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The New Yorker @NewYorker
Ralph Ellison, who was born on this day in 1913, sought to emulate the writers who had given him a sense of himself as an artist. https://t.co/xx8Hel4EiO — PolitiTweet.org
The New Yorker @NewYorker
The docuseries “Stolen Youth” “is a remarkable work, advancing the prestige true-crime genre’s slow but steady reorientation toward centering survivors,” @inkookang writes. https://t.co/BS0W8YkJHW — PolitiTweet.org
The New Yorker @NewYorker
Heat runs, dad runs, and nocturnal runs: a half-marathon training log. https://t.co/A9EQuVF4vj — PolitiTweet.org
The New Yorker @NewYorker
Jessie Diggins has done something that no American has ever done before: won a gold medal in an individual cross-country skiing race at a world or Olympic championship event. https://t.co/ouwJzh20vk — PolitiTweet.org
The New Yorker @NewYorker
Is A.I. image generation merely recreational or actually revolutionary? “Is it like the invention of the electric light bulb or like the coming of the lava lamp?” @adamgopnik writes. “Herewith, some thoughts.” https://t.co/iO7ekwmi2A — PolitiTweet.org
The New Yorker @NewYorker
Word loosely rhymed with “crazy” and “chase me” in a Carly Rae Jepsen song: five letters. https://t.co/A3f55MktRF — PolitiTweet.org
The New Yorker @NewYorker
Can you guess this Oscar-nominated actress and director? https://t.co/E3eFaxaf6K — PolitiTweet.org
The New Yorker @NewYorker
At college campuses across the country, enrollment in the humanities is in free fall. “We feel we’re on the Titanic,” a Harvard English professor said. https://t.co/aEsuEz0RoO — PolitiTweet.org
The New Yorker @NewYorker
The “RRR” director S. S. Rajamouli discusses atheism, what makes a good action sequence, and some of his creative influences, including Mel Gibson and Ayn Rand. https://t.co/6W9msQtcSq — PolitiTweet.org
The New Yorker @NewYorker
Two re-created Dan Flavin exhibitions, from 1967, are on view at the David Zwirner gallery, in New York. “I enjoyed the show at Zwirner more than almost any of the later, larger Flavins I’ve encountered,” Jackson Arn writes. Read his review: https://t.co/s96oWM24O1 — PolitiTweet.org
The New Yorker @NewYorker
“Some folks can call energy masculine and feminine, but I like to deal with it in terms of hardness versus softness,” Janelle Monáe says. “I strive to be more like water than a hard rock.” https://t.co/ZjsQ29DM8x — PolitiTweet.org
The New Yorker @NewYorker
Eleanor Roosevelt once called the Progressive reformer and fiction writer Dorothy Canfield Fisher one of the ten most influential women in America. https://t.co/YpI9sBWQ8r — PolitiTweet.org
The New Yorker @NewYorker
Snapshots from the Garden of Eden, courtesy of Eve’s Instagram account. https://t.co/toN2kajp7p — PolitiTweet.org
The New Yorker @NewYorker
In a new documentary, shaky VHS clips and emotionally charged phone conversations tell the story of a mother and child addressing a painful relationship. Watch here. https://t.co/UtCOSCBwO8 — PolitiTweet.org
The New Yorker @NewYorker
.@jcljules profiles Giancarlo Esposito, a veteran of stage and screen who achieves a new level of campy malevolence in his role on “The Mandolorian.” https://t.co/xD8DKfWpq4 — PolitiTweet.org
The New Yorker @NewYorker
The recipients of any and all major awards, anyone who is engaged, and other people who have no business being younger than me. https://t.co/0cL0rwJ5kR — PolitiTweet.org
The New Yorker @NewYorker
Can large-language models help humans with the creation of original writing? To answer that, we need to be specific about what we mean by that question. https://t.co/8elFJMuZzH — PolitiTweet.org
The New Yorker @NewYorker
Who is speaking up for a young person’s right to a private life, to secrets, unshared thoughts, unmonitored conversations and relationships? https://t.co/1mTuO1oUkn — PolitiTweet.org
The New Yorker @NewYorker
The German artist Hito Steyerl makes work that is animated by an anti-capitalist, anti-surveillance sensibility cut by a measured and mischievous sense of humor. https://t.co/Yl5jCqZbnp — PolitiTweet.org
The New Yorker @NewYorker
“This Norwegian town has eliminated pollution by incentivizing bike riding,” @huttopian writes, in @newyorkerhumor. “Bicycles are allowed in the United States, of course, but they’re considered target practice for cars.” https://t.co/mc3qPQBNCP — PolitiTweet.org
The New Yorker @NewYorker
“I love interviewing people,” @Andy says. “And I love interviewing them because I truly can ask them anything. And most likely I’ll get an answer.” https://t.co/YmC38ei0TO — PolitiTweet.org
The New Yorker @NewYorker
This soup was so good that it needed a name, and thus it was christened “Roberto.” https://t.co/9DFPT8q7r1 — PolitiTweet.org
The New Yorker @NewYorker
In just six working years, Aubrey Beardsley produced more than 1,000 art works and was hailed as “the very essence of the decadent fin de siècle” for transgressing both social and aesthetic norms. https://t.co/FqdWAQewsP — PolitiTweet.org
The New Yorker @NewYorker
“Everyone is in a complicated relationship with things,” the philosopher Jane Bennett says. In her view, we are often pushed around, one way or another, by the stuff we come into contact with on any given day. https://t.co/Wnmjyx2z3L — PolitiTweet.org
The New Yorker @NewYorker
Cy Twombly is “smart enough to see through the past but is seduced all the same, and he takes pleasure in seducing you, too,” Jackson Arn writes. https://t.co/jD5lm1QUF5 — PolitiTweet.org
The New Yorker @NewYorker
How the game of Monopoly, which began as a critique of landlords, came to promote the naked pursuit of wealth. https://t.co/bBR0bIYHp8 — PolitiTweet.org
The New Yorker @NewYorker
The Amelia Bedelia children's series can be read as a product of mid-20th-century feminism and a reflection on class, domestic labor, and women's work. https://t.co/IqLEoATqxQ — PolitiTweet.org
The New Yorker @NewYorker
“You want to have lots of hippies around because they make the music and the food better,” said Joe Lonsdale, a venture capitalist who moved to Austin from Silicon Valley. “But you just don’t want them in government.” https://t.co/4NgCtqkGzG — PolitiTweet.org
The New Yorker @NewYorker
By mass-producing face-filter videos, aspiring creators who had previously struggled to find an audience on Instagram saw their videos reach hundreds of millions of accounts per month—and made tens of thousands of dollars. https://t.co/CEUeR0qqGi — PolitiTweet.org
The New Yorker @NewYorker
It is sometimes said that fame killed Jack Kerouac—that he was tormented by being continually addressed as the spokesman for a generation, Louis Menand writes, and by endless requests to explain the meaning of the term “Beat.” https://t.co/GS9IwcN2Go — PolitiTweet.org
