a bad soufflé.” https://t.co/4zAUqAIcJI — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

Solid . . . try, but no! The dubious claims on your mostly air-filled box do nothing for me. https://t.co/s1FMJJir4K — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

Under the Biden Administration’s new plan, groups of American citizens or permanent residents can apply to privately sponsor the resettlement of refugees. The first newcomers under the program will arrive in April. https://t.co/iq3WH6q1pJ — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

Read an interview with the Brazilian author Clarice Lispector, from 1976, published for the first time. https://t.co/GuvajbdO1k — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

How many books is too many books? https://t.co/TPX7tVamgH — PolitiTweet.org

Posted Feb. 25, 2023
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The New Yorker @NewYorker

In @newyorkerhumor, a guide to a few disruptors’ “inventions.” https://t.co/IvrCRMyLT6 — PolitiTweet.org

Posted Feb. 25, 2023